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Alternate Moon Cycles
Rob Mazurek’s 'Alternate Moon Cycles' was International Anthem's first release. The incredibly spare single-note-centered cornet, bass and organ chant was recorded to tape at pint-sized Chicago bar Curio as part of a performance series that predates any notion of our label’s existence. Documenting this performance – highly unique even within the depths of Mazurek’s vast catalog – stirred those notions, and soon talks began of releasing the recording on a fresh imprint. Performed by Mazurek with …
Contactos
Cosmic jazz from the Canary Islands, recorded by Argentinian pianist Luis Vecchio.
Peace and Pleasure
*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…
Comme a La Radio (2LP)
Wewantsounds reissues Brigitte Fontaine's landmark 1970 Saravah album Comme à la Radio, recorded with Areski Belkacem, Wadada Leo Smith, and the Art Ensemble of Chicago. This new edition pairs the original album with rare bonus material. The release is accompanied by a lavish 24-page bilingual booklet featuring an introduction by journalist Andy Beta, essays by Wadada Leo Smith, Brigitte Fontaine biographer Benoît Mouchart, and Benjamin Barouh, plus a recent interview with Brigitte Fontaine and …
Interplay
*300 copies limited edition* "Interplay" is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before. They actually did not sing words, but produced sounds, reacting to the voice on certain situations given by the author. Afterwards the five tracks have been combined together into a single track. The final result is an interplay of voices, an abstract sonorous space, disembodied…
keine fernen mehr
2010 release **
"Two discs, 17 tracks per disc, just whistling, never remotely pyrotechnic, always with substantial breath in the tone, emerging from the very audible hum of the room, subsiding back into it. Slow, hints of melody but, fundamentally, the kind of things you'd whistle to yourself when deeply thinking of matters, perhaps not even realizing you're whistling. It's so personal, in a way, yet you don't (at least I don't) have any uncomfortable feeling of eavesdropping. Beuger is a fluti…
Look She Said (Complete Works For Bass)
Christian Wolff's complete works for bass, played by Robert Black under the composer's supervision: Look She Said, Jasper (with violin), String Bass Exercise out of Bandiera Rossa, Dark as a Dungeon (with trombone) and Untitled for electric bass-guitar.
Acustica
Composed between 1968 and 1970 and originally issued by Deutsche Grammophon in 1972, there are arguably few works within the canon of 20th Century experimental music as beloved and sought after as the Argentine composer Mauricio Kagel’s Acustica. Created for “experimental sound-producers and loudspeakers”, comprising electroacoustic material assembled on 4-track tape in 1969 at Westdeutscher Rundfunk (WDR) in Cologne, and acoustic material for 2 to 5 musicians, scored over roughly 200 filing-ca…
Watt
LP version: Coral alone, Watt’s own collective composition for four clarinets, a little over thirty minutes. The three commissioned pieces stay on the sold-out cassette box.
ChamberEvents
2005 release **
The works on this CD represent three different series of compositions, which I have been working on simultaneously in the last few years. Structurally, their individual parts resemble each other: all instruments play (rather) long sounds, each one followed by a pause.55 similar events plus two drummers drumming (1999) consists of two layers of events. On the one hand, seven instruments are organized ‘isophonically’ and with regular durations. Their sounds, each comprising the sam…
Ensemble Works 3
Xenakis Edition volume 13: works for soloist and ensemble by Iannis Xenakis, played by members of the International Contemporary Ensemble under Steven Schick, with the first recording of Zythos for trombone and six marimbas.
Four
A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
Fuse Modulations
Thanatosis Records is proud to announce the release of Fuse Modulations, the latest work by Norwegian composer and guitarist Fredrik Rasten, performed by the innovative quartet Asterales.
For 10 Musicians
Samuel Reinhard returns to elsewhere music with “For 10 Musicians,” a four-part ensemble piece recorded in 2025 at the Royal Danish Academy of Music in Copenhagen.
Il Metodo per Suonare
Mega Tip! Edition of 200 copies, comes with a large illustrated insert. Giuseppe Chiari arrived at music from the wrong direction. He read mathematics and engineering at university and studied piano and composition privately, and it was John Cage who turned him toward experimental music. With Pietro Grossi he founded Vita Musicale Contemporanea, one of the first Italian associations for new music, and with Sylvano Bussotti he assembled the travelling exhibition Musica e segno. In 1962 Frederic …
Suite 8 & 11 per pianoforte
Giacinto Scelsi (1905–1988) is one of the most unusual composers of the twentieth century, a unique figure whose importance was only fully recognized and celebrated after his death. During his lifetime, he was often dismissed, especially in Italy, as a pretentious dilettante because he did not notate his music himself. Beginning in the mid-1950s, he recorded his improvisations at the piano and had them transcribed by others. In this way, in the course of only a few years hundreds of piano pieces…
Longing Landscape
Jürg Frey, the Swiss composer, clarinetist, and central figure in the Wandelweiser collective, presents three recent chamber works—all written for and performed by the Prague Quiet Music Collective, with one piece featuring the Norwegian new music group asamisimasa. These compositions mark a significant evolution in Frey's aesthetic. As Ian Mikyska of the Prague collective explains, "Jürg is neither writing the music he used to write nor writing the music that anyone expects of him"—moving beyon…
Composer, alone
Composer, alone by Jürg Frey (performed by Reinier van Houdt) is a luminous retrospective stretching across three discs and 35 years. Twelve solo piano pieces—fragile yet substantial—trace Frey's evolution, distilling time and silence into crystalline musical objects. Van Houdt’s touch brings warmth and clarity, illuminating the invisible architecture within Frey’s sensitive landscapes.
Julius Eastman, Vol. 5: Gay Guerrilla
This is the fifth chapter, and one of the most assured. Wild Up's long reckoning with the music of Julius Eastman arrives at Gay Guerrilla, the work Eastman composed at the close of the 1970s and regarded as the point where his politics and his sound became indivisible.
Eastman remains one of the singular figures of American experimentalism, an African American and openly gay composer who moved through the orbit of the Buffalo new music scene and the downtown minimalist world before dying destit…
Mantra
'Composed in 1970, Mantra, for two pianos and ring modulation, was one of the decisive turning points in Karlheinz Stockhausen’s career. The 70-minute piece not only signalled a break with the text-based intuitive works, relying heavily on improvisation, that had come to dominate his output towards the end of the previous decade and a return to fully notated scores, but also introduced the idea of melodic formulae, the “mantra” of the title, which Stockhausen would eventually develop into the or…