We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Stay / Sea
*150 hand-numbered copies limited edition* HolyKindOf is multi instrumentalist J. Bryan Parks from Akron, Ohio. Is a part of Rubber City Noise. HolyKindOf is a solo venture that began its current incarnation in the late spring of 2012 in a cathartic …
Watering Paper Flowers and Snakes
Open to the Sea was born around the musical experiences of Enrico Coniglio, here playing piano and synths, and of the music wizard Matteo Uggeri who adds his world of samples, noises, field recordings and recorded instruments played by friends. The f…
Variants
“Variants” is a new chapter of Capricorni Pneumatici an esoteric post industrial project that started in Italy during the nineties. First of all you will be caught by the nice cover recalling Flemish painter Hyeronimus Bosh. You may see it as an intr…
I Went This Way
2024 stock. With her new album, I Went This Way, (due October 23, 2020), Rachel Musson debuts her own ambitious compositions, incorporating spoken word text and daring instrumental experimentation, alongside eight other accomplished musicians. The en…
The Dream
2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walki…
And On The Seventh Day Petals Fell In Petaluma
The history of American avant-garde music is a snarled knot, twisting through the decades, spanning genre, practice, and approach. Most narratives plant its origins within the post-war period, orbiting around John Cage, Morton Feldman, and those arti…
It's So Hard To Tell Who's Going To Love You The Best
Karen Dalton's 1969 debut is finally back in print. 2024 reissue features all-analogue mastering by Kevin Gray at Cohearent Audio, direct from the original analogue tapes. Housed in an expanded gatefold jacket with liner notes by Brian Barr
Resignation I-II-III
*300 copies limited edition* Nordvargr’s Resignation project was initially born in 2008 exploring rhythmic and repetitive aspects of his musical output, merging elements of electronic music with dark ambient soundscapes. We present here the first 3 v…
La Macchia
This new chapter of Baccano intertwines the sonic roots of Southern Italy with contemporary musical languages, thanks to the collaboration between two artists who, despite coming from different backgrounds, share an intense exploration of traditional…
Infinite Cosmos Calling You You You (Vol. 1)
Federico Ughi Together with Leo Genovese and Brandon Lopez Explores the Spaceways in the New Multidimensional LP ‘Infinite Cosmos Calling You You You, Vol. 1’
Yellow Magic Orchestra
*2025 repress* Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra. The album was an early example of synth-pop,a genre that the band helped pioneer. It contributed to the development of …
Raised Pleasure Dot
Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling,…
In Wildness Is The Preservation Of The World
The music on this recording is drawn from a range of solo, chamber, and orchestral works composed by Brian Fennelly (b 1937) over a period of two decades. In his thirty-year career, Fennelly has contributed more than sixty works to the repertoire of …
Piano Concerto for Left Hand and Orchestra
Gary Graffman and I have been staunch friends since we met as students at the Curtis Institute in 1943. The notion of pooling our talents, however, arose only when we returned to that Institute nearly five decades later, Gary as director, I on the fa…
Dream Sequence (Chamber Music)
Andrew Imbrie (b 1921) is a composer whose independence and singularity of purpose have endowed a prodigious output that awaits wider discovery. His method of composing is not in and of itself remarkable. He is, rather, of a tradition wherein achieve…
Over The Edge
Eric Chasalow (b 1955), who grew to aesthetic maturity as Postmodernism was evolving, points (not at all surprisingly) to jazz as part of the family tree. In 1983, Chasalow created a set of three works for soloist and electronic sounds. The composer …
Wes York
In a robustly maximalist age that gladly permits the fusion of unrelated styles and the flaunting of eclecticism, Wes York’'s (b 1949) music stands out as reductive, elliptical, elusive, implying diversity rather than spelling it out. It is a music t…
Past Tells
This is not a recording for the fainthearted, the straitlaced, or the stylistically correct. Bass trombonist David Taylor has assembled a multi-faceted self-portrait out of pieces he selected, inspired, and composed. His eclecticism demonstrates how …
Gravity
Joona Toivanen Trio returns to We Jazz Records with their new album "Gravity", out 31 January 2025. A landmark work for the long standing group, the album showcases the forward-looking sound of the band, moving way beyond the basic scope of the "pian…
McPhee Marker
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm …