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Virus, from the Bielefeld area in Westphalia, were the best and most famous local progressive group there in the early seventies. In 1970, they won the well-known competition in the Recklinghausen Vestlandhalle – still under their old name of Man’s W…
The name is the first clue. Clark Ashton Smith - poet, sculptor, and author of cosmic horror fiction, a peer of Lovecraft and one of the strangest imaginations ever committed to the pages of Weird Tales - populated his stories with invented worlds fu…
Missus Beastly had formed in Herford in 1968 under the name Psychotic Reaction - lifted from the Count Five song - before settling on a name borrowed from a doll on a German children's television programme. Lutz Oldemeier on drums, Reinhard "Atzen" W…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always soun…
The artist name and album title are swapped. The back cover states: "produced by Dr. Aftershave And The Mixed-Pickles" and "this record is dedicated to Missus Beastly." A label contractual dispute with Telefunken required that Missus Beastly not rele…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contribu…
What you hold is half a record. Three tracks, twenty minutes, one side of an intended LP that never found its other half. Gäa recorded these sessions at Leico Studio in 1975, then ran out of money before the album could be finished. By 1978, the band…
Dee Brown's Bury My Heart at Wounded Knee, published in 1970, was the first major history of the American West written from the perspective of its Native peoples. Its impact across Europe was considerable - a generation reading it not as distant hist…
Edition with 20 pages booklet* Sophisticated rock with polyphonic vocals, multi-layered structure and frequent rhythm and tempo changes, in the vein of Gentle Giant and King Crimson. The LP was released on the Kerston label in 1977. The vinyl re-rele…
*20 pages booklet edition. In proces of stocking* 'The band began in 1974 in Hagen but unfortunately this excelent album was emerged only in 1978, when progressive rock was not more in "fashion". Then this first work is sadly also the last. A similar…
The first release of a 1995 studio session, produced by Evan Parker. The Kenny Wheeler Sextet includes Ray Warleigh, Stan Sulzmann, John Parricelli, Chris Laurence and Tony Levin.
Corbett vs. Dempsey is delighted to announce the release of the self-titled debut CD by the international quartet The Sleep of Reason Produces Monsters.
The highly democratic foursome works in the productive netherworld between genres, where genres g…
Dave Rempis, alto, tenor, baritone saxophone. Ingebrigt Hoeker Flaten, bass. Frank Rosaly, drums. Tim Daisy, drums. The Rempis Percussion Quartet is a free - improvising whirlwind that draws inspiration from a shared interest in West African and Lati…
There are super groups, and then there are Supergroups. This trio, comprised of three prolific journeymen improvisers whose work has been recognized across the globe, is neither. This is a band of down-to-earth, hard-working musicians, whose focus …
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unr…
Estonian vocal ensemble Vox Clamantis and their leader Jaan-Eik Tulve have established themselves among the leading interpreters of Arvo Pärt’s music over a quarter-century of close collaboration with the composer – a relationship that builds on the …
Hardcover, 648 pages, Hardcover! This book looks back on the golden years of the music scene that emerged out of Canterbury, Kent, in the late 1960s, spearheaded by Soft Machine and Caravan and their various offshoots, including Gong, Kevin Ayers and…
It was the summer of love in 1967, and more than 12 000 people found their way into the Rheinpark in Cologne – situated opposite the majestic cathedral and right at the bank of the Rhine river – for the first German open air jazz festival. Featured o…
Double album with unreleased live recordings from the German Jazz Festival 1966 featuring all the big German names of the time - Albert Mangelsdorff, Horst Jankowski, Hans Koller, Rolf Kühn, Klaus Doldinger etc! Listen to Mangelsdorff's "Plakate" or …