Various
An Anthology Of Noise & Electronic Music - Vol 1
Subtitled: First A-Chronology 1921-2001. At last, the Sub Rosa label re-issues the highly-acclaimed Anthology Of Noise & Electronic Music collection. Containing early and contemporary classics as well as pieces that had never been heard before. Volume 1 begins in the 1920s with the Russolo brothers, and examines each decade in turn -- Varèse, Cage, Schaeffer, Xenakis, the great pioneers crafting the first traces of a music that was markedly revolutionary: electronic music, created from no…
Pomegranates
It’s no accident that the phoenix is an exalted moral, mythical, and figurative symbol in Iran. Like the phoenix, Iranian culture is in constant flux and, at times, elusive, with its existential wavering and blurred panoramas. Most of contemporary Iran’s artistic and creative leanings, its grapples with history and identity, are loosely and mystically conjoined and contested in memory. Iran is marked by the complex interplay of diverse constituencies, philosophies, and influences: ethnic, religi…
Cassette Van Antwerpen
A compilation tape filled to the brim with only contemporary Antwerpian (experimental) music. With tracks by Miaux, Mik Prims, Innercity, Joris Van De Moortel, Ria Pacquee, Gerard Herman, Blaastaal, Crimpers, Beach, Dolphins into the future, Smokers, W. Ravenveer, Steve Van Den Bosch, Possessed Factory, Orphan Fairytale, Cassis Cornuta, Vom Grill, Mittland Och Leo, DSR Lines, Dog Republic, and Remörk.
Der Michel und der DOM
Sound art project that connects the city of Hamburg’s church St. Michaelis and the funfair "Hamburger DOM" :: soundcompositions, soundscapes and remix: Gregory Büttner, Roland Etzin, Stefan Funck, Costa Gröhn, Christoph Korn, Martin Moritz, Lasse-Marc Riek, Philip Samartzis, Hans Schüttler, Suspicion Breeds Confidence, Asmus Tietchens "Der Michel und der DOM" is a sound art project that connects the city of Hamburg’s church St. Michaelis ("Michel") and the funfair "Hamburger DOM" by merging the …
AudioArt Compilation 02
Costa Gröhn “Zwergohreulen in der Vikos-Schlucht”, Martin Moritz “No Input Output”, Thomas M. Siefert “No I, Improvisation gong”, Lasse-Marc Riek “Fahnenstange”, Suspicion Breeds Confidence “Ein Abenteuer ist zumeist nur eine verpaßte Mahlzeit”, Dirk HülsTrunk “Forward”, Etzin “Wundschwelpn”, Gran où lée “Bird cage blues”, Dirk HülsTrunk “Fall out”, Waldlust “Krachgarten”, Gran où lée “Tangonflies”, Etzin “Voegel-Verteidigung der Nester”, Ohrginal “Kombinationen 04”, Dirk HülsTrunknie “Live at G…
Rhythm
Peter Cusack “Through the Robots", Eric La Casa "Clisson: Moulin de Gervaux", Roland Etzin "Premium 900", Jez Riley "Boat Ropes & Lake Hollow Pole", Takahiro Kawaguchi "for example #01", Dale Lloyd "1928 Australian Streetcar", Takefumi Naoshima "self adjustments on mirror", Lasse-Marc Riek "Matti, 06.02.2007, 10:29 am", Sawako "Rain Clock", Walter Tilgner "Tag, Mittelspecht".
Neuklang Kirchenlied
German bands and solo artists bring old hymns into contemporary music. The spectrum ranges from jazz to pop, from rock and metal to acoustic art. An essential part of the concept is that text and melody are preserved. The tradition of hymns is a living one and variation has always been part of it. The remixes of this project bring more variation to it. Tracks by Arbeit, Lüül, Joni & Joni, Workshop, Die Praktikanten, A.R.S., Der Bote, Snubnose, Zeitblom feat. Hitomi Makino, Nicolas Weiser.
Playing with Words: Live
Kulturnetz Frankfurt e.V. presents: International SoundArtFestival.
