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Sub Rosa presents an LP-only collaborative release between New York visual artist, photographer, and film artist Peter Downsbrough and Xavier Garcia-Bardon and Benjamin Franklin, two members of Buffle -- a Brussels-based improv collective. The work of visual artist, photographer and film artist Peter Downsbrough has had a major impact on the perception of art. In the early-'60s, Downsbrough interrupted his studies in architecture at the University of Cincinnati and Cooper Union in New York i…
Originally released in 1971, this is one of the artistic high points of his career. And yet, for nearly 30 years it was not heard in its entirety, as what was originally intended as a double album was pared down to a single LP. Now, thanks to 4 Men With Beards, the complete double album is available on vinyl for the first time
Recorded at Studio GOK Sound, Tokyo April 7 2010 by Hamamoto Yohei.Produced by Masami Akita and Lasse Marhaug. Cut by Rashad Becker at Dubplates & Mastering, Berlin. Cover design by Lasse Marhaug. Masami Akita and Lasse Marhaug have been working together since the mid 90ies. The first release on Marhaug's (now deleted) label Jazzassin Records in 1995 was the First Rock split single. In 2001 Merzbow and Jazzkammer (Marhaug's project with John Hegre) released a live album. Later, Akita and…
"Mannequin is sincerly proud to announce the second volume of the much acclaimed italian New Wave Italian compilation. "Danza Meccanica" is the latest, unmissable chapter in the story of Italian post punk - the less traditionally rock branch. It outlines the approach taken by ten more or less unknown groups who all deserve rediscovery and to be remembered alongside luckier outfits. Ten tracks that spell out the manifesto of a scene fascinated by electronic innovation, a scene that used the sound…
Latest collaboration of the acclaimed minimalist portuguese musician David Maranha with the talented free-form drummer Gabriel Ferrandini in a 42 minutes of a virulent organ+drums out-jazz drone improvisation. “A fonte de Aretusa” is the convergence between the legendary organist David Maranha and the free-form young revelation drummer Gabriel Ferrandini. Based in Lisbon, Portugal this duo started in 2010, with regular rehearsals and concerts that lead to this first album that captures a b…
Recollection GRM presents four musique concrète masterpieces by French electro-acoustic innovator Luc Ferrari -- all of the Presque Rien's collected together in one vinyl set for the first time. Presque rien n°1, le lever du jour au bord de la mer (1967-1970): "Following the complete disappearance of abstract sounds, we can regard this piece as a sonic snapshot and the culmination of an evolution. This is a realistic rendering (as faithful as possible) of a fishing village waking up. T…
While in the widely neglected 39 Clocks, he made records that never sold and played gigs that few ever saw, Juergen Gleue has arguably been the most important exponent of electrified German sound since the late 1970s. Phantom Payn Daze was made in the mid to late 90s and has never been released. It's his final LP and is overflowing with all the elements that romanticized, loner / stoner music claims, an encoded expression of highly private feelings, an ambiguous, emotional quotient, and a dark…
This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds. Leo Kupper was born in Nidrum, Hautes Fagnes (Eastern Belgium) on the 16th of April 1935. He studied musicology at the Liège Conservatory, then became the assistant of Henri Pousseur who, in 1958, had just founded the Apelac Studio in Brussels. Kupper started to work on his first pieces there, but he would final…
P1/E was formed in Berlin 1979. The original band members were Michael Schäumer, Michael Voigt (Monogam Rec.), Michael Hirsch (Exkurs) and Ute Droste. in the rehearsal cellar the band discovered a fourteen year old drummer, Alexander Hacke, who later came to fame with Einstürzende Neubauten. Before the recording of the legendary 7inch "49 sec romance" Voigt left the band and Thomas Voburka (Weltklang) who worked with Schäumer in the famous Exil restaurant in Kreuzberg, joined as a guest singer. …
