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1990 release ** "Rova Saxophone Quartet’s 1990 recording of music composed by Steve Adams, Fred Frith, Henry Kaiser, Larry Ochs and Jon Raskin. With music by Rova, Henry Kaiser (g), and Fred Frith, this was an outgrowth of a successful local concert series. It’s one of the few sax quartet albums that utilizes studio and sampling technology as an artistic tool."
2025 stock ** Erdem Helvagioglu first broke through to the international audience with his Walk Through the Bazaar...a collection of sounds from the bazaar in Istanbul that he worked to create an emotional tour. On this record the listener is presented with the performer, on live guitar with live electronics and processing. This kind of work is straight up 'new music' and has strong affinities to the downtown, improvised and modern classical currents that are being played throughout the capitals…
1988 release ** "This is what you get when you put three nutcases like Tony Bevan, Greg Kingston, and Matt Lewis in a room together with their instruments and a case full of toys to play with and turn the tape machine on. Actually, it was recorded live in 1988, so there was the concert's respectability to hold them back somewhat, but not much. This is free improvisation completely realized, articulated, and cacophonously executed in front of a live audience by a group of musical troublemakers wh…
1990 release ** "Swedish drummer Bengt Berger made one masterpiece, "Bitter Funeral Beer", an astonishing world jazz album beyond category, that is as hypnotizing as it is guaranteed to move you to tears as well. On Beches Brew, he combines it all, great compositions, with great influences from Indian traditional music, alternated with more or less interesting Scandinavian folk, silly beer brawl songs and boppish pieces. The band consists of Thomas Gustafsson on soprano and tenor saxophones, Jon…
2025 stock ** "The quirky acoustic trio of German improvisers Udo Schindler on clarinet, saxophone, cornet, and Euphonium, Johannes Ollinger on acoustic guitar and toys, and Dine Doneff on double bass, waterphone, and toys, the odd instrumentation adding surprising textures and disorienting angles to really fine dialog, technically, melodically, and eccentrically. Two preformances are captured, one at Pollat Pavillon in Munich, Germany in 2015, the other from Schindler's own Salon fur Klang+Kuns…
2025 stock ** "Live recordings from Pöllat-Pavillion in Munich, Germany in 2015 from this seriously fun spontaneous collective improvising trio of Udo Schindler on reeds, cornet, euphonium, and monophonic analogue synthesizer, Philipp Kolb on trumpet, tuba and live electronics, and Sebastiano Tramontana on trombone, voice and whistling; expect the unexpected! "
CD digipack ‘Reet’ is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969. Reet will be loved in the same breath as Sibylle Baier, Vashti Bunyan, Molly Drake & Bridget st John. Reet Hendrikson deserves wider listening and we hope this reissue will help .
Reet Hendrikson was born in Estonia only months before the “great escape” into exile in 1944. Brought up and educated in Sweden, she w…
Huge Tip! Original released in 1971 by the Black Artist Group group's own label “Universal Justice Records” this album has for years been an impossible to find/listen to album, and this is its first reissue ever. Ofamfa by The Children Of The Sun, a band led by poet/musicien Ajule/aka Bruce Rutlin is a heady mix of poetry/jazz/political songs/ and a document of a comunity avent. The BAG group being about all the arts theater and dance. The original liner notes by Ajule are great Insight in to th…
1995 release ** "Years ago there was a concert with the Zug percussionist Beat Föllmi in a factory in Cham that was supposed to be demolished, which was recorded on a CD with the title “unorthodox approach”. It was all about free improvisation and an extensive and unusual set of sound instruments: the most powerful piece was a gong over two meters in diameter. Today – 1996 – the same percussionist titles his latest recording “orthodox approach”. The change from “unorthodox” to “orthodox” is not …
Long before he carved his dual legend as both popular jazz-funkster and the ultimate peripatetic guest soloist, beloved by fusion and straight-ahead fans alike, tenor saxophonist Dick Morrissey had been one of the UK’s brightest and best modern jazzmen. During the 1960s his regular quartet explored very nearly every aspect of the jazz genre, from down home blues to the fringes of the avant-garde, as is displayed in these previously unreleased radio recordings from 1967. Over two fascinating sets…
Over the last decade, Superior Viaduct has become synonymous with making the improbable and impossible real. One after another, spanning nearly every idiom of ambitious music, they’ve reissued some of the greatest holy grails in the history of sound. Now they’re back with two more, this time returning to their deep dedication to Italian Minimalism, with beautifully produced vinyl reissues of two of movement’s most important artefacts: the seminal composer Roberto Cacciapaglia’s 1975 debut, “Sona…
1993 release ** "Before getting to the music of this Anthony Braxton recording, the listener is confronted with a highly calculated methodology. The album bears the stark title Four Compositions (Quartet) 1983, and each song (itself merely a cataloged number) is accompanied by its own highly cryptic diagram. This sets up a struggle, whereby musical/emotional ends must be achieved through Braxton's analytical compositional means. For this 1983 session, Braxton selected materials from his collecti…
cLOUDDEAD's debut album, compiling six 10" EPs that appeared between 2000-2001, is aurally dense and obscured. A sprawling mass of miniature beat-suites and Dadaist lyrics, this strange and beautiful 3xLP would influence a myriad of sub-genres (cloud rap, hauntology, lo-fi hip-hop, etc.) in the two decades since its initial release. Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of t…