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Pulse 02
2025 stock 'PULSE 02' is the second installment of Past Inside the Present's 'Pulse' series. Pulse is an ongoing exploration of ambient tech, while offering a more structured display of beat-driven ambient music. Pulse 02 features brand new tracks by ASC & Joachim Spieth, in addition to a remix by Nitecord.
Departing In Descent
Anyone who's cast even the most casual eye over their ever expanding catalogue will have realised that one thing Past Inside The Present do best is bring artists together for unexpected and inspired collaborations. Departing in Descent is the first collaboration between James Bernard and Bvdub but their creative conversation effectively started as far back as 1994 when the latter bought Bernard's Atmospherics album in 1994 when it was "mistakenly stocked" in his local house music store. He says …
Fragments + Distancing
2025 stock Available for the first time on our Digistak CD, James Bernard uses his proven and unique efforts in creating ethereal tones on this collection of arrangements. ‘Fragments’ [tracks 1-8] were created by using a method of composition James has been perfecting, where he takes small pieces of unreleased music that he has written stretching over the last 10 years, and runs them through different modes and methods of granular stretching and FFT processing. In some cases, the original audio …
The Inner Garden
On her debut for Past Inside the Present, UK-based Hadley Roe performs a vivid sonic alchemy with a modest setup of electric guitar, synth, and software – but The Inner Garden’s beating heart lies in the immense healing force that Roe summons from the quiet corners of her countryside home and its surroundings. She is publicly candid about her ongoing struggles with mental health, and the album’s eight pieces draw much of their inspiration from unresolved trauma, self-imposed isolation, and inten…
Lume
Nitechord is an intercontinental ambient-tech duo that has so far issued only two remixes, but they emerge in full form on Lume, a début that extols the calm and mystery of night through mid-tempo pulses and shadowy whispers. Their initial cassette demo landed in Past Inside the Present's mailbox in 2022, devoid of credits or other biographical information, accompanied only by a brief quatrain: “We hopethere is room enoughin your worldfor this work.” Those original recordings were so captivating…
Heilun
Following three full-length collections and a transcendent series of individual long form works, Iceland’s Hyldýpi makes his Past Inside The Present debut with Heilun (tr: “Healing”), a set of seven pieces that flow across 90 blissful minutes. Formed only with guitar and a modest selection of hardware, each movement is an improvisation born from a state of meditation. According to the artist, these sonic sculptures are “inspired by the raw nature [of Iceland], both within and without… I feel as …
Live/Dead
Gatefold sleeve. Includes a 4-page booklet. Live/Dead is the first official live album (and fourth overall) released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. "The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real t…
To You
CD Edition. Grey-area reissue of this legendary 1968 avantgarde jazz classic. Fiercely beautiful Danish jazz from 1968, sworn body-and-soul to the legacy of John Coltrane, and the raw sense of music as a healing force, tearing through the cosmos — but with its own intensely compelling voice, on the line from Copenhagen, to you. So a searching, hurting version of Naima gives way to Meinert’s terrific, succinct, Lateef-flavoured tribute to Alice Coltrane  and a thrilling set of modal origina…
Night Music 1974
A never-heard live session from the great Eje Thelin – a mid 70s set that has the trombonist working with a cool quartet that includes some Fender Rhodes from Harald Svensson – who makes a wonderful partner for Thelin's long-blown lines! Eje had already grown tremendously as a musician in the 60s – from bop to modern to avant in the space of a few short years – and here, he moves back into more soulful territory which opens up perfectly next to the Rhodes – with these very fluid, open solos that…
Free At The German Jazz Festival 1966
Unreleased live recordings - featuring the pioneers from the Euro-pean New Jazz scene! This is the third in our series of exciting jazz albums with beautiful unreleased live recordings from the German Jazz Festival 1966! Please check the whos's who of the European jazz scene in the tracklisting.This 2-CD set comes in a SABA-style packaging. We had the impression that those recordings could easily have been part of the SABA/MPS catalogue back in 1966 - that's why we decided to design the co…
Tomasz Stanko & Adam Makowicz Unit
