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* 75 copies limited edition * In times of vinyl shortage and production backlog, resourcefulness is key. In keeping with his well-established practice of replacing original materials with surrogates to generate new sonic experiences, Sven-Åke Johansson has devised a digital reinterpretation of the historic flexidisc in the shape of a 10inch rubber disc with engraved QR codes that let buyers access the music online.
About the music: "The six compositions titled ‘stumps’ are based on a potential f…
Rüdiger Carl and Sven-Åke Johansson are two fellow travelers on the path of experimental music who have worked together since the late 1960s in many formations, most notably as the wild-card Fluxus pranksters on Peter Brötzmann’s legendary 1969 recording Machine Gun, and on many more recordings and stagings of sonic interventions over the decades. In the words of Peter Margasak writing in the Chicago Reader in 2012: “Where to begin with percussionist and polymath Sven-Åke Johansson: Is he a beb…
"Improvised music at this level of concentration may touch the roots of human culture, the transformative power of the cave and the paintings of Lascaux and Altamira." – Stuart Broomer (liner notes) Burkhard Beins percussion John Butcher tenor and soprano saxophones Werner Dafeldecker double bass
John Butcher is interested in particular people and their personalities. He prefers not to work in a generic situation, where there's an agreement in advance to play a certain kind of thing, and the music cannot swerve in a sudden fresh direction.
As he told me a few years back: "What got me so interested in the type of improvising I ended up really spending time on was, at least at a personal level, there was a feeling you could start from scratch. Now you might well be mistaken, and rediscover…
Tip! "Lehn and Robair are particularly well-matched. Lehn is a musician who came to electronics from the piano, while Robair’s resources include both electronics and percussion. Each matches readily with acoustics and circuitry and creates a remarkable bridge between the two with Butcher, whose saxophone playing can assume both percussion and oscillator-like characteristics." – Stuart Broomer (liner notes) John Butcher tenor and soprano saxophones Thomas Lehn analogue EMS Synthi AKS Gino Robair …
Tip! *300 copies limited edition* Collaboration has always been at the core of Beins’s artistic practice. Reducing the line-up for the project at Morphine Raum to the duo format had pragmatic as well as creative reasons, allowing Beins more flexibility. ‘On a conceptual level, the idea was that I would play with different instruments or with a different set-up each time in order to present the breadth of my current work’, he explains. This notion also informed the selection of his partners, who …
"… a kind of ideal duet, no imitation conversation but two simultaneous composers each repeatedly provoked and silenced, prodded and enchanted by the other…" – Stuart Broomer (liner notes) Sophie Agnel piano John Butcher tenor and soprano saxophones
"The three musicians seem to exchange and overlap tones, creating the feeling of a single and continuous arc extending, curving in space, a kind of bridge or thoroughfare outward." – Stuart Broomer (liner notes) Magda Mayas piano John Butcher tenor and soprano saxophones Tony Buck drums
Tip! "Expect the unexpected. Masami Akita, corrupt mastermind behind the bound and gagged and tossed into the jet engine noise of Merzbow has, over the last years, really begun to stretch the limits of what he sonically does. Seems, with releases (Tauromachine, Hybrid Noisebloom, 1930...), there has been more variety within the choppy slabs of noise that he designs. What we have here is, quite possibly, the most varied Merzbow release to date. Why? Because, amidst the stalk and squeal noise,…
2025 stock Peripheral Minimal is proud to present, ‘V/A Prophecy + Progress: UK Electronics 1978 – 1990 LP’, a thirteen-track compilation that represents the burgeoning Electronic music scene in the UK. This isn’t simply another synthpop compilation, or some nostalgic frippery, but an eclectic mix of acts that were experimenting with newly available technology at a time when the punk scene had imploded and the music press was busy coining new genres as an attempt to continue its legacy, althoug…
Neon was one of the most active bands in the 80s Italian new wave scene. The band was born first as a duo at the end of the 70's, a part of Florence's underground culture, they soon stood out for their Kraftwerk inspired synth sound, which made their style a unique 80s specimen, together with a new-romantic and post-punk thought similar to bands like Joy Division, Ultravox and Human League.In 1980, the band got off to an electronic start with the single "Information of death", and later, through…
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
** Edition of 500 ** Neon was one of the most active bands in the 80s Italian new wave scene. The band was born first as a duo at the end of the 70's, a part of Florence's underground culture, they soon stood out for their Kraftwerk inspired synth sound, which made their style a unique 80s specimen, together with a new-romantic and post-punk thought similar to bands like Joy Division, Ultravox and Human League.In 1980, the band got off to an electronic start with the single "Information of death…
Cult, obscure 1976 proto-electronics masterpiece 'Viaje' is a purely brain frying avant garde flipout from the electroacoustic musicians Eduardo Polonio and Horacio Vaggione (probably most known for his album on Cramps 'Nova Musicha' series). Together, they deploy synths, electric guitars, organs and bass and squash them all up together in sundry sense befouling ways. On the A side, they're tangled into an overpowering threshing machine of spitting electronic mayhem, while the B side moves the p…
Black vinyl, 500 copies. With liner notes by renowned musicologist and sound researcher Petri Kuljuntausta. Love Records (of Sperm fame) owner Otto Donner saw the commissioned work by electro-acoustic musicians Åke Andersson and Antero Honkanen, who in their daily life were sound technicians at the Finnish Broadcasting Corporation, and immediately wanted to produce an album of the project. The 1977 album, which has ended up a very costly collector’s item, hasn’t been reissued in any format until…
Big Tip! *Limited to 600 copies on black vinyl with three sleeve colour variants: 300 x red, 200 x green and 100 x blue (not available for wholesale). You will receive a mix of green & red covers* A Queer Anthology of Drums - "a percussive collage of low-fi frequencies documenting a journey that never took place" (Takuroku), a home recording capturing Valentina's ritualistic free-improv essence, is now being presented to audiences across the world by bié Records, via both streaming services and…
Huge Tip! Xing presents the first LP by Luca Trevisani, AMAZOOM, sixteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, including a collector's edition of 30 copies, each accompanied with an artist's multiple: a sculpture inspired by the seeds of Parartocarpus venenosa from the Amazon jungle, used by monkeys as combs and now objects to be mounted on the turntable while listening. The edition contains a text/score by …
Albert Alan Owen was born in Wales in 1948 to parents of Welsh and Latvian heritage. His family later moved to Zimbabwe, where his father took up a teaching position. There, Owen was deeply influenced by local music and culture, while also exploring American RnB and jazz. It was during this period that he became acutely aware of the harsh inequalities under British colonial rule, which instilled in him a lifelong aversion to discrimination and racism.
In 1967, Owen returned to Europe to pursue h…
2008 release. The Compromise Is Not Possible was composed at the end of the 2004 by Slobodan Kajkut. It was commissioned by Hoerfest, a festival of contemporary and experimental music. Composed with the concept of combining contemporary techniques with heavy metal elements, the piece brings crushing guitar/drums parts with various screamings of voice, combined with silent high and low organ drones.