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Mother Africa by Byard Lancaster radiates with spiritual energy and improvisational daring, weaving together free jazz, blues, and soulful overtones. The album’s exploratory language and deep sense of groove reflect Lancaster’s boundary-pushing ethos, resulting in a vivid listening experience that braids together African themes, fluid ensemble interplay, and Lancaster’s distinctive melodic sensibility.
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein
Trifold glossy slipcase includes two CDs, label catalogue and 16-page booklet of liner notes and images. For new initiates and avant-garde fiends alike, this Iannis Xenakis collection renders a breathtaking survey of works by the radical composer, theorist, architect and engineer, spanning the period 1956-1974 and featuring some of the greatest works of the 20th century, including the awe-inspiring sonic architecture of ‘Persepolis’.Inarguably one of the most important composers to blend electro…
(Halb) Schwarz is the first CD to collect a wide range of Rolf Julius' diverse compositions from several years. The Berlin-based sound, installation, action, and sound artist began experimenting with various forms of contemporary music in the 1970s. (Halb) Schwarz deals with the world of "small sounds," a term coined by John Cage to designate sounds so subtle that they are usually barely discernible.
A beautiful sound art compilation featuring works by Ellen Fullman, Horatio Vaggione, Fast Forward, Takehisa Kosugi, Mario Verandi, Olga Neuwirth, celebrating the 35 years of the Berliner Künstlerprogramm. Comes with 32-page booklet.
Ellen Fullman: Transmission Particle 1 for Long String Instrument and Oboe (2001; 9:00 min)[Ellen Fullman, long string instrument; Eliza Slavet, oboe]Horatio Vaggione: Scir for contrabass flute and tape (1988; 11:37 min)Beate-Gabriela Schmitt, contrabass fluteFast F…
The live electronics that Nono worked with for the first time in the early 1980?s at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space
Two compositions by the young Austrian composer/organist Klaus Lang who currently lives in Berlin/Germany. Der Wind und das Meer for viola (Barbara Konrad, viola) The Sea of Despair for String Quartet (Amras Streichquartett)
Austrian composer in a work for flute, viola, percussion, and voice aboout the inner state and flow we perceive when listening and concentrating on a piece of music.
String Quartet No 4, opus 33 (1976-87). Performed by the Arditti String Quartet. "infinite to be cannot be infinite, infinite anti-be could be infinite" (for nine string quartets or a string quartet surrounded by an imaginary 128 string-"viola da gamba"). "Among contemporary composers, Horatiu Radulescu is one who has something essential to express about the enigma of time: multi-layered lines of events, their structuring, perception and potential for poetic-religious message are -- together wit…
On Uranian Void, Jessika Kenney turns her ear toward the resonances of her own subconscious. Blurring sine waves, hydrophone recordings, a ghazal of Hafez, solo instruments, original texts, and voice, the album is a meditation on sound, space, and the fragile edges of perception. Kenney’s voice weaves in and out of every space perceived. Evocations of memory coalesce into compositions inspired by years of inquiry into acoustic phenomena, where shimmer and shadow are equally alive. Produced and r…
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.
"This is an album made during a crucial period in South Africa’s history during which there was a palpable feeling of a slow turning towards the collapse of the apartheid state side by side with an increasingly well-organised culture of resistance through the formation of the United Democratic Front (UDF) and various affiliated bodies. However, as a result, there was increased pushback from the state security establishment, a turning to dirty tricks and the formation of hit squads Whose members …
*Warehouse fund!* Fully licensed and remastered from the original tapes. Akira Ishikawa runs through the land of Africa with both jazz and rock. "Prayer", "dawn", "hunting", "love" drawn with beautiful and exciting sounds. Akira Ishikawa's three pillars of musicality, jazz, rock and African music, are fused in the best balance, and it is a masterpiece that rushes one after another with thrilling songs. A solemn "prayer" reminiscent of the eternal earth, a clear and psychedelic scent "dawn", a qu…
DJ Himitsu is a Tokyo-born, London-based producer and DJ, known for his understated approach and deep knowledge of Japanese vinyl and book culture. Following a debut EP of acid house on Australian imprint Lunatic Music in 2023, 'Exotic Animals' marks a new waypoint in Himitsu's artistic evolution.
On this debut full length, driving 303 basslines and kickdrums are traded in for obscure recordings and convoluted samples, which spiral and fuse to form shuffling, heady new compositions. Like shatter…
In 1977, for Brian Eno’s Obscure Records, I made a version of Irma. These notes arise from that experience and explore how the piece can be performed. Irma is an unusual score—printed on a single 50cm x 50cm sheet. Its notation consists of verbal fragments from Tom Phillips' A Humument, referencing “libretto,” “decor and mise-en-scène,” or “sounds.” These categories are arranged separately, with stave notation at the bottom. At first glance, it appears indeterminate—requiring preparation before …
A split album by Christopher Hobbs, John Adams, and Gavin Bryars, released in 1975 as the second title on Brian Eno's imprint Obscure. The album includes two pieces by Hobbs and one each by Adams and Bryars. Side A opens with the experimental compositions of Hobbs, followed by Adams’ spoken-word and orchestral work, while Side B concludes with Bryars’ dissonant, frontier-classical ambient piece, featuring contributions from Brian Eno and Derek Bailey. "Aran" and "McCrimmon Will Never Return" (19…
*Limited edition of 300 copies.* Directed by Patrice Romme, The Devil's Nightmare was an Italian-Belgian production and featured main performers Jean Servais alongside a sensual Erika Blanc; also worthy of note is the disturbing presence of the graceful and filiform silhouette of Daniel Emilfork in the role of Satan. The film's components are typical of the Euro-horror genre of the time: a Gothic castle, eroticism, and bloody murders...all in a spectral and dense photograph.
It is the music of M…
“After a first album as a duo released on Okraina Records: "Le Corps défendant", Delphine Dora and Mocke invite us to join them again in listening to a new album. We slip into it as if in a dream, the music carries us away with its floating images. Heard before on a handful of disturbingly beautiful solo albums and in collaborations such as Midget!, Arlt, Chevalrex, Mohamed Lamouri, Mocke (Dominique Dépret's nom de plume) is a subtle and inventive guitarist, who draws melancholic arpeggios, with…
Delphine Dora and Mocke present Le Corps Défendant on Okraïna. Ned Netherwood of Was Ist Das? on the release: "There is something special about when artists like these collaborate. Two independent talents, both completely self-sufficient choosing to come together and see what happens, to let the muses mingle and share the results with the rest of us. What we have here, however, is not some quick jam caught on tape but a long distance collaboration carefully put together over three years. Th…
**Limited edition of 222 copies, black vinyl two color screenprinted cover** At eight o'clock on a March morning in 2024, as Amsterdam awakened around it, Charlemagne Palestine took his place at the console of the Vater-Müller organ in the Oude Kerk—the city's oldest building, a Gothic monument dating to 1306—and opened a portal. What emerged over the following forty-plus minutes, now captured on this limited edition LP, stands as one of the most concentrated distillations of Palestine's six-dec…