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Wes York

Wes York
In a robustly maximalist age that gladly permits the fusion of unrelated styles and the flaunting of eclecticism, Wes York’'s (b 1949) music stands out as reductive, elliptical, elusive, implying diversity rather than spelling it out. It is a music that is unusual in its reconciliation of what had previously seemed two incompatible forms of Minimalism: the propulsive, harmony-and-rhythm driven sort pioneered by Philip Glass and Steve Reich, and the more mysterious and intangible ways of Morton F…
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