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African Rhythms
A landmark of Afro-centric jazz in the 70s – and the first album by this famous underground collective! Oneness of Juju were a Washington DC-based group that grew out of the ashes of the Juju avant jazz ensemble "One of the most groundbreaking bands of their time. From early avant-garde jazz work on the Strata East label to their later fusions of Afrobeat, funk and spiritual jazz, Oneness stand as a huge influence for today's jazz scene. Released in 1976, the African Rhythms album is Onen…
The Analog Statement
Limited handnumbered private edition of 100 in cardboard tri-fold cover, paste-on silver artwork by Roberto Opalio; insert. Includes download coupon. All records re-pressed in the original form; original label artworks; 4 black and 1 multi-color vinyls
Five seminal analog pearls from 2005 to 2010 re-issued and collected. MY CAT IS AN ALIEN 'On Air at Sound Projecting' (2005), live improvised performance rec…
The Sincere Interruption
It's been a long time coming and it's great to finally announce the release of Eric Lanham's 'The Sincere Interruption', his first long-playing record under his own name after performing for years under various solo guises such Carl Calm and Palmetto Moon Electronic Group and as one half of the Caboladies equation. Commissioned back in the summer of 2011, it was finally recorded in March 2012 and it's been well worth the wait. Lanham has crafted a very special set of improvised electronic…
Early Astral
Chris Forsyth has recently been touring around Europe with his Paranoid Cat Band in support of their excellent LP on Family Vineyard as well as playing with Meg Baird on her recent record and a continuing member of the Peeesseye. Koen Holtkamp plays as part of Thrill Jockey's Mountains, as well as releasing solo material on aformentioned Thrill Jockey and Type. On Early Astral Forsyth and Holtkamp team up, playing guitar and synthesizer and modular electronics respectively. The record consists t…
Polaris
Dutch sax/drums duo Dead Neanderthals aims directly for the jugular with their new album Polaris, an all-acoustic tour de force mastered by the king of noise: Lasse Marhaug. This abrasive duo ventures into more abstract territory, where they firmly uncouple their music from structure, leaving behind any restrictions that the seemingly reasonable combination of sound and rhythm might bring and which results in an unhealthy dose of acoustic noise
Different Shades Of Blue
This release is the reissue of the original one, once released in different form, as a limited edition cd-r on Tom Greenwood's U-Sound Archive (Vol. 19). Improvisation recorded on February 12th, 2004 at MCIAA's Space Room, Torino, Italy (no overdubs/ no outtakes). This new vinyl edition is a different version, remastered and re-edited of "Different shades of Blue". Furthermore, this special edition will include also the un-edited artwork originally made by Roberto Opalio and completely inspired …
The Iron Gates At Throop And Newport
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
Natives Are Restless
Recorded in 2005/2006 in Portugal and Europe... and they like to dance to the sound of tribal music!
Divagazioni
Sicilian saxophonist, flutist, composer and arranger Nino Rapicavoli is one of the unsung heroes in the world of Italian soundtracks of the 1970s. A musician with a solid background in jazz as well as a long-time member of Italy's state-owned RAI TV orchestra, Rapicavoli has only a handful of library albums to his name, but each is of the highest quality. This Divagazioni ('Ramblings') is probably the best of the lot, an album that mixes jazz, easy listening and a pinch of prog with that …
Exta
Finally restocked! "Butcher’s sax ranges from soft, whispery purrs to teeth-chatteringly spiteful blasts. Lehn’s analogue synth leaps in a moment from burbling tones to fiercely sizzling abstraction, and Tilbury slips from his familiar melodic interludes and fragmented arpeggios to crashing, seismic attacks on the inside of the piano. What sets this album head and shoulders above similar offerings is the understanding between the trio. It’s not just the way all three move together as one from su…
Back porch hillbilly blues vol. 1
LP version. A remarkable collection of hillbilly minimalism, by one of the forgotten heroes. These are blocks of generic material subtly changed by reiteration and lack of development. Like Beefheart, Henry Flynt is one of the rare examples of musicians who fearlessly experimented with the blues and folk forms in the face of all contemporary and experimental music orthodoxies. An important recording and a great listen.
