Werner Dafeldecker
Tropic of Capricorn
Tropic of Capricorn is the second album by Lawrence English and Werner Dafeldecker. Based on field recordings made by the prolific Room40 owner that were subtly but decisively altered with electroacoustic techniques through the German improv legend, these two long-form pieces blur the lines between acoustic ecology and aesthetic interventions, concrete local sound worlds and boundary-defying art. They put a focus on our relationship with nature as listeners as much as they call into question whe…
Der Krater
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up... for once. Yet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English -- asking for a 'press sheet', a very weird, but apparently necessary form of literature in whic…
Neural
Intense, mind-bending, and spectral long-form drone works inspired by the way neural networks self-organise thru repetition, variation and reiteration. Features input of Lucio Capece and Judith Hamman.
Monte Carlo Fallacy
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Here, on this duo with his long-term accomplice Werner Dafeldecker, we hear the sound of two instrumental practitioners as they explore the nature of their respective instruments with a paced and thoughtful guidance, with little intervention or overt de…
Induction
"Improvised music at this level of concentration may touch the roots of human culture, the transformative power of the cave and the paintings of Lascaux and Altamira." – Stuart Broomer (liner notes) Burkhard Beins percussion John Butcher tenor and soprano saxophones Werner Dafeldecker double bass
Iteration
Two improvisations from an astonishing Munich performance in May 2019 by the Berlin-based duo of Lucio Capece - bass clarinet, slide saxophone, room acoustics and mini-speakers & Werner Dafeldecker - double bass.
"The two pieces were recorded last year during our live performance at the ‘Offene Ohren’ concert series in Munich. On the disc are two unedited improvised sets. Lucio and I have known each other for many years and play together periodically. So the music was maybe ‘pre-planned’ to some…
Parallel Darks
Estimable Austrian double bassist Werner Dafeldecker commits his first electro-acoustic full length with an engrossing side of textural roil for Room 40 comparable with enigmas by Kevin Drumm, Emptyset or Cam Deas and primed for deep immersion.
Small Worlds
Edition of 300. Small Worlds (2004) is a 42-minute composition for improvising sextet by Austrian double bassist, composer and improviser Werner Dafeldecker. The score is written for any instrument and divides the players into two virtual trios whose constellations change every three minutes. No restrictions are made regarding material or playing techniques, the only specification is that in each three-minute trio, one player has the role of the "dynamic leader" which means that no other player …
A Page To A Corner (Ep)
**Edition of 200** The unfathomable quantity of Pan Daijing meets Werner Dafeldecker’s mercurial sound art on this surprise, limited edition 7" pressing.
Leading on from her heavily arresting Lack album for the PAN label, A Page To A Corner is Daijing's first collaborative release. The title track is a lethargically hypnagogic thing, with Daijing lamenting an unseen force, bound into a mesh of monotone drones and keening strings to ultimately quease-inducing effect.
On the B-side, Daughters…
Shadow Of The Monolith
Shadow of the Monolith is the collaboration of acclaimed artists Lawrence English and Werner Dafeldecker. Recorded across the Antarctic Peninsula and produced in Brisbane Australia, Shadow of the Monolith works across aesthetic disciplines exploring electroacoustic transformations of atmospheric, hydrophonic and ionospheric materials. The raw materials have been layered, processed and structured into a record that drifts from dense microscopic cracks to vibrant shifting frequencies, from section…
Williams mix extended
Approaching the original score from a contemporary perspective, this new interpretation of Williams Mix contains a close analysis of the relationship between early tape music and current digital production, including video, allowing for original parameters of the score to be realized within the context of recent audio-visual technologies. The video component of Williams Mix Extended, created by Lillevan, will focus on the permutation and transformation of John Cage´s tape notation into visual ar…
Till The Old World's Blown Up And A New One Is Created
The rebirth of cool" m=minimal is pleased to release a masterpiece of the early 21st century on vinyl. "till the old world's blown up and a new one is created" is an outstanding work of reductionism and minimalism. martin brandlmyar (radian / trapist / kapitalband 1), werner dafeldecker (polwechsel, david sylvian, autistic daughters) and christian fennesz (touch / mego / thrill jockey) on this record created a new kind of cool jazz coupled with a big portion of new york school (cage, feldman, br…
Der Kreis des Gegenstandes
Axel Dörner, trumpet. Werner Dafeldecker, doublebass. Sven-Ake Johansson, drums. Recorded in May 2010 in Gothenburg by Bengt Pettersson and Bertil Karlsson.
Long dead machines I-IX
This is the first double bass solo record of the musician, composer and producer (co-founder of Durian) Werner Dafeldecker that focuses his work on improvisation, electronic music and cross-over projects
Aluminium
It's onward, ever onward for New Zealand's foremost guitar experimentalist, Dean Roberts. Before you know it, he'll be as ubiquitous as Thurston Moore, a New Music gadfly gatecrashing every weird feast going. The latest outpost in a transition from lo-fi humstrum to Destination Unknown sees Roberts shacked up with avant-Austrian Werner Dafeldecker bassist in Improv group Polwechsel.Expect: grinchy crackling, like the amplified sound of grit disintegrating. Imagine: bric-a-brac, debris, splinters…