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Volume-What You See Is What You Hear

N 7 (Interviews Special Issue)
Bilingual (English/French) and biannual, Volume - What You See Is What You Hear is the first magazine devoted to sound issues in art, and to the complex relationships between visual and sound forms, both in contemporary art and history. Interviews Special Issue. 'Why a special issue devoted to the interview? This kind of text has been a feature of the magazine since the very first issue, and is intrinsically bound up with words Ð or at least with dialogue, because interviews are not necessarily …
N°2
bilingual edition (English / French). 21 x 27 cm (softcover). 144 pages (color & b/w ill.)Second issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history, around the problematics of voice and oralness. Featuring: monographs (Anthony McCall, Vittorio Santoro, Loreto Troncoso Martinez, Benjamin Seror, Anna Barham), analysis (Radiotopia by Manuel Cirauqui, From verbivoco-visual poetry to the spatial…
N°3
As a cultural clue and a discipline subject to codes other than those of the visual arts, music turns out to be a medium and a bundle of eclectic references based on which it seems possible to spell out alternative conceptions of the world, and cast a critical eye over certain mechanisms at work in our societies. So-called 'popular' forms of music represent an inexhaustible source of inspiration for artists, whether they are raising the issue of their fetishization and their museification, or e…
N°5
5th issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms (critical texts, historical analysis, interviews, artist's interventions...): Céleste Boursier-Mougenot, Erik Bünger, Destroy All Monsters, Julien Discrit & Thomas Dupouy, Rashid Johnson, Kapwani Kiwanga, Claude Lévêque, Haroon Mirza, Kristin Oppenheim, Katie Paterson, Ugo Rondinone, Cauleen Smith, artistic contributions by Meris Angioletti, Isabelle Giovacchini and Joachim …
n. 04
Fourth issue of the contemporary art journal about sound: Mark Leckey, Ruth Ewan, Tom Marion and the sonic explorations in San Francisco Bay, notes on Robert Morris' 21.3, interview with Pierre Henry, the Louie Louie project, special interventions by Dora García and Hannah Rickards, etc. This fourth issue of Volume comes under the aegis of the double. Somewhere between duality and dialogue, the praxis of certain artists is illustrated as much by way of music as through the visual art…
N° 1
“Bilinguage (english-french). First issue of the contemporary art journal about sound, devoted to the complex relationships between visual and sound forms, both in contemporary art and history.Featuring: analysis (“A Brief History of Sound Art” by Rahma Khazam; “Sound Art, a Fortified Art” by Bastien Gallet; “Notes on Steve Reich's Pendulum Music” by Christophe Gallois; “A Formless Form” by Mathieu Copeland; “Sound in Artist's Films” by Alexandre Castant, etc.) / “focus” on Philippe Decrauzat's …
1