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Crows Heading For Point Blank
1995 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 wraparound card folder. "Anyone familiar with Eno’s brand of ambient music will feel right at home as Shean weaves droning pads of calming textures and various timbres throughout. About a third of the way through, slow tribal rhythms are introduced, providing a welcome change in tempo, if not in tone. A few atmospheric flourishes come and go, including what sounds like chatter at a subway train station. Overa…
Suspended feathers
1996 release ** Edition of 1000 hand-numbered copies. CD in a card sleeve held in an A5 (150x200mm) wraparound card folder. "Rarely an album comes along that elicits so many different feelings one is left speechless. Suspended Feathers achieves such sacred distinction. Executed with such meticoluos attention to detail, the music of Italy's Alio Die is afine art to behold. A splendid mixture of enchanting instruments, loops and environmental treatments combine to form a multiple layered ambience …
La Vostra Ansia Di Orizzonte
2017 release ** "Salvo Lazzara and Stefano Giannotti, two artists at opposite ends of the spectrum, but with strong musical and literary interests in common, meet between writing and improvisation, electronic landscapes and acoustic creations. A series of out-of-form and unreassuring stories is born, poetic and sound experiments, almost micro-radio-dramas, between ambient and free jazz, singer-songwriter and cultured avant-garde."
Fluidities
2004 release ** "Fluidities is not your usual double CD, but rather an open ended project designed to generate many unique musical collaborations. The tracks on these two discs were designed so that any track on one CD could be combined with any track from the other CD to create a hybrid piece. In fact any two tracks on Fluidities can be played together to create new composite tracks that are, in effect, virtual collaborations between artists who may have never recorded together. For listeners w…
Autumn Is Coming, We're All In Slow Motion
2010 release ** "Matteo Uggeri and Andrea Ferraris met after having shared a series of collaborations with noise-ambient icons like Maurizio Bianchi/MB and Andrea Marutti/Amon. "Autumn is Coming, We´re all in Slowmotion", is the result of their mutual interest in searching for the most balanced blend of experimental music and melody. The work has been recorded and assembled trying to recreate a sort of "ordinary-life" environment and to give this aural-diary the shape of a soundtrack. During thi…
Sonology
2010 release ** "Sonology, the latest release from the Sound On Probation camp, combines two twenty-minute settings by Gianluca Becuzzi (aka Kinetix) and four shorter pieces by Laurent Perrier (aka Pylône), all of them untitled. Kinetix's first piece is a prototypical electroacoustic dronescape of micro-sounds where insectoid clicks, shimmering organ gleam, cavernous rumbles, percussive noises, and electronics combine to form a consistently captivating stream of controlled sound. Becuzzi holds t…
Unknown Music 1: Alien Letter
2005 release ** "Painter, guitarist, composer, and free author Steffen Basho-Junghans lives in Berlin and Thuringia, Germany. He has been highly influential on the eastern German guitar scene since the late '70s. Largely a self-taught artist and musician, his style is best categorized as eccentric and highly personal. Junghans uses steel-string acoustic guitars, combining archaic sounds with altered tunings and a plethora of divergent connections. Traditional European, American Indian, and Asian…
7Books
2004 release ** "If you dig just a little deeper into experimental acoustic guitar music, the name Steffen Basho-Junghans should come up. A German-born guitarist and performer, Basho-Junghans stands out amongst others with his unique guitar style. Implementing elements of American folk with Indian raga for a unique sound, he has created a strong catalog that spans nearly 15 years. On 7Books, Basho-Junghans goes all out with a double-disc collection of extended tracks, in the range of ten to fift…
Ashigaru Revealed
2008 release ** "The latest work from one of the most prominent and outstanding Martial / Neoclassical European projects. Dedicated to warrior’s traditions of medieval Japan.Graceful and epic cocktail of atmospheric neoclassical passages, Japanese drums and rhythms. Digipak designed with a classical Japanese style."
