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Angharad Davies, violin. Axel Dörner, trumpet. 'Neither player should need much introduction, as both are widely acknowledged as leading improvisers on their respective instruments. These domestic recordings mark their first meeting as a duo, and - in the words of another early reviewer, David Grundy - create 'the atmosphere of surprise - of magic - that great improvisation is still so uniquely capable of providing'.'
After a long break, we're happy to present another masterpiece in The Fact Of Being collection. A long-awaited reissue of the legendary ambient/new-age album "Reflections" by Laura Allan with Paul Horn. The album was recorded in 1980 and marked by the participation of twice Grammy Awarded jazz legend flutist Paul Horn. The meeting of Laura and Paul was a true miracle that brought amazing fruit. Since 80th "Reflections" captivate the minds of spiritual ambient music fans all over the world. Magic…
** Available on CD for the first time and housed in a lovely reverse printed card gatefold sleeve ** Malik King was an important part of the St Louis jazz scene of the 70's & 80's. He studied under Albert Ayler in NY in the early 70s before returning to the Midwest. He was a member of the Shirley Le Flore's ensemble "Free N' Concert". He also served as musical director of The Creative Arts & Expression Lab, The African Peoples Continuum, & The Black Arts Alliance, The worrier poets, The Human A…
A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, this recording is of the first public performance by the Ferran Fages Ensemble, which took place in Barcelona in February 2011: Olga Abalos (flute and alto saxophone), Lali Barrière (sinetones), Tom Chant (soprano and tenor saxophones), Ferran Fages …
The place could be an empty room; a quiet street corner; a fountain or waterfall; a huge echoey space. The sounds: reverberant cracks, lush organ drone, quiet whoosh of distant traffic, tapping and banging, whistles and squeaks, accordion chords, low, rough gurgling, high-pitched whining, fast chirruping, guitar and clarinet notes, footsteps and voices, ringing like an old telephone, ringing like a fire alarm. The durations: from three seconds to around 12 minutes. The volume: mostly quie…
Electroacoustic and minimal studio composition for guitar and percussion performed by Clara de Asis. Six beautiful solo pieces developed over the course of 2017. “It’s the way I work now. To me, one of the differences between improvisation and composition is how I think about and experience time. Meaning the time within the piece itself, but also the time of my life in which I develop the piece, and how I live through that time. I believe that, as with any other activity, music is very mu…
Eight collaborative compositions for organ and percussion by the longstanding Canadian duo, who also appeared