We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the God Records catalogue. 🔥

Back in stock

Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Sheet Erosion
Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France. It is composed of field recordings made in early 2020 during the storms Ciara and Desmond plus a batch of found open-reel tape recordings dating from the 70s and 80s. The tapes include domestic home recordings but mostly document the recordist, Michel's tastes in music and radio programmes of the time. Daily life bleeds into these…
Kamakala / Etude III / Fluctuante Immuable
One of the Jean Claude Eloy' most essential release 'Kâmakalâ. The Energy Triangle' (1971) for three orchestra ensembles, five chorus ensembles, with three conductors. Orchestra and chorus of the WDR, Schola Cantorum, Stuttgart. Conductors : Michel Tabachnik, Bernhard Kontarsky, Jacques Mercier. Kâmakalâ - a Sankrit term meaning energy triangle - refers to India's philosophy (Tantric Shivaïsm) and is expresses here as the appearance of energy, which is the erotic and cosmic energy (Kama), that w…
Local Customs
2009 release ** "Tom Hamilton is unquestionably among the most inquisitive minds around. Local Customs explores some obscure notions about music theory and performance practice, leading to sound combinations that are at once unsettling and yet somehow familiar. One discovers that there is very little in Local Customs that follows from conventionally intentional music writing. It is perhaps better to regard it as a group of artifacts of little-known origins, modified through new transformations i…
The Busy Drone
1996 release ** "Reedist Willem Breuker has a fascination with the mechanical organ, particularly instruments like the European street organ. The mechanical organ works like a player piano, and on these recordings is controlled by either Ben Uijtiens or Chris Weeda. His previous Bvhaast album, Lunchconcert for three Amsterdam streetorgans recorded from 1967-1969 is an unusual album of organ work that takes the instrument is lesser known territories, and included a tribute piece to John Coltrane.…
Il Faro In Capo Al Mondo
“Il faro in capo al mondo” (The Light at the Edge of the World) is a 1971 film directed by Kevin Billington, based on a novel by Jules Verne. It’s a dark, solitary adventure set on a remote island off Cape Horn, where a group of pirates led by the ruthless Jonathan Kongre (played by Yul Brynner) takes over a lighthouse to cause shipwrecks and plunder the remains. Kirk Douglas stars as the last surviving lighthouse keeper, caught in a grueling battle between man and nature, civilization and savag…
Five Suns
2004 release ** "Guapo is a British trio that plays an intense music that straddles the boundaries of progressive, noise, minimalism and avant-rock. Their sound has been compared to such artists as Magma, Boredoms, King Crimson, Univers Zero, This Heat, Ruins, Sun Ra and Terry Riley. As Sound Projector put it, "Guapo come on like all the hellhounds of Magma, Eskaton and Ruins were after them...on a par with Magma’s Kohntarkosz or Univers Zero’s Ceux Du Dehors". Five Suns is the band’s fifth albu…
Obscure Knowledge
2015 release ** "The group started their life as a heavy bass/drums duo playing post-hardcore, noisy rock, but in the two decades since, they have expanded their instrumentation and their stylistic references to become one of Europe's most highly respected 'muscular and modern' experimental /progressive rock bands. Centered around founding member and extraordinary drummer David J. Smith, the group on the album also features three additional heavy-weights of British experimental rock: Kavus Torab…
Bluesman
2002 release ** "Second solo album by the Roman blues guitarist, released in 1979, a year after his debut. Songs of his own composition, alternating with some covers, such as "Baby please don't go", by Muddy Waters, and "Bottle up and go", by John Lee Hooker. Recorded live, alone on stage, with the only accompaniment of a harmonica player.""
Drums & Octobass
*2024 stock* "A lone voice rises over the booming rumble of the octobass, a large acoustic instrument resembling a double-bass, yet twice the height. The octobass’ unusually large stature lends itself to these haunting sounds, looming over this cacophonous reverberation like a specter of monstrosity. Another voice lightly ascends, and the two vocalizations coalesce as this musical foundation crumbles along, carried by the tapping of harmonium keys, swimming and dissonant.  This patient singing b…
Sacrosun
Ece Canlı's sophomore solo album Sacrosun is a non-linear series of maximalist meditations on interstellar anxieties. The composer, vocalist and researcher draws on her diverse artistic and academic backgrounds to craft an immersive sonic landscape that expands beyond the terrestrial limitations of her acclaimed 2020 debut Vox Flora, Vox Fauna. Where her first album dug into tellurian imaginaries inspired by the sonic variety of earthly creatures, Sacrosun expands this audio-vision out into a co…
Erkos / Galaxies (Chants Pour L'Autre Moitie Du Ciel Part I
Songs for the other half of the sky. With 'Erkos' (1990-91) and 'Galaxies' (1986-1996). Performed by Junko Ueda (satsuma biwa and voice) and Jean-Claude Eloy (sound projection).  Erkos is a word from the Indo-European language and means song, praise. It is close to the Sanskrit word Arkas (hymn, chant, radiance) and to the Tokharien term Yarke (reverence, homage). The texts consist of extracts from the Devî-Upanishad and Devî-Mâhâtmya writings, in Sanskrit. In those texts, an homage is paid to t…
L'anneau des sept lumieres
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan. Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
Salvado
*300 copies limited release* Recorded during two days in the spring of 2022, Salvado sees Lettera 22 go all in musique concrete. One single long tape loop worming its way around a room through three reel recorders, only sparingly tampered with in the process. The result is far from uneventful or passive though, as all the ghosts in the old machinery seem to come alive. An album perfect for nighttime immersion. Loud playback recommended.
Electronique Guerilla (Heldon I)
50th Anniversary Edition: hand numbered, limited edition blue vinyl, 500 copies available. Bureau B present a reissue of Heldon's debut album Electronique Guerilla, originally released on Disjuncta in 1974. In 1973, 22-year old Richard Pinhas was well on his way to becoming a full-time philosopher. He had almost finished his PhD and begun teaching at the University of Paris. But he also had a hobby: writing music and recording it himself. When he submitted a few tracks to British label E.G. (hom…
Taba
Taba, the new album from Japanese musician, songwriter and traveller Satomimagae, unfolds as a series of vignettes that document both the personal and the universal, seen and unseen. Observing and absorbing the fleeting scenes and sounds of life flowing outside of her home studio, Satomi sings beyond herself, in an orbit of souls and systems both in the present and in the strange flux of memory, leaving linear songwriting to rest for circuitous stories expanded and expansive in tone and texture.
Mechanic Asphyxia
The limited edition reissue of Atrax Morgue's Mechanic Asphyxia offers a haunting exploration of sound, originally released as a double tape on Slaughter Productions. This striking one-sided LP is strictly limited to just 199 copies and features four chilling tracks: Plastic Bags, What I Have (Nothing), Mechanism Of D., and Playing With My Corpse (Non Lasciare Roba In Giro, Vengono Gli Scarafaggi). Each track showcases the raw, improvised essence of Marco Corbelli’s work, recorded between March …
Ereignishorizont
Ereignishorizont is Schneider TM's new and with a duration of over 80 minutes truly epic album: experimental guitar, technological innovations and excursions into musical territories beyond the usual.