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Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
Sun Araw’s tenth studio album, Lifetime, continues to investigate space as a motionless field against which many motions are observed! Stasis: wheels within and wheels without! “Dripping Magnetizations! Arcs of Slowing Rotations!” Two LPs at 45 RPM. Mixed by Cameron Stallones & Jake Viator, Mastered by JJ Golden. Please enjoy this adventure in sound.
We Jazz Records presents the debut album of AINON, a Helsinki-based ensemble founded by cellist-composer Aino Juutilainen, released 4 September. On "Drought", the four-piece plays music influenced by jazz, contemporary music and classical music, all morphed together into a highly inspired musical vision. The music of AINON might be best described as "spiritual avantgarde jazz", with original compositions and the individual voices of the four players both playing an integral part in the music. In…
LP version. In 1983, electronic musician Rudolf Langer (Tyndall) and guitarist Peter Preuß teamed up to form a duo by the name of LAPRE (LAnger + PREuß). Aligned with the second generation of the Berlin School, their output is incredibly varied: from repetitive sequencer patterns via playfully cheerful synth pop all the way to atmospheric, hypnotic minor key expanses. It's all there. By 1984, LAPRE had released two tapes and a 12" vinyl. Bureau B's compilation presents the most compelling tracks…
Jazz In Britain is proud to be publishing Chris Searle’s new book, ‘Talking The Groove: Jazz words from the Morning Star’. The book is a collection of reviews and interviews with over 150 jazz artists that have appeared in the paper in recent years.And, like our last three books, there’ll be companion audio (two CDs) of rare, previously unreleased, music relevant to the book… some from our archives and some specially donated by musicians featured in the book. When we shared the tracklisting with…
The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pre…
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Ma…
The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of …
Following its release in the winter of 2018, "Landmarks", a collaboration between veteran ambient artists Celer and Forest Management, initially drew quiet accolades and a steadfast listenership that has since swelled to unimagined proportions (~20 Mil. streams), resonating with listeners perhaps now more than ever and cementing its status as an experimental classic.
Inspired by Paul Theroux's novel "The Mosquito Coast" and Peter Weir's 1986 film adaptation of that book, "Landmarks" sets out 14…
Bringing together over seven hours of absurd, elusive and often disturbing music, The Box label finally unveil this epic, years-in-the-making 13x LP Box Set from Lafms, a must for those of you familiar with their work or, indeed, the colourful dreamscapes so often associated with.LAFMS BOX BOX documents every performance from the exhibition Beneath the Valley of the Lowest Form of Music - The Los Angeles Free Music Society 1972-2012 at The Box, Los Angeles in 2012. The Los Angeles Free Music So…
Tip! Recorded a month after Outspan No 1, this album offers up four more sonic delights from the core trio of Brötzmann, Van Hove, and Bennink. Rarely has free jazz/Euro improv/circus music/[your identifier here] sounded so unfettered and delightful -- adventurous without seeming self-serious, silly yet not without gravity. A must for any fan of these three maestros.
Tip! Noise Matrix unleashes material from the same sessions as noisembryo and counterpart 'hole' and selected recordings from the time period. Originally released as a bonus disc on the definitive ’Noisembryo' 2xcd edition noise matrix absolutely can’t be missed for fans of this period of noise deity Merzbow. When people ask where to start with merzbow or the entire 90’s noise movement in japan - this is an answer! Masami Akita’s surrealism of the past stands prominently relevant to this day co…
Powdered Beatles is Richard Ramirez and Dwayne Cathey. Meat locker is Dominick Fernow. In old ancient egyptian tombs the first incendiary devices were discovered and locked into jade encrusted cases. the cases were found clutched in the charred bodies of the fire army. The fire not as in the fire that burns inside but the fire used to keep the frost around hanging meat.
What the artist may consider the most formative years for the project and what clubbers may have heard in numerous live sets with the ‘encryption nets’ classic dub track. Despite being created over a decade ago for limited double cassette and then compiled on ‘it stands to conceal’ this is widescreen esoteric cold industrial perfectly suitable for our collapsing world. Fully remastered version and the first time on stand alone LP!
Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album’s opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar…
Red vinyl. An early release from the often imitated but never duplicated Melvins. Lice-all, from 1992, previously known as self-titled, and also previously known as something else we're all not gonna talk about, thank you very much. This was the Melvins' last release before signing their Atlantic label deal, and features the introduction of new bass player Joe Preston (previously of Earth, currently of Thrones). It's one long, slow, loud blob of drones, moans and fuzztones. The opening endless p…
Tip! The compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of the mental dances that we construct to understand acts of passage; the ways that we commune, memorialize, and carry symbols back into the world beyond representation. To this end, The Head as Form’d in the Crier’s Choir engages two references to the ancient Greek myth of Orpheus: Rilke’s Sonnets to Orpheus, a collection of poems from 1922, and Monteverdi’s L’Orfeo, an early baroque op…
Tip, sold out at source! After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and el…
John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his n…