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French Post-Punk & New Wave: 1980-1983
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.
Let's Go
A record that's every bit as great as you'd guess from the three artists billed on the cover -- raw guitar from Terrie Ex, offbeat alto sax from Brodie West, and some amazing percussion from the legendary Han Bennink! The record feels very free and improvised -- very much in the best spirit of other Ex/Bennink collaborations, but really taken to the next level with West's contributions -- played with a raw tone that really holds the whole thing together, and sends it back to almost ESP-l…
Forventning
*In process of stocking.* A collection of lo-fi ambient work by Danish artist Franciska. Forventning released as a double cassette on the label Forlaget Kornmod, a collective label based in Odense and Copenhagen introducing New Danish heartfelt sounds.
Il Serpente
Super Tip! “Il Serpente” (Night Flight from Moscow) is a 1973 spy and thriller film directed by Henri Verneuil, starring among others Yul Brinner, Henry Fonda and Philippe Noiret. It’s one of the French director’s six movies that feature a soundtrack composed by Ennio Morricone, who here managed to describe the thrilling atmosphere of this high-voltage espionage, alternating dramatic and mysterious passages ("Assassinio sul Lago", "Il Serpente") and experimental ones ("Astrazione con Ritmo", "Es…
The Coxcomb
*2024 stock* The Coxcomb is an adaptation of Stephen Crane's "The Blue Hotel." Aux Noctambules was recorded in June 1998 at Xtralab, Paris. Mastered at DM Studio, Limoges, France. Aux Noctambules is dedicated to Pierre Carré. © Gastr Virgo Music (BMI), administered in Europe by Rough Trade, Ltd.
We Are Ever So Clean
Released in October 1967, We Are Ever So Clean was the wonderful debut album by Blossom Toes, one of Britain’s most imaginative bands of the late 1960s. Originally known as The Ingoes, the band featured Brian Gooding (guitar, vocals, keyboards), Jim Cregan (guitar, vocals), Brian Belshaw (bass, vocals) and Kevin Westlake (drums, percussion). Signing to Giorgio Gomelsky’s newly formed Marmalade Records in 1967, the band recorded their debut masterpiece throughout the Summer of that year.
Upo…
What Year Is It?
Sail Cabin Records are very proud to release the new album from SOL SOL, titled “What Year Is It?”! It will be available on CD and digital platforms on January 28. (Vinyl edition will be released later this year.) SOL SOL is a Swedish jazz group featuring some of Sweden’s top jazz musicians, playing their highly original music, written by Elin Forkelid and David Stackenäs. This is their second album as a group. (Their first album “Unaccustomed Soil” was released 2019 on Signal and Sound Records.…
Seas of Triple Consciousness
Jordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound & performance. Now we are proud to present the next chapter in Jordan’s recorded legacy. Seas of Triple Consciousness was recorded between monasteries & churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.
Essentially a song-suite centred ar…
Ghost Meditation
*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …
We Jazz Reworks, Vol. 2
We Jazz Records presents the second volume of their reworks albums dealing with source material from the Helsinki-based label's catalog. This time around, it's Carl Stone's turn to tackle the source albums at hand and filter the label's output through his musical lens.
We Jazz Reworks is an idea that repurposes some of the label's output 10 albums at a time. That is, the label invites producers whose music they love on board, and one by one, they tackle 10 albums worth of source material, of whi…
Variation and Creation: The Story of PAZ
Five years in the making and representing the twenty-year story of a pioneering British jazz-rock fusion band with strong Latinesque influences… whose alumni over that period included over thirty well-known British jazz musicians… but a band you might not have heard of… or have any of their eight albums… we have finally come up with ‘Variation and Creation: The Story of PAZ’. The album was produced in cooperation with the families of Dick Crouch and Geoff Castle, the heart of the of the band ove…
Krautrock Eruption – An Introduction To German Electronic Music 1970-1980
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
Our Glassie Azoth
1997 release ** "Excellent debut album by two mysterious musicians from Wales/UK. Their music sounds like they have adapted parts of 'Sternklang' by Karlheinz Stockhausen for ten distorted guitars. Their focus is upon pure noise with an intent to locate, draw out and revel in it's hitherto hidden harmonies. Using the rough sound of variegated tape-manipulations with some acoustic instruments such as flutes and woodblocks they enjoy to produce feedback drenched drone chaos that flutters and filte…
Appearance
Australia's Chris Abrahams, widely known for his work with legendary trio The Necks, has amassed an impressive solo discography over the past three decades. With four electro-acoustic editions already published by Room40, the label announces Chris's first piano solo for the label. Appearance is two longform pieces for piano that weave and mesh to create a sense of flow and subtle shifting which unfolds into eternal variation.A note from Lawrence English: "I first met Chris Abrahams sometime in t…
¡Arriba! Con Montego Joe
1994 release ** "Everything about this album, from the artist's name and album title to the rather cheesy cover photo of a smiling tuxedo-clad man on a beach surrounded by congas, suggests to a cynical eye that Arriba! Con Montego Joe is kitschy exotica on par with Martin Denny or Les Baxter. And while that style of music has its fizzy charms, it turns out that Arriba! Con Montego Joe is something much meatier. Collecting the entirety of the two albums Montego Joe (born Joseph Sanders) made for …
Figures
2006 release ** "On this album, in 12 songs presents relaxed sort of dark folk rock from France. From first minutes, music full a melancholy and romanticism, will transfer you deeply, to the farthest, warm, and probably for a long time the lost memoirs. Where it will want to come back again and again... Guests musicant Eric Roger (ex-Sol Invictus, Gae Bolg)."
Fluid To The Influence
LP version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic f…
Apparition Paintings
Maybe these titles, torn as they are from cinema screens and the pages of literature and philosophy, give a feeling of romantic or sexual love or some dark pool of nostalgia but that’s not it, or it could be if you want it for yourself but not for me, not now; for me it’s about the teeming proliferation of complex events in the world, their vivid, hyperreal intensity as this human life steps closer to its end and their sense of fading, like a mist that thins out to leave not a clear bright day b…
Cyberflesh
1993 release ** "Following a successful European tour with Italian industrial musick giants Sigillum S, Phallus Dei expanded to a three piece unit with the addition of multi-instrumentalist Mk. E & drummer, multi-instrumentalist Richard van Kruysdijk. With the additional help of Joris Huijbregts (who had previously played with Richard v. K. in the band Lament), the band recorded their follow-up album Cyberflesh. The sound of the group had progressed greatly on Cyberflesh, forming a more matured,…