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On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…
Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…
*restocked* Recorded from 2009-2011, during which time Caboladies members Eric Lanham and Chris Bush relocated from Kentucky to Chicago, Renewable Destination constitutes the duo's most refined and focused work to date. Both as a collaborative unit and under solo monikers Carl Calm and Flower Man, Lanham and Bush have produced a wealth of limited-run releases in recent years on labels such as Arbor, Dekorder, Digitalis, and their own Smooth Tapes imprint which document their uniquely fractured s…
Smegma has been around, in one form or another, since 1973, issuing an average of a record a year out of odd tape-loops and jarring-yet-ambient original instrumentation long before electronic sampling was even a glimmer in Mr. and Mrs. Casio's eyes. They achieved a small degree of noteriety in the '80s as one of that proud elite of North American new-music acts hiply obscure enough to have European-only record deals. They're also known among the anti-pop sound exchangers of the international cas…
First full length Spine Scavenger LP Two sides of very slow moving yet very active modular synthesizer and heavy tape delays Recommended for fans of Conrad Schnitzler.
Restocked - AWESOME!! Lavishly packaged in a heavy textured cover, red vinyl, troglosound art, 3 different inner sleeves (gold/red/green), "Memories from the age of the Dragon" with david vanzan percussion, voice, bow harp, bass, anologue electronics virginia genta soprano sax, ocarina, flutes, marimba box, bells maurizio abate kalimba, zither, hurdy gurdy, tape delay
Lucky find, long out of print: No Fun Productions present an unearthed pairing of archive recordings from avant-garde polymath Jim O' Rourke, who's at his most ferocious on these recordings. From a title like '6 Oscillators '87' you figure the piece could go one of two ways: warm, disciplined Eliane Radigue-type drone or flailing chaos. Jim goes for the latter option, rattling through a host of pitch modulations and noise assaults, working his way through a sophisticated noise composition that a…
RESTOCK: Natalie Weyes Blood (originally Weyes Bluhd) has existed in the grime-ghost fringe-music catacombs since at least 2006, though originally it was in more of a crouched/hieroglyphic FX pedals style, culminating in a European tour with Axolotl. After two seasons of hibernation and a relocation to Baltimore, she materialized her 'Blood In Bluhd Out' transformation and began writing/playing the darkly haunted narcotic drifter ballads that make up The Outside Room, her first official f…
Restocked, last copies: limited edition of 323 copies, this LP is a live recording for piano, voice and electronics. Issued in a beautiful red vinyl pressing, it's a terrific minimal droning piano in La Mount Young vein
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Very rare Hermann Nitsch Picture LP album, qith the recordings of the 5th day (7th of august 1998) of this 6 day event. Limited to 400 numbered copies with letterpress insert, long out of print
Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…
Recorded in ann arbor in 1975, this long lost destroy all monsters gem features the group as a sextet (mike kelley, jim shaw, cary loren, jeff fields, kalle nemvalts, and john reed). missing are the lovely lyrics and goth scrawl of niagara but in her place we see the collective brainstorm through 30 minutes of an underground music/non-music and b-culture genealogy that is unmistakably destroy all monsters. a melted mind, reconstructed with duct-tape, bent circuits, saxophone drips, and fuzz that…
"Probably one of the weirdest discoveries in the field of collectable German albums in recent years, Staff Carpenborg's sole output was first brought to the spotlight by the compilers of the celebrated Kraut! Demons! Kraut! CD series in the mid-'90s. Since then, rumors and interest about the album have risen exponentially since this weird record (and we mean WEIRD) is one of the earliest known examples of Kraut rock. How such a demented collection of tunes found their way on the budget Ma…
Surely this can only be the work of the ultra mysterious Sam Meringue (Matrix Metals, Flashback Repository, Explorers) etc. I believe at one point this guy was actually suspected to be James Ferraro which isn't difficult to believe as their work has very similar qualities. Anyway this is apparently an "esoteric glam-damaged concept record about Berlin nightclubs and foxy ladies" and listening to the tracks it makes sense. At times sounding like Ariel Pink being sucked into some phazer vort…
RESTOCKED: I wrote these tunes in 1968 when Micheal Cosmic and i were students at the AACM School of Music. i revised Love life & games in 2008. i had a band going on then with Micheal Cosmic. we played students concerts with Roscoe Mitchell. he also taught us our reeds. i had music theory with Anthony Braxton and Richard Muhal Abrams..." Phill Musra
lucky warehouse find, few copies available of this long out of print lp "For many, this is the definitive Lightning Bolt album. It's certainly an accessible release given some of the mayhem that came earlier in their back catalogue, yet somehow, despite sounding more tightly organised, and being structured around more conventional song frameworks the album manages to be heavier, focusing on riffs and dare I say it, actual hooks. Illustrative of that point, apparently Muse have been known to…
Originally titled Rocket Number Nine. Tracklisting: Onward, Somewhere in Space, Interplanetary Music, Interstellar Low Ways, Space Loneliness, Space Aura, Rocket Number Nine Take off for the Planet Venus. Recorded at various locations, Chicago, late 1960.
Richard Youngs is a prolific British musician (located in Glasgow) with an extremely diverse output. Dusted Magazine once wrote he is defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him. So his new album for Dekorder might not be a surprise to anyone following his career. Still, a self-proclaimed all-electronic 'ecstatic House record' comes somewhat unexpected. With a line of distinctive s…
The Young Cricketer is Chris Corsano's debut of Frankenstein-gamelan skin detail. It's a monster and a babe all wrapped under the guise of The Solo Drum Album. Corsano's flea-market kit of cast-iron pot lids, super-bouncy-balls on sticks, butter knives, and even a sax mouth-piece jammed-in-a-hose conjures a part rhythmic maelstrom, like a Milford Graves drip painting, and the sweet metallic ice drones of Tony Conrad and Keiji Haino rubbing sticks together until end days. Globally known for a doz…