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2009 release ** "The latest Plastic Crimewave Sound album 'Painted Shadows' (the title inspired by a practice used in german expressionist films) has a more cosmically devotional vibe than past LPs, touching on eastern folk-blues and elongated kraut-like soundscapes, with new elements of banjo, violin and female voice added to the stew. However, there is still some trademark PCWS rocking, as they still deliver blasts of motor city-type acid-punk, japanese-style skree, and waves of tension and re…
2007 release (RARE) ** "The trio's first collective improvisation on Alexandre Pasquino's film "Walkin' LA" at Ramuntcho Matta's. The vibe is right, the playing is there, the atmosphere relaxed. Recordings of improvisation sessions with Simon's visits to Paris as an excuse. Making music for the pleasure of drifting on the edge of styles and forms. All recordings come from acoustic and electro-acoustic instruments (guitar, bass, sax, flute, spoon, vocals, traditional instruments, etc.). The group…
2008 release ** "What the acronym means is a mystery, I do know that R.Y.N. is from the UK and consists of Pete Burn (Marzuraan) and Lee Glaister (Romance). Astral Death is the first full album after a 7" on Drone Records. I also know that Astral Death is a collection of murky ambient drones. A metallic reverberating drone and an organ chord make up opening track Conscious Patient. The constant soundpressure is dazing. The Cleansing echoes ominously but is less numbing, it's surrounding you with…
2002 release (RARE) ** Transfigured Wind III (1984) for flute, ensemble, and tape / Ambages (1965) for flute / Mistral (1985) for chamber ensemble. "Pierre Boulez was widely praised as an innovator for his Rèpons when he premiered it at IRCAM in 1981. This is a piece where a computer samples the live sound of a chamber ensemble, recalculates it to a programmed algorhythm and then scatters the sounds back out into the hall. Not to knock Boulez, but American composer Roger Reynolds had been workin…
Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents the definitive, remastered reissue of Ennio Morricone’s complete score for Elio Petri’s 1973 film La proprietà non è più un furto (“Property Is No Longer a Theft”). This darkly satirical drama—starring Ugo Tognazzi, Flavio Bucci, and Daria Nicolodi—marks the final chapter in Petri’s celebrated “trilogy of neurosis,” following Indagine su un cittadino al di sopra di ogni sospetto and La classe operaia va in…
*300 copies limited edition* Describing his ideas behind "F(our) Ward", Edley ODowd notices that the combination of sound and visuals were “essential to delivering a message”- points out Edley talking about his foray into new territory. “I wanted to create something of nightmares and bliss” explains EdleyODowd when asked to discuss the combination of visuals and sound presented on his latest solo release "F(our) Ward". ODowd, a long-time veteran of various musical scenes, has collaborated and pe…
1996 release (light storage wear) ** Gianfranco Pernaiachi’s Abendland is a solitary and profound piano solo meditation on sound and silence. The piano hints, rings out and whispers. The sound is crystal clear; essential and like a prism that divides sound into mysterious harmonics and distant resonances. "Abendland“ is a work of great musical poetry, a musical meditation by a composer warranting close attention.
We're kicking off 2025 with a special issue to celebrate UK Grassroots Electronica – the ever-growing number of bedroom producers and independent record labels across the country – and we're bundling the magazine with an exclusive double CD featuring 30 killer tracks from some of the most exciting underground artists on our radar.
With her debut solo album rocketing into the UK Top 10 on the week of its release, we are delighted to have Alison Goldfrapp on the cover of the new Electronic Sound. We have a fantastic red vinyl seven-inch by the always stylish and often elusive singer to accompany the issue too.
We have the magnificent Cosey Fanni Tutti on the cover of this month's Electronic Sound and a very special Cosey seven-inch to accompany the magazine. The limited edition record is pressed on yellow vinyl and features a previously unreleased track, together with an exclusive remix.
Our interview with Cosey focuses on two projects stemming from 'Art Sex Music', her 2017 autobiography, both of which have just come out. The first is her superb soundtrack to 'Delia Derbyshire: The Myths And The Leg…
*In process of stocking* We're delighted to have Blancmange main man Neil Arthur on the cover of the latest issue of Electronic Sound – and a special dot-to-dot image of him, no less. We have a limited edition pink vinyl seven-inch to accompany the magazine too, with the awesome 'Living On The Ceiling' on the A-side.
Blancmange were one of the coolest synthpop outfits of the early 1980s and it was quite a surprise when Neil Arthur and his original partner Stephen Luscombe called it a day in 1986…
This month's cover star is the legendary Stephen Mallinder, once of Cabaret Voltaire, now of Wrangler and Creep Show, and we have an exclusive and totally glorious green vinyl seven-inch by this giant of UK electronic music to accompany the issue.
This is the ES final issue of 2021 with the best releases of the last 12 months for your delectation and delight. Our cover star is LoneLady, the first artist to ever have two records in our Top Five Albums Of The Year, and our bundle edition includes a brilliant double CD featuring a bumper selection of the finest tracks of 2021.
We have reviewed 900 albums over the course of this year and deciding on our favourites has involved endless days of list scribbling, head scratching and pencil chewi…
2003 release ** The first ANTS international production comes with the new project by David First, one of the champions of the US experimental scene. It's a set of four long pieces, generated by the coupling of frequencies, pulsating drones designed to emulate and induce various states of brainwave activity. A static form that slowly modifies itself, in time. A new experience!
Improviser/composer Hiroyuki Ura, sculptor Kenichi Kanazawa, and classical pianist Satoko Inoue released two CDs on the Meenna label in 2017, and the three artists are united again in Hermits. The earlier CDs, Scores and Scores at Ftarri (both released in 2017), are made up of their live performances of a composition by Ura, which was based on a sculptural work by Kanazawa. The performance heard on Scores took place at The Museum of Modern Art, Gunma, in October 2016; the performance on Scores a…
Matt Shoemaker's art focuses upon the treatment of sonic phenomena. Shoemaker manipulates sound, sourced from both natural and electronic means, in an affected and often grotesque manner, so as to convey compositions that uniquely imagine a space encrypted to the point of vanishing definition.
Comes in 4-panel cover in plastic wallet. Edition of 30 copies. "Because it's so much fun to make: another beat-oriented snack, after Hinkelstap, Tuimelval, Haast, and Kadans. As with the others, I'm not sure if it's any good, but let's hope y'all enjoy it."
Business card CDr. "It was about time that I released a business card CDr again. I also had this drawing which I thought would work great as a cover image. The only thing I had to do is make the music for it. So here it is. It turned out a bit dramatic, stylistically, with desolate fog horn like swells and faint electronic rumblings. It's all quite sombre, but with all the horrible conflicts in the world today, what else could I do?"
2010 release ** Cardboard sleeve. Improvised performance of Tomomi Adachi and Jennifer Walsche, recorded live at WKCR radio broadcast in New York, April 24, 2010. Tomomi Adachi is a performer/composer, sound poet, instrument builder and installation artist. Jennifer Walshe is a composer of contemporary music and a talented vocalist. Their duo, vivid and extrovert but unexpectedly atmospheric, consists of both artists’ live performing abilities into extended vocal techniques, blending with Adachi…
2022 release ** R. Pierre (Caleb Dravier) is a Los Angeles based artist and composer exploring minimal / “absolute” music through reductionism and the recontextualization of small-sound phenomena in processed field recordings and microelectronics.