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Old News #5
First instalment in this new o series providing a long overdue and much needed vinyl-only glimpse into Jim O'rourke's electronic/synth music archive* 'Old News No.5' introduces a "nearly regular series of vinyl albums documenting analog synth and tape works (both studio and live) from the depths of Jim O'Rourke's archive, spanning a near quarter of a century in the field." Side A 'Pedal & Pedal' features 15 minutes recorded at Super Deluxe, Tokyo, 2010. It unfurls a series of tender pasto…
Far Side Virtual
RESTOCKED, last copies around - The Wire's Releases of the Year!!!!!!James Ferraro paints a 21st century still life on his debut album for Hippos In Tanks. The record is called Far Side Virtual. Each song, a melodious reflection of the moment now, comes shrink-wrapped in HD fidelity as glossy as a 2012 Toyota Prius. Ferraro's muse is some enigmatic modern metropolis, where the streets are as slick as i-Pads, and where the symphonies ring with Macbook message alerts. Through the steam risi…
Ballet Statique
"m=minmal continues the collaboration with electronic music legend Conrad Schnitzler.We are happy, after 30 years, to re-release one of the key works from Conrads large adventurous  backcatalog.Ballet Statique is not only a musical milestone but also a highlight of music production. It was recorded in 1978 at the legendary Paragon Studio / Berlin by Peter Baumann – Tangerine Dream in the same period when other masterworks like Cluster – „Großes Wasser“ and solo recordin…
They Play To Make Music Fire!
Founded 40 years ago in 1972, The Pyramids released three albums before splitting up in 1977: Lalibela (1973), King of Kings (1974), and the seminal Birth/Speed/Merging LP (1976). Three albums that made them one of the most mysterious and legendary of all the spiritual cosmic jazz collectives of the early '70s, like the Art Ensemble of Chicago and Sun Ra. "We were way ahead of our time, so we decided to let time catch up." -- Idris Ackamoor. After a highly energetic reunion of the group in 200…
Fast ohne Titel, Korrosion
Black Rose Recordings are proud to present the exceptional new album by Asmus Tietchens. Corrosion is a degradation mechanism. It is an insidious process often difficult to recognise until deterioration is well advanced. Are these new pieces a comment on the current state of noise music, serious music or both? As a pioneer of electronic composition his work spans over three decades and doesn't fit easily into any one category. Early recordings ranged from experiments with tape machines and elect…
S/T
This follows NHK's sold out 12" on Raster Noton. This is Important's final release in a 4 record series featuring the work of the enigmatic Japanese artist Kouhei Matsunaga. NHK began in Osaka in 2006 between Kouhei and Toshio Munehiro. Their previous work, titled Unununium, can be found on the Raster Noton label.These experimental electro-rhythmic compositions sound incorporate beats, noise and a modern aesthetic.
Danza Meccanica - Italian Synth Wave Vol. 2 1981 - 1987
"Mannequin is sincerly proud to announce the second volume of the much acclaimed italian New Wave Italian compilation. "Danza Meccanica" is the latest, unmissable chapter in the story of Italian post punk - the less traditionally rock branch. It outlines the approach taken by ten more or less unknown groups who all deserve rediscovery and to be remembered alongside luckier outfits. Ten tracks that spell out the manifesto of a scene fascinated by electronic innovation, a scene that used the sound…
A Republic Of Sadness
Gate is the long-dormant alias of The Dead C's Michael Morley, who releases A Republic Of Sadness as the first Gate release in over ten years. The New Zealand avant-garde lynchpin is on tremendous form for this record, creating a dreamlike procession of slowed down loops, heavily treated vocals, jarring electronic textures and even beats. The first two tracks prove especially powerful, with 'Forever' elegantly crackling through a swathe of string sampling while pitched-down vocals utter…
Microcosmos 1981-1986
Suberb Synth- and Wave-tunes of Fockewulf 190 incl. the two Italo-Disco-Classic 12“ Body Heat and Gitano plus more demos and so far unreleased treasures like Orient „Express“ collected from the archive of Victor Life Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogyc electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of thr 80s.We translated thos…
Cut-ups, drones and other weird
American noise group formed 1990 by Joseph Roemer and Rodger Stella in Pittsburgh, Macronympha is rediscovered today through a serie of reprint of old cassettes. Vinyl reissue of a 1993 Macronympha recording, previously issued on CDR in 2007 by Mother Savage. Transparent green vinyl, limited to 350 copies.
Remember
restocked: Israel isn't exactly konwn as a hotbed for acoustic steel-string guitar music, but Yair Yona's reissue of "Remember" is simply some of the most genre-bending music for solo steel-string guitar since Sandy Bull first opened the doors in the 60s. It's a celebration of the Takoma school, filtered by alternate tunings & yncopations, a John Fahey -esque compositional instint across landscapes of banjo, electronics, resonators, bass guitar & strings.
I Cantori Moderni
Commercially available for the first time, this 1970 library album by Alessandro Alessandroni is the only existing full-length recording of his extraordinary vocal group, I Cantori Moderni, an eight-to-sixteen person choir featuring Edda Dell'Orso, Giulia De Mutiis (Alessandroni's first wife), Gianna Spagnuolo, Augusto Giardino, and Franco Cosacchi, and highlighting, through twelve original themes by Alessandroni, the complex vocal harmonies of the legendary group that lent their voices to the a…
s/t
RESTOCK! Limited to 500 copies with a numbered postcard insert, this a beautiful LP by the C. Heeman duo project with Af Ursin's Timo Van Luyck was started in 2004 and has produced two albums so far, the self titled first album (Some fine legacy) and Open Air (Robot), presenting yet another facet of Heemann's ideas of textural electroacustica, this time with a focus on improvisation.
Natives Are Restless
Recorded in 2005/2006 in Portugal and Europe... and they like to dance to the sound of tribal music!
Too Dead for Dreaming�
Debut vinyl album by contemporary electric guitar wizard Bill Nace, ‘Too Dead for Dreaming’ begins in the form of a deconstructed blues piece, slowly exploring  the territories of atonal composition, string–scraping and feedback, crashing all these styles in an instinctive, personal way. His affiliations with X04, Northampton Wools and Vampire Belt converge here in a unique flux.  Bill’s ability in creating sounds, follows a clear logic of ‘construction of tension’ that eventually explodes…
Night within
Last copies, sold out at source: guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the…
Human Fly
Another curveball from the Not Not Fun camp, 'Human Fly' pits Wolf Eyes noisenik Nate Young against veteran garage punk drummer Dave Shettler and while their collaborative moniker might be a little zany, their brand of dancefloor-ready industrial/techno variations is tough to ignore. Veering from hazy EBM-flecked speed garage (we're not kidding, take a listen) on the title track to Chicago bleep on the zonked 'Cyber Rebels' there's a sense that Young and Shettler are not only well studied…
No Tears
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
Simulacrum
On his third outing, Jozef Van Wissem, with his ten-course Renaissance lute (aka retrograde lute), employs not only his notion of using palindromes and backwards reading of music for the instrument, but also brings electronics and field recordings into the discussion. Van Wissem applies mirror images in compositions for solo lute. He inserts a microphone into the body of his lute, records the sounds inside (known as "wolftones"), and then electronically alters them by sampling, cutting, and past…
Qvaris
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.