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Right from the stop-start bass groove that opens The Emperor, it's immediately clear that Ethiopian Knights is more indebted to funk - not just funky jazz, but the straight-up James Brown / Sly Stone variety - than any previous Donald Byrd project. And, like a true funk band, Byrd and his group work the same driving, polyrhythmic grooves over and over, making rhythm the focal point of the music. Although the musicians do improvise, their main objective is to keep the grooves pumping, using their…
Gulf Coast Bound explores new connection between latin music and mainstream blues. The fifth album from the Bronx combo is an excellent improvement, retaining John Liello's vibes and percussion and pianist Eric Justin K a key role. Blue-eyed soul jam in the vein of Steely Dan, Traffic or early Chicago give way to a series of prominent numbers.
The new Barry Guy 5 CD set of The Blue Shroud Band in Small Formations is the most exciting release of the new year - called “Intensegrity” (previous 4 CD box was called “Tensegrity” from 2014, I think. The new box is also described as “Odes & Meditations for Cecil Taylor”. the DKV box is recorded live from November 2017 at concerts in France, Poland & Czech Replublic and then in late December 2017 at a show @ Sugar Maple in Milwaukee and then 2 homecoming shows @ Elastic Arts in Chicago. I’m so…
Not Two Records presents a live concert by Jubileum Quartet recorded at the 23rd Cekno Jazz Festival, in Cerkno, Slovenia, on May 18th, 2108, by Borut Celik.
The album includes four tracks performed by Joëlle Léandre - acoustic bass, Evan Parker - tenor sax, Agustí Fernández - piano and Zlatko Kaučič - drums and objects.
A really great trio set from drummer Barry Altschul – a record that easily swings between freer moments and straighter swing – thanks to the help of bassist Joe Fonda, and saxophonist Jon Irabagon – who blows tenor, soprillo sax, and alto clarinet! Fonda's bass may well be the rock of the set – a he's always a bit understated, but finds a way to bridge the space between Altschul's loose work on the kit, and the more soulfully cohesive lines of Irabagon's reeds. The tunes all have a loose structu…
Originally released in 1982 on cassette (Aeroplane Records AR3, UK), Up From Zero was David Jackman's third album of compositions. Integrating tapes, loops, shortwave radio signals, guitar tones, voice and a host of percussion elements, each piece accumulates into a complex collage of cycles that create a haunting set of 'movements' and bizarre spatial relationships. These are the most sought after of Jackman's first, solo recordings. The proto-Organum sound. Also included is 'Offshore', (1980).…
Since performing in the late 1960s and through the early '80s as half of the German duo Anima (with Paul Fuchs), Limpe Fuchs continues to explore music-making as a part of everyday life. Her vibrant live performances are numerous and consist of solo as well as ongoing collaborative works. On Vogel Musik (or "Bird-music"), Fuchs is heard performing a series of duos with multi-instrumentalist Christoph Reiserer (saxes/clarinet) (recorded in 2002). The duo then extends to a trio with Julia Schoelze…
1998 release. The first of two CD anthologies of the Organum/David Jackman back catalog, preceding Volume Two. The series is not exclusively limited to reissuing early vinyl releases in their entirety, but is rather a "collection" series that also includes alternate mixes as well as previously unreleased material. Remastered for truly maximum fidelity.Volume One includes material culled from the Tower of Silence and In Extremis 12"s (both originally released on L.A.Y.L.A.H. Antirecords in 1985).…
Combining the beauty of art, poetry and music this beautiful package (available as compact disc or LP) makes for a fitting send off for the great bassist Sirone who passed away not long after this recording was completed. Along with Sirone’s deep and resonant bass, the musicians in this collective performance include Oluyemi Thomas on bass clarinet, flute, soprano, musette and percussion (he also composed the music) and Michael Wimberly on drums and percussion. Like the meditative poem that is i…
*2023 stock* "Constantly changing and challenging, this extended three-part sequence by four of Europe’s most accomplished improvisers ebbs and flows enough to create a perfectly framed soundscape, but leaves enough ellipses for individual expression. Recorded at the Total Meeting in Tours, the almost 52 minutes of music were put together with no pre-conceptions. But as the interaction evolved, the players found themselves melding and separating their extended and expected narratives into sponta…
