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El Telonero
it took ernesto gonzalez more than three years to record the follow-up for his 'vallée de dith', but it was definitely worth the waiting! 'el telonero' is a tribute to the art of opening up for other bands. this album was created during a period in which gonzalez got more comfortable on stage, often setting the vibe for the night. concentrating on the ultimate tuning-in quality. the loose kraut-inspired jams of his second record are pretty much absent here. the focus is on analog synths a…
Labor Of Love
We're not complaining. Seems like a week can't go by without some new Not Not Fun opus dribbling out from the west coast label, aimed at bleeding our brains of logical thought processes and launching us into galaxies where laws are read backwards and progress is measured in long, untethering tracks of psychedelia muttered through interstellar Ham radios. This week it comes by way of slow-boiled loops and synth warbling that build towards wordless rantings best quantified as the dark prayers mean…
Eddy Merckz
Beside the usual noise- and experimental-projects there were also great new-wave-bands like The Misz. Eddy Merckz is a good example for the extreme high quality of the 80′s cassette-culture-scene. Their very catchy sound is comparable to early Virgin Prunes with some more pop-appeal; fine harmonies and male/female singer made this band to remarkable milestone in european new-wave, although they unfortunately never reached a bigger audience. And “Eddy Merckz” is in my eyes their best wo…
Graves At Sea / Asunder
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
Sonne = Blackbox
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …
Churinga Canaries
Collaborations can be a hell of a gamble. Fortunately, it seems that in the world of the underground music lover, collaborative ventures always seem to turn out to be synergetic exercises that yield amazing results. Churinga Canaries is such an endeavour: a one-off group effort improvised by four of the brightest lights in the UK underground music dog-and-pony show. A rundown of the participants should be more than enough to cause many of you to drool with excitement. Phil Legard (Xenis Em…
Sticks, stones & breaking bones
restocked: "the hardest thing in the world is to have an original idea. As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, "brutality", all of which point to performance, not playing. Musicians cling to the next solution that the med…
Equal Eyes
The first full-length of this heavily active live unit from Providence, RI. There is no solid footing in shallow waters. Only a suffocating hail of falling rock, strangling vines, and sinkholes. It is with rare exception that voice spits the last of breaths, the dying breaths, with such spite. Like a rabbit trapped in the hole of the snake's throat, this duo comprised of members of Immaculate:Grotesque and Em Dath Rir batter and tear their way through six tracks of power electronics eco-fallout …
The voice rolling
Mind Over Mirrors might not be a familiar name to most, but the brain behind the project, Jaime Fennelly, has been involved in numerous acclaimed and respected projects over the last few years. Primarily known for his work as an integral member of Peeesseye, he's also involved with Acid Birds, Manpack Variant and Phantom Limb & Bison. The Voice Rolling is his first solo record in five years and the first under this new moniker.First and foremost, this is a harmonium record and that's important t…
Not For Nobody
Not For Nobody is the third solo album from Chicago's Scott Tuma. Originally released on CD in 2008 by the Digitalis label, Immune is happy to present a first time vinyl edition of this essential work featuring new artwork by Chris Koelle. Not For Nobody was greeted with critical acclaim upon it's release in 2008 and was the much needed follow up to Tuma's solo albums Hard Again (2001, Truckstop) and The River 1 2 3 4 (2003, Truckstop). Since the release of Not For Nobody, Tuma has released t…
Octagonal polyphony
These recordings, sadly, mark some of the final trio recordings with David Gamper who passed away in 2011. This LP is being released simultaneously with DLB's Great Howl At Town Haul CD and Pauline Oliveros' comprehensive 12 CD collection of electronic work. Pressed in an edition of 500. 'Deep Listening Band January 2011 residency and concert at Town Hall Seattle produced enough material for both a CD and an LP on Important Records, and a double LP on Taiga Records. The subsequent summer consist…
Coyote
“Packaged in custom letterpress & offset full-color materials. Originally released on CD by Hydra Head in Spring 2010, TAIGA records now presents the deluxe vinyl version of Kayo Dot’s melodramatic masterpiece “Coyote.” The album was mastered for vinyl by Mell Dettmer, cut direct to metal and pressed on 200g virgin vinyl with full-color labels featuring artwork by Toby Driver. The LP features alternate artwork from the CD version and is packaged in custom letterpress materials as an edition of 7…
Cairo Free Jazz Band
Restocked, few copies left: the privately pressed Cairo Free Jazz Ensemble 1st album had always been considered as a kind of legendary album, difficult to find (Hartmut confirmed to me that it was pressed in Egypt in only 200 copies)... here are available for the 1st time ever the sole other recordings left of this mythical Ensemble ! it all started with Salah Ragab & the Cairo Jazz Band playing jazz standards and new compositions in the end of the 60's... then, with the arrival of Hartmut, they…
Trulofa
New European folk/trance orkustra from Denmark with their debut release on Qbico. Various acoustic instruments cohere in hymns to the roar of the cosmos that are as dippily fried as the first Siloah LP and as aggressively invasive as Pelt at their most planet-levitating. Their name comes from Shirley Collins's tracing of the idea of the true love knot to the Danish word Trulofa.
The creator is far out
Phil Musra, Micheal Cosmic, Hüseyin Ertunç; Intex/Cosmic labels... these are LEGENDARY names from the US underground jazz music scene of the 70's... They released one LP under each name and if you got one of those rare gems, you'd easily feel LUCKY! Musra album came out back in 1974, more then 35 years ago... so we're really pleased here at Sagittarius A-Star to be able to present the come back of such an underrated musician, who got style, a unique one for sure! His compositions are reall…
Concussion Summer
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
Raiders
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
Bubble Waves
Artwork by Muruga. Recorded in 2007 at Sage CT. Studio, Michigan. Muruga (drums, bells, shaker, Nada drum, conga, jimbay, synth); Perry Robinson (clarinet, wood whistles). This magical duo is the result of more then 30 years of playing together/friendship. Two side-long tracks, Muruga on side A is on drums/synth, while on side B on various perc. instruments. The bubble waves bring you closer to the light, while the bubble beat makes you wanna dance... the preacher meets the magician.
Inventaire & contradictions. Retrospective 1982-88
started in the early 80's in Berlin with two electronical industrial - avant-garde associated cassette releases. A first LP on the outstanding Madrid based label Discos Esplendor Geometrico followed up by cd's and vinyl on SFCR (F) and Pinch-A-Loaf (Usa), Povertech (Usa) as well as releases with likes as MSBR, Mnortham, Frans de Waard, Ios Smolders, Artificial Memory Trace, Thomasius, TBC, The Oval Language and others, as well as a pile of compilations. Guido Hübner wrote a piece for the Zeitkr…
Split LP
Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…