**2020 stock** A fantastic electric session from the 70s Polish scene – a record that not only features freewheeling trumpet from Tomasz Stanko, and sweet Fender Rhodes from Adam Mackowicz, but also includes some very inventive work on drums and percussion from the great Czelaw Bartkowski! All three players are at the top of their game here – artists who have a strong knowledge of the outside territory of jazz, but also often work a bit more inside – so that their music here can be open and expl…
For Friends And Relatives
2018 repress. Landmark work from the Finnish scene of the 60s – one of those ultra-rare European jazz records that collectors have dug for decades! The set's got a stark, modern sort of feel – but also a nice soulful swing, too – a balance that few of the other Scandinavians hit so well at the time – as they were either hanging between farther-out progressions, or more inside, tightly arranged jazz! Drummer Christian Schwindt's vision here is exceptional – full of rich feeling, deep tone, and ca…
Contemporary Jazz Mass
Tip**Remastered reissue, released in conjunction with the artist**  James Tatum's stunning, spiritualised Contemporary Jazz Mass is one of the only true jazz masses ever released. Inspired by Duke Ellington's Sacred Concerts, Tatum's masterwork was recorded on its first ever performance at St Cecilia Church in Detroit, and released on his own private label in 1974. At the time Ellington’s Concerts were quite controversial. Whilst they contained scriptural references they did not follow liturgica…
Goodbye Red Rose
Chefa Alonso performed with numerous musicians during her 2004-8 stay in London. Perhaps the most profound and rewarding musical relationship was the duo with Tony Marsh. This is at least the fifth soprano saxophone and percussion duo on Emanem. While perhaps influenced by the other duos, the strengths of the two participants mean that it is a unique addition to the instrumentation. Besides their contribution to the last night at the Red Rose, there are also appearances at another London venue, …
Works for flute
2007 release ** calme, silence, solitude for piccolo solo, quelques riens for mauritius flute and moments musicaux for bass flute constitute a trilogy, composed by eva-maria houben for flutist anne horstmann.they may also be performed individually.the mauritius flute is a traverse flute made of speckled bamboo.its seven holes are burned into the wood.the scores of this trilogy contain the note: "hector berlioz abgehört" ("upon listening to hector berlioz").the titles allude to  french composer h…
Stimmen
2007 release ** voiceswhat is music made of?of voices.and what is a voice?a sequence of sounds and silences, with its own  consistency.perfectly self-contained: each voice voicing a world.and what is a world?a proportion: a specific distribution of movement and repose.perfect repose, incessant movement.in between: the infinite plurality of possible worlds.writing voices means:to traverse this universe of possibilities, one voice at a time, that is: from world to world.to dwell in worlds, in spac…
cello piece
2006 release ** I like that which is the extremely refined sound of a note made by an instrument. I find the sound of a note to be a very extraordinary, elusive and indefinable experience. I like the sound of one note next to another, or at the same time as another. The decisions to be made, from all the myriad array of sounds of notes, from all the potential possibilites of how to present and experience these sounds, is what draws me into the process which results in the making of a piece. I wr…
Miscellanea
**150 copies, black vinyl** Miscellanea – originally released in 1969 on cult italian label Sermi SR Records (home of famous composer such as Bruno Nicolai, Francesco De Masi, I Marc 4 and more) – is the debut of composer Luigi Zito, an in-demand session player and music director throughout all the seventies. An extremely brilliant music library with lots of jazz licks, descriptive and improvisational themes composed with a multitude of instruments, including the famous whistle by the one and on…
Skorpio
Cult synth-pop album from 1984 repressed for the very first time. One of the most obscure Synth / Italo recordings from Germany with the Danny “Skorpio” Antonelli’s haunting vocals. Includes the obscure deep “Black Mercedes” and the hit “Long Hard Climb”.
crY [Remixed]
2025 stock What is considered making music today? What is it that we like / dislike or is considered music today? Monotonous structures, global rhythm, predictability? How profound is the influence of pervasive media on how we shape our tastes? Are we able to dissect the overwhelming presence of multimedia content? —Glass. By focusing on the physical aspect of sound—in its broadest way—'crY' can be seen as a response to an explicit impulse to investigate modern commodification beyond its soothin…