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2003 release ** "People uncertain about the appeal of an album of percussion music should know two things up front. First, the three longest pieces on Drums Along the Pacific feature a non-percussion solo instrument. Second, Lou Harrison's interest in percussion music was split equally between rhythm and melody. In percussion-only pieces like "Simfony #13" and "Song of Quetzalcóatl" -- both performed here by the William Winant Percussion Group -- he uses sets of instruments with different pitche…
"We hear harp, electronics, piano, cello and percussion convene in clash and collusion, setting forth a dazzling array of sound and expression. Plains of disarticulation and misdirection are cut by moments of inextricable entanglement, where we hear discrete sounds fuse, instruments bleeding into one another, at times taking on the warp and weft of a companion. The recording is of an extraordinary performance of improvisational prowess by four musicians working at the very limits of their techni…
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble’s unique sonic resources in diverse stylistic setting…