Noise.il
2006 release ** "Israel has a growing noise scene with a growing number of artists, who from time to time organize noise nights/shows – such as the one recorded here on "Noise.IL", sometime in the summer of 2005.While not as large as the Japanese or anywhere near as large as the American noise scene, the Israeli scene is alive and kicking in various styles. Each one of the six artists on this nine-track album shows a different part of the spectrum, from easy-listening tracks such as the bizarre…
Synopsis
2016 release ** "In pessimistic times of murky imminence, the alchemy of improvisation transmitting an explicit lucidity arrives as the proverbial unexpected gift. On a second thought, by analyzing Ute Völker and Udo Schindler’s curricula one does not anticipate anything less than that. Both proficient instrumentalists (on accordion and reeds, respectively), the former is a teacher and the latter an architect. The formal aspect of playing – and we don’t mean “academy”; rather, “respect of impli…
Sea Cathedrals
2010 release ** "Five superb tracks of deep and evocative ambient music, enriched with echoes of ancient ritual suggestions. The immense spaces and the abyssal deepness of the sea, but also the sound of the bowels of the Earth, the colour of the sand of the desert, the energy of the wind, the strenght of all the Elements, the infinite cycle of day and night, of life and death… A long circular journey through interchanging atmospheres that shake and capture, dragging with energy, then leave room…
Dialogue One
2011 release ** "Enrico Coniglio's four tracks on Dialogue One don't differ radically in style from those on I, though the former are in spots perhaps louder and more texturally wide-ranging. Next to no details are provided about sound sources (save for a thanks to Rachele for lending her voice to “Calls of the White”) so once again impressions must be based on listening, pure and simple. One of the recording's most attractive aspects is the contrast between Coniglio's four tracks (all of which…
![The Bunker Years [2006-2014]](https://cdn.soundohm.com/data/products/2025-05/R-14433460-1574443044-2868-jpeg.jpeg.500.jpg)
The Bunker Years [2006-2014]
2019 release ** "A sort of anthology that collects material recorded between 2006 and 2014. The album is titled, programmatically, The Bunker Years (2006-2014) and represents a bit of a "summa" of his art. Musically the album is wonderful: the settings are dense, magmatic and claustrophobic. It is a liquid, wavy and minimal sound that moves in electroacoustic and electronic territories. The initial “The Rule Of The Shadows” with its rumblings creates a bizarre and difficult to decipher acoustic…
Abandoned In Sleep
2009 release ** "Infinite Greyscale is delighted to present a new long-form composition by Anduin. Since 2008, Jonathan Lee has been releasing beguiling and dusky cinematic music to great acclaim. Last Days of Montrose House is a deeply impressionistic work that’s constantly changing scene and perspective. Like entering a long abandoned building, it suggests both physical space and the unknown. The sound of a projector rolls to a foreboding rumble that invites the listener into a smoky, wide sc…
Agents At Midnight
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…
Psychotic Reactions & Lightnin' Rag
2004 release ** "Here an hybrid instrumentation entangling blues and electro-acoustic music re-plays for us the complete history of recorded music. There is no deferred time between the instrument being played and the reworking of the recording parameters. All movements are connected in real time, as close as possible to the body. Hands on the tapes, fingers on the strings, fresh blood is springing, free from conventions, as if to abolish the principle of separation our society is built on. It’s…
The Peel Sessions
Unearthed from the neolithic tar that eventually swathes all history, Aerial M’s early-98 Peel Session is once again among us
Reticence / Resistance LP
"Reticence / Resistance" is the eighteenth Pelt album and the first since 2012. It was mastered by James Plotkin. Pressed on 140 gram 12 in Virginia by Furnace and housed within a gatefold jacket bearing new design elements from the band's Patrick Best. As a part of the Three Lobed Recordings 20th Anniversary series it features an OBI strip bearing an essay about the LP by Aquarium Drunkard's Tyler Wilcox. Edition of 700
Idiots
Last copies...** Heavyweight high-gloss embossed jackets with metallic Pantone. Each LP housed in polyethylene acid-free paper backed sleeves within consistently designed 12" sleeves for each record ** Adding to its already extensive discography, The Hafler Trio (now just solo) enlisted the help of Wire's Bruce Gilbert for their latest, Idiots. Grim and far reaching, this 2XLP moves at its own pace and draws the listener in with its slow, dark amble. Channeling both the natural and industrial wo…