Portraits
Beautiful new full length LP featuring Jefre Cantu-Ledesma (Root Strata, Tarentel), Evan Caminiti & Jon Porras from Barn Owl, Lisa McGee (Higuma), Gregg Kowalsky (Date Palms), Marielle Jakobsons (Date Palms), Maxwell Croy (Root Strata/EN) Steven Dye & Tony Cross (Tarentel alum) and Michel Elrod, who plays tambura with Date Palms, Barn Owl & The Alps among others. Edition of 500. Screen printed jackets. First 100 on color vinyl.
This large group is somehow able to focus and refine their so…
No Tears
Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the "creatures of the night," the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by UNITS and THE SCREAMERS. Reininger's electric violin congeals with electronic atmospherics to unnerving ends on the instrumental "Litebulb Overkill." Few records do justice to the mania a…
Flamingo Breeze
Absolutely Incredible Electronic Soundworks and Pop pastiche, sort of like Oneohtrix Point Never crossed with ariel pink and Animal Collective, all fed through a 1980's television soundtrack filter and recorded to tape over and over again. The exceptional Olde English Spelling Bee label presents a remastered issue of Sam Meringue's out-of-print tape released in summer '09 by Not Not Fun, complete with full colour sleeve and a digital download coupon from the label itself. In a similar vein …
You're Next
I am not sure if I ever heard of Massimo Pupillo, who plays 'low end bowel chainsaw' on this record, but since a lot seems tongue in cheek here, it might also be a guitar with effects. Everything here says: we poke fun at those who play with the stereotypes of the world of industrial music. One side is called 'First Offence' and has titles as 'Necrophiliac Cunnilingus', 'Rope For The Undead' and 'Vomit Buffet', while 'Second Coming' has 'Rib Cage Of Rotting Horror', 'Broken Spine Crushed Cranium…
Ballet Statique
"m=minmal continues the collaboration with electronic music legend Conrad Schnitzler.We are happy, after 30 years, to re-release one of the key works from Conrads large adventurous backcatalog.Ballet Statique is not only a musical milestone but also a highlight of music production. It was recorded in 1978 at the legendary Paragon Studio / Berlin by Peter Baumann – Tangerine Dream in the same period when other masterworks like Cluster – „Großes Wasser“ and solo recordin…
... I Listen To The Wind That Obliterates My Traces
restocked! Artist Steve Roden combines found old pictures, recordings and text to create his new CD "… and I listen to the wind" that feels like something altogether different, though, more like a silent movie, a collection crafted from crumbs of the past. Tucked within the simple, minimally designed book's front and back covers is the music, which Roden organized into a two-volume mix of similarly excavated documents culled from flea market 78 rpm discs.With no biographical information on …
You Wait to Publish
Alessandro Bosetti, voice, electronics. Tony Buck, drums. Kenta Nagai, guitar. With guests : Hilary Jeffrey, trombone. Els Vandeweyer, vibes. 'You Wait to Publish' is the third release of the powerful voice and electronics, fretless guitar, drums trio led by Italian (via Berlin) speech musician Alessandro Bosetti with Tony Buck The Necks) from Australia and Japanese, based in the USA, Kenta Nagai (Shelley Hirsch, Tatsuya Nakatani). This album sticks to the band's original core approach based on …
Signaux
Robert Hampson released the exceptional Répercussions earlier this year, now he has followed that up with two more albums, released simultaneously but presented separately. Even though he has become suddenly prolific, both albums are of the utmost quality, and have a distinctly different approach to sound between them. And yes, fans of Loop and Main, there are guitars! On Signaux Hampson sets up a rich tapestry of needle like high frequencies and subtle bass spreads, expertly woven into …
Ogre-Sse
a great album pulled out of the stream of time (1983-1985). They have never been on record or on air (nevertheless, some have been released on international cassette-compilations in the '80s). Back then they called it "primal industrial-punk".