Gallus-Theater, Frankfurt am Main 2009 / A film by Bernhard Bauser Joerg Piringer (A), Ansuman Biswas (GB), Dirk Huelstrunk (G), Sianed Jones (GB), Nye Parry (GB), Jaap Blonk (NL). The festival “Playing with Words – Live” presents six internationally renowned artists who put voice and spoken word into the center of their performance. Listen to sound poetry, Celtic world music, electronically processed voices, or hear about the…
Playing with Words: an audio compilation
The work on this audio compilation is part of an intermittent ongoing tradition of artistic investigation of spoken language. The pieces included here negotiate potential oppositions such as semantic play and abstraction, musical and narrative structures, speech and song, one voice and many. Influences have been drawn from many sources including poetry, music, song, theatre, typography and graphic art, philosophy, radio, performance art, linguistics, fine art, literature and of course the keen o…
Traces Two
2014 repress, Recollections GRM presents four "forgotten" and compelling electro-acoustic pieces from the institute's world famous archive. Recollection GRM, a label within the Editions Mego family of labels, offers a second selection from the vast archives of Groupe De Recherches Musicales (GRM). "The idea of the Traces series is to unearth from the GRM Archives short, forgotten, or ignored pieces of music. This second volume, which gathers works prior to 1976, features the 'early' works of f…
Traces One
Another indispensable glimpse into the GRM archive courtesy of the mighty Editions Mego, 2014 repress. Beatriz Ferreyra's "L' Orvietan" (1970) is a work composed of two separate movements, the first drawing from electronic sounds, the second from concrète ones. These two sources do not meet, but tend equally towards sound antagonism and a complementarity of spirit. Philippe Carson Turmac's (1961) was created from machine-sounds from the Stuyvesant factories (Holland). Three movements foll…
Rajasthan Street Music
"Swathed in hundreds of miles of snaking hinterland, the northwestern Indian state of Rajasthan is a giant canvas for the imagination of the wanderers it gives home to. Through the stark reaches of the vast Thar Desert, Rajasthan shares borders as well as bloodlines with the Pakistani provinces of Sindh and Punjab to the west and the Indian state of Gujarat to the south. The state's rough history and harsh environment is heavily reflected in the Rajasthani people and Marwari tribal culture; cent…
Field Recordings from Mali (Bush Taxi Mali)
Bush Taxi Mali: Field Recordings from Mali is an aural tour through the heart of Mali. These field recordings were made by Tucker Martine in 1998 while traveling throughout the West African country. This blend of bluesy ngonis, clamoring street sounds, the stunning voice of Jalimusa Amanita Diabaté (of the famous Diabaté family), passing radios, Fulani flutes, runaway sound systems, and chants from the Dogon country creates a unique portrait of Mali's rich musical heritage. Eventually Martine fo…
Classroom projects - Incredible music made by Children in school
LP version. Incredible music made by children in schools" says is it all really. Jonny Trunk has collected the best moments of that most niche of niche collectors' genres, the school album, spanning music by small primary school choirs singing folk songs to full-blown avant-garde experiments written and performed by children still at secondary or grammar school. As with practically all Trunk releases, it's a nostalgic gas for anyone over a certain age - we reckon anyone younger than 25 may be ba…
100 Moons Hindustani Vocal Art 1930 to 1955
Amazing sounds from the subcontinent – a selection of mid-century recordings that focuses on the incredible vocal range in Indian music, served up by a set of singers we might never have known otherwise! The voice is almost the lead instrument here – usually just supported by a bit of percussion or sitar, and set free in open space with these insane inflections and cascading tones that really leave us breathless! Mediative and exciting vocals from the masters. Great liner notes and master…
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
Compilation
This 7-CD set contains 19 selected performances from the Ftarri Festival, held in April 2008 (Kyoto / Tokyo), and the Ftarri doubtmusic Festival, held in September 2010. The 7 CDs, together with a sequentially numbered Ftarri Collection card, come in a special handmade felt bag about 18 cm high and 17 cm wide. Each bag has a different design. Ftarri Collection 1 with Opera Southern Cross (Taku Sugimoto: composition, images. Katsuaki Iida: words, reading. Toshimaru Nakamura: no-input mixing board…
Cosmic Machine - A Voyage Across French Cosmic & Electronic
Impeccably presented, deluxe 20-track double LP & CD gatefold edition illustrated by legendary graphic artist Phillipe Druillet. Hand-numbered edition. There's little contest to the claim that French musicians pioneered electronic music in the 20th century. This compilation traces the period following the innovations of Pierre Henry and Pierre Schaeffer at the GRM, post '68 when bold artists were intersecting their avant-garde concepts with pop, disco and rock. 'A Voyage Across French Cosmic & E…
Hypnosis, distortion & other innovations 1969-1978
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
Let No One Judge You: Early Recordings From Iran, 1906-1933
Gorgeous 4LP box set presented in two gatefold sleeves inside a heavy card slipcase, with a 12” square, 20 page, saddle stitched booklet on art paper. The set is a 34-song anthology of Early Recordings From Iran painstakingly restored from 78s at Abbey Road studio in London "Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 — with futuristic, overlapping trumpets and exquisite clarinet improvisation — through to a…