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Tapes & Nikolaienko get comfortable behind an organ. These two manage to sneak along some shit of their own though – a bag of sharp rocks to cut perfect tape loops & round ones to play the keys with. The four vignettes on this 7” paint a picture both blissful & threatening. Take “Countryside Emergency” with its loosely galloping rhythm-loop & alarming arpeggiated keys. All this might end with someone getting thrown into a fire. If it wasn't for “Jaaksoni Tamm” to smooth the situation with an inv…
Music for animation cyber-noir film "Battlefield" (based on same-titled book by Stephen King). Animated films soundtrack is one of the most substantial aspects of Volodymyr Bystryakov's career. He masterfully balances between being a composer and a sound designer. A cartoon thriller for Stephen King's original story was created at the Kyivnaukfilm studio in 1986. The work itself reached the Soviet reader in 1981 for the first time and was King's first publication in the Ussr, as well as "Battleg…
Skulking hardware cranks from Hamburg’s Fallbeil duo, cooking up 90 minutes of K-holing, atonal digital noise recursion on tape along with two slices of grot on vinyl, especially for Nina’s V I S label down by the docks in Hamburg. After first appearing on Helena Hauff’s Return To Disorder label with Ultima Ratio in 2016, and turns for Boidae, Hafenschlamm and Mannequin in the meantime, the Fallbeil duo have made no concession to higher fidelities and remain resolutely grubby and visceral on all…
Half of Indonesia's Senyawa (the band's sole instrumentalist, Wukir Suryadi) with a solo release for Morphine. Engineered by Rabih Beaini. Art direction by The Tank Boys.The unique tone and twang of Wukir Suryadi’s homemade bambuwukir - a
hollow tube of bamboo with strings and pick ups played like a
guitar/sitar - recorded at Weltkulturen Museum, Frankfurt, by Philip
Albus in October 2015, is twisted and serrated into a pair of gripping
tracks, following an unsteady, zig-zagging and buzzing …
Previously Japan-only 7” featuring two tracks originally released on Archie Shepp's 1972 classic soul-jazz LP, Attica Blues. A powerful mix of psychedelic soul and jazz that retains Shepp’s political sentiment of his earlier works. Attica Blues is a huge funk-soul composition, referring to a mass shooting of inmates at Attica Prison. Henry Hull's vocal sits on top of bass, layered percussion, wah-wah guitars, plus large horn and string sections to create a massive sound. The big band, almost sou…
**Edition of 200** Texts by Joshua Abrams, Paal Nilssen-Love, Jim Sauter, Mike Watt, Guy Peters, Mette Rasmussen, Dave Rempis, Bruce Ackley, Sandrine Verstraete, Laurens Smet, Ken Vandermark, Koen Vandenhoudt. The idea for this publication started with a request made by photographer, reviewer and overall music enthusiast Hans van der Linden to document the Oorstof series behind the scenes for a whole year. In addition to his unique photographic impressions, we asked graphic designer Marijke Looz…
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new tracks from the Newcastle-based improvisor Joe Murray and his Posset, known from releases on Mantile, Chocolate Monk, No Basement Is Deep Enough and more. 'Fanzine Ink Dries Like Black Blood' was recorded on 9th Jan 2016 at Bookshop in Sunderland City Library. Mainly mainly made up of vocal-jaxx loops, dry breath and child chatter. It's the final four minutes of a longer …
New on Penultimate Press. Limited to 150 copies. Who will listen to aches that Everyone has’ is a telaesthetic document of disquiet, distance, and disintegrating memory. Careful mantels, rumours of summer, a nocturne, the black inside; Septembers wither, sentiments wane, the chamber-band plays. Parlours are MB – violin, piano, spokes, hotel bell, lighthouse bell LR – cello ML – pianette LF – cutlery SM – silhouette
Limited Edition of 50 numbered copies. Fuori is a creation by Giuseppe Chiari, the world renowned Fluxus artist, dated 1965, that is usually performed (even if performances are quite rare) in concert situations or happenings. It is a verbal score: there is no music notation, only instructions; there are no directions about time duration. The performer has to describe the sounds he listens in that very moment. Francesco Michi and Mechi Cena conceived "Variazioni su FUORI" as a new piece, a non-c…
"A live set comprising nine songs all written by the good pastor, this kicks off with the title track, which bemoans churches and preachers who've quit praising and preaching, and goes on to offer encouragement to anyone on the verge of doing likewise. Donald and a few other people take turns to lead the singing. There's nothing here to set this album apart from the mass of choir-based gospel albums in an over-crowded sector of the Christian music market. All the familiar gospel cliches are here…
*2023 stock* "Gongs have been part of my life since 1970, when as Jazz Swiss School student in Bern (Switzerland), I had the lucky opportunity to visit the Paiste, Cymbal and Gongs factory. I was immediately fascinated by the sonic world of the gong and related metal percussion and I started dreaming a future that could possibly include those marvelous instruments. Few years later, while in New York on my first US trip, I found few Albums of Balinese Music in a small record store in the Greenwic…
*2023 stock* "The West Coast Chamber Jazz Trio, recently formed, remains faithful to its name, in the sense that the undoubted chamber size and the jazz component, apparent in rhythmic melodic lines and improvisation always kept under control, are beautifully conjugated in the narrative modes, colloquialisms and relaxed of the Californian jazz, not only from the fifties and sixties, but also that one of the most recent landings …" - Libero Farnè
*2023 stock* "Celebrating a label's 35th anniversary at a venue as iconic as The Stone in New York City is already quite revealing of the nature of the music to be heard, i.e. definitely unusual and daring, definitely with no piano bar and no noisy cash register... But with the present celebration, there was an added element of surprise, as Andrea Centazzo — founder of the creative Ictus label and curator of the 12 nights Festival (April 1-14, 2012) -- brought for the first time ever to the hear…
*2023 stock* "Celebrating a label's 35th anniversary at a venue as iconic as The Stone in New York City is already quite revealing of the nature of the music to be heard, i.e. definitely unusual and daring, definitely with no piano bar and no noisy cash register... But with the present celebration, there was an added element of surprise, as Andrea Centazzo — founder of the creative Ictus label and curator of the 12 nights Festival (April 1-14, 2012) -- brought for the first time ever to the hear…
Theodore Wild Ride started from the collaboration between French keyboardists Christine Ott (regular collaborator of Yann Tiersen, Tindersticks, Oiseaux-Tempête...), Mathieu Gabry (Snowdrops) and Oed player Ophir Levy. Theodore Wild Ride celebrates musical freedom and redefines the relationship between space and time with a special, unexpected orchestration.
*Limited edition of 200 copies.* A new work for the 'Like the Snow' project by Luca Mazzariol, a remarkable Italian artist who in three years has put out as many CDs of excellent music of difficult stylistic cataloguing, among whose textures - always strongly evocative and of great emotional impact - alternate dreamy and romantic atmospheres, passages with an epic and almost 'orchestral' pace, eclectic rhythmic digressions sometimes coloured by more distinctly electronic sounds, delicate ambient…
*In process of stocking.* The four tracks that comprise "Giving Water to the Dead" were composed using sound materials originally recorded for the sound installation Histories of the Present, a public artwork commissioned by the City of Berkeley in 2019. But where the installation was about a melding of practices and sounds into a single gesture, Crouch and Novak wanted to take the opportunity of a split release to exploring divergent paths starting from common ground. For "Giving Water to the D…
Seven sound-paintings inspired by the poems of Finnish writer Eeva-Liisa Manner and the paths of the Deep North which revolve around the boreal circle, those lakes, shores, cliffs, fjords and large forests inhabited by other lives, other presences than ours. Le rêve, l’ombre et la vision is constructed from field recordings of natural phenomena at various open sites: echo in a wooded valley, geyser, cliffs rocks, glacial lake sculpted by a forgotten glacier, fire, landscape after freezing rain, …
"Exquisitely performed by the Benaud Trio … a meditative stillness and a quality of confiding sincerity … heightened by the unpredictability with which notes appear and disappear … there are special joys here.” - Graham Strahle, The Weekend Australian
*2023 stock* "Real Time is an extraordinary example of interaction between musicians coming from different worlds of new music. I had the chance to perform with those two great musicians on other occasions: in duo with Curran and in duo, trio and sextet with Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination.
Evan had left jazz to accomplish his own instrumental language, aiming at total improvisation. The idea of…