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For all those who relate "maybe to the wind, because they can feel it, or dirt, because they can touch it. But nothing else." Like Bobby Cornett (aka Shane), we are all trying to find where we belong.
Belong To The Wind marks Forager Records' debut release: A lovingly curated collection of crooning psychedelic folk and soul songs gathered from American 45s of the 1970s. The compilation features 10 songs from 10 different acts, each with an indelible story of love, loss, loneliness, and an unrele…
A rare document of the 1960s Black Arts Movement featuring Albert Ayler, Amiri Baraka, Milford Graves, Sun Ra, Cecil Taylor, and many more, The Cricket fostered critical and political dialogue for Black musicians and writers. Edited by poets and writers Amiri Baraka, A.B. Spellman, and Larry Neal between 1968 and 1969 and published by Baraka's New Jersey–based Jihad productions shortly after the time of the Newark Riots, this experimental music magazine ran poetry, position papers, and gossip al…
The third volume in a survey of the modern jazz & hard-bop scenes that emerged in the new cultural melting pot of post war London, with recordings from the end of the 1940s through to the early 1960s. Featuring representations from players whose roots lay in the East-End's jewish community alongside a wealth of talent of Caribbean and African descent playing and recording in post war London during this period. Made in partnership with the Barbican to coincide with the exhibition Postwar Modern: …
Wewantsounds present the first retrospective on vinyl of Saravah Records, one of the most influential French labels founded in Paris by singer, songwriter, and producer Pierre Barouh in 1966. Featuring Brigitte Fontaine, Jacques Higelin, Alfred Panou, and many rare tracks reissued on vinyl for the first time, the set gives a glimpse of the free-form, groovy sound of the label between 1965 and 1976. Supervised by Pierre Barouh's son and Saravah historian, Benjamin Barouh.
Pierre Barouh became an…
Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Afric…
*Limited edition of 500 copies, silk-screened sleeve, random green and rose artwork.* Alien Transistor present Alien Parade Japan, a joyous double-album compilation of groups from Japan’s indie-pop and avant-garde undergrounds, all of which feature brass or woodwind instruments as part of their line-up. Compiled by Markus Acher (Alien Transistor, The Notwist, Hochzeitskapelle) with plenty of support and help from his Spirit Fest bandmate, Saya (also of Tenniscoats), it features some familiar nam…
*2022 stock* 'Since the 70's, the club "nu things Jajouka ~ environment 0g [zero-gauge]" produced by Yuzuru Agi has been crossing various scenes such as progressive rock, contemporary music, punk, new wave, industrial, house, techno, and club jazz, and has always been trying to decipher the coming era. This double-CD compilation “a sign 2” featuring 15 artists gathered in the club. The seeds of cutting-edge music that sprouted in the 2010s have blossomed here.' - Satoru Higashiseto
Founded in 1978 by Rock Magazine editor-in-chief Yuzuru Agi, Vanity Records captured the cutting-edge musical trends of its time, including new bands working with post-punk values, alternative approaches by musicians who had been in bands, and electronic and industrial music as the cutting edge of the times. Vanity Records is said to be one of the first independent labels in Japan, and is an indispensable part of the independent/indie music scene in Japan from the late 70s to the early 80s. The …
Compiled by Ma Nu in partnership with Denis Longhi. "South American Jazz & Bossanova flavours from 60s & 70s in Liguria, north west Italy. Melody sounds really close to Brazilian Portuguese and instrumental tracks smells of South American Jazz. Nonetheless, the sound landscape clearly reflects the Italian Library Music of the time. This mingling was made possible by the commercial and cultural interconnections during the discovery of the New World: the local Ligurian language was influenced by …
*In process of stocking* Compiled and conceived by David Nerattini partnered by Pierpaolo De Sanctis. Between the late 70s and the early 80s, pop music was in a transitional phase. After a return to the roots of punk, rock was morphing into new wave, while disco was rapidly declining and the electronic revolution, already on the rise, was ushering in the transition from analog to digital. This period also saw the emergence and relatively brief flowering of a commercially dominant style that mixe…
New edition 2022 Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . . In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the albu…
Lefto presents Jazz Cats volume 2, features a balance of known and obscure artists. From the thrilling frenetic grooves and innovative soundscapes of Bandler Ching and the electronic influenced Stellar Legions (Andrew Claes from (STUFF.), to the jazz fusion collective LũpḁGangGang and weaving musical odyssey that is M.Chuzi, ‘Lefto presents Jazz Cats volume 2’ is a melting pot of the best musical talent coming out one of the smallest countries in Europe. In addition, there’s the beautiful unease…
London's Death Is Not The End rope in folklorist Derek Piotr to curate another mystical collection of crackly mountain music from North Carolina. Powerful, soul-stirring unaccompanied vocal music.
Another luminous compilation from London's Death is Not the End, this time examining the city's modern jazz and hard-bop scenes from the end of the 1940s until the early '60s.
Midnight In Tokyo is a compilation series that aims to be the perfect companion to nights in Tokyo, collecting tracks by Japanese artists that sound best at night. Vol. 2 (STUDIOMUL 006CD/LP, 2018) focused more on '80s jazz fusion, but the latest installment, Vol. 3, picks up where Vol. 1 (STUDIOMUL 001CD/LP, 2018) left off, bringing together forgotten soul, disco, and new wave gems. The compilation opens with Japanese rare groove classic "More Sexy," a provocative song by Yoko Hatanaka. "Kimi N…
All proceeds from this compilation will go towards Sistah Space, a non-profit community-based organisation bridging the gap in domestic abuse services for African heritage women and girls.
*200 copies limited edition* Third volume of the series Drone Islands, "Drone Islands - Stellar" continues Eighth Tower Records' deep explorations into the realm of "drone music". The volume mainly focuses on drones inspired by astronomical events, and were originated through various musical approaches, from the well established synthesizer sounds and onto orchestral arrangements sounding like drones; furthermore, it showcases many young and talented musicians involved in the latest "drone dream…
'14 musicians from nine different countries went on a sound journey directed only by their own musical fantasy, no borders – except one, more about that later. The venue, the newly built „Schwere Reiter“ in Munich, is perfect for this: clear acoustics, clear architecture. In the middle of the covid pandemic, in a short time when concerts were possible, such an intense and open exchange could happen, two days in a row, on October 1st and 2nd 2021 – a stroke of luck. A music that moves, stimulates…
*Limited edition 100 copies* 4th compilation of French unconventional projects on Out of Standard!!, ADN side label. Mastered by Ruggero Tajé. Dedicated to Chris Marker.