Pedestrian Deposit (Jonathan Borges and Shannon A. Kennedy) possesses a certain, restrained relationship to texture. Sources both electric and acoustic operate on a logic of hybridity_ becoming compositional elements organized through their activation of a shared acoustic space. This functions in multiple directions: in some instances, the cello is captured and converted to a subtle electronic variation, expanding the range of the tone through this capture, at other times it acts as a sort of …
RESTOCKED!! Solo Drumkit Improvisations is a richly detailed document of Sean Baxter's explorations in extended percussive technique. Utilising stochastic structures applied to the conventional drumkit, Baxter exploits the sonic potential of a range of percussive implements including, bamboo wok brushes and chopsticks, enamel camping plates, aluminium wind-chimes and wok lids, scrap metal, and even the body. Recorded by acclaimed Australian engineer, Christopher Lawson, with assistance from…
LP version. This is the first-ever release of not ONE but TWO classic Basil Kirchin soundtracks, one from 1965, the other 1971. It's music for strippers, wife-swapping, death, birth, crime and chicken factories. Basil Kirchin is a legendary jazz drummer and grandfather of ambient music. He started his jazz career drumming in his father's jazz band. In the war years, he took over the band and post-war travelled to the East, hung out with the Maharishi, found himself, moved to Australia and finall…
Faking Gold and Murder is the third Earth-shattering full-length by Vincent De Roguin (Shora), Stephen O'Malley (Sunn0))), KTL) and Daniel O'Sullivan (Guapo). This time, the core trio is joined by percussionists Nicolas Field and Alex Babel, as well as renowned guitarist Alexander Tucker and the inimitable David Tibet. AEthenor's heaviest outing yes is driven by a weighty low-end and the full fury of Babel and Field's free-wheeling drums. The band's electronics, guitar, Rhodes, and organ ride wa…
LAST COPIES, already out of print: Préludes à la vie (Preludes to Life) combines pieces from 1972 to 1991 in two electronic operas. In Le prisonnier du son (The Prisoner of Sound) a single human voice tells the story of a lone character trapped in a world of manipulated sounds. The title piece is a series of technical exercises in the possibilities of musique concrète.
This second album on empreintes DIGITALes, as with the first one, consists of very different works which are quite separated in …
Japanese turntable project probably best known for their work with Otomo Yoshihide and Hijokaidan, in their final LP, 2 compositions and 99 locked gooves. Side 1 = two elegant contemporary avant garde compositions -- kinda reminds me of AMM if they were DJs. Side 2 = 99 lock grooves."the debut lp, simultaneously the last issued recording by the duo of takahiro yamamoto & katsura mouri’s busratch, a decade-long-running & quite prolific turntable duo with a series high-profile collaboratio…
restocked, last copies - geoff mullen presents a new side of his ever-changing and open language, dealing here with his rawest material to date, and in many ways finding himself in a homecoming to the guitar. on Ôaccidental guitars' geoff expands his instrumental language with his unique variety of invented, accident-prone technique. re-contextualized live performances are filtered through an intuitive sense of form and pretexts, leaving us with an intense, jarring, pointed, and textural c…
On his third outing, Jozef Van Wissem, with his ten-course Renaissance lute (aka retrograde lute), employs not only his notion of using palindromes and backwards reading of music for the instrument, but also brings electronics and field recordings into the discussion. Van Wissem applies mirror images in compositions for solo lute. He inserts a microphone into the body of his lute, records the sounds inside (known as "wolftones"), and then electronically alters them by sampling, cutting, and past…
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.
Reissue of the original 1970 album on the BYG label (one of the label's few entries in the rock field), and a classic period piece, like Gong at their heaviest. Ame Son is the pioneer group of French Underground born at the end of the 60s. The band is made up to two former members of Banana Moon, Daevid Allen's band on his arrival in France in 1967. Their music was harsh and scathing with vocals in both French & English, sometime with an outside layer of 'formal beauty', rapidly devastated by st…