*In process of stocking* "In order to bear witness one must believe what one sees and belief, of course, is subjective. Knowledge is essentially faith. And the flexibility of human memory, our blind spots (whether empathetic or optic) and our great imaginations don’t make truth any easier to contain. This becomes more evident over time as the pages of history weather and the cataracts of progress cloud our collective “knowledge”. Humans love to forget and to repeat. We fall subject to confirmati…
"More Touch is a courageous step and important record from Patricia Brennan, a wonderful vibraphonist who is rapidly becoming one of the most innovative on today’s contemporary jazz scene. The nature of her compositions gives the quartet the chance to stretch and test boundaries, and the musicians respond by adding a unique dimension to her creative vein. Brennan is seen shoulder to shoulder with a talented rhythm team: bassist Kim Cass, who is an expert in form, texture and groove; the skillful…
Just arrived, beautiful solo album for the Presto records label's owner...Produced, edited, mixed by Lorenzo Senni and mastered by Marcus Schmickler, "Dunno" is the very first official release from the 27years old italian founder of Presto!?; his previous release "Early works" (2007) is a collection of old re-edited tracks mainly influenced by early laptop heroes Mego style. Now with "Dunno" we have a pure computer music record where digital psychedelia meets brutal pulasr synthesis trains …
There is not a lot to say when a young talented percussionist meet one of the master of improvised music, also percussionist ; we can just sit and listen what happens. this is what exactly did the guys at cosabeat studio during "mirrors" recording session. the result is incredible. you can really feel the musicians concentration and then understand the importance of every sound they created. this is a focused, brilliant, top class "sound dialogue" between two of the most dedicated artist i …
Recorded by Nick Symons at Summer Bummer Festival, DE Studio, Antwerp, August 26th, 2018. Rodrigo Amado - tenor saxophone, Gonçalo Almeida - double bass, Onno Govaert - drums. Festival curated by Koen Vandenhoudt & Christel Kumpen with production by Sound in Motion.
Trumpet superstar Chet Baker recorded a session with Archie Shepp in 1988, an unexpected collaboration given their different styles. At the time of the event, Shepp had adopted a more traditional approach, yet still retained an appreciation for the contemporary elements that characterized his earlier creations. Meanwhile, Chet had embraced a more modern style in his music, which differed significantly from Archie's direction, partly due to the physical transformations Baker had experienced. The …
The second in the Masaru Imada reissue series that jazz collectors all over the world have been eagerly awaiting! This is a tour de force of Imada's hard bop style, featuring Shigeharu Mukai on trombone and Seiichi Nakamura on saxophone. All songs are Imada's own original numbers, and he also demonstrates his true potential as a melody-maker.
*2024 stock* Enja has released the live recordings of Masahiko Sato, one of the most famous pianists in Japan, at a broadcasting station in Germany in 1971, and this is a rare item that has only been released on CD once in the past in 1992.The performance by Sato, who came to Munich in 1971 at the invitation of Horst Weber of Enja, Peter Warren on bass, and Pierre Fabre on drums is truly a triumvirate of greatness!
*2023 repress* Tremendous early work from German saxophonist Joki Freund a player who would go onto much greater fame in the progressive years at the end of the 60s, but who already sounds plenty darn great on this early combo side from 1963! The style of the work is incredibly hip with a definite John Coltrane modal groove in place, but also a sense of globally conscious jazz that's very much in the spirit of classic Saba/MPS work, but which predates most of that by a number of years! Freund pl…
An incredible early German bop session! In the 1950s, pianist Jutta Hipp recorded straighter sides for Blue Note in the US, but this first album features her with German contemporaries Joki Freund on tenor sax and Emil Mangelsdorff on alto, creating a dark, sharper sound than expected! Hipp leads, but Mangelsdorff and Freund's horn interaction on several song intros, slashing back and forth like a double-edged blade and then bursting forth into lovely compact solos, makes the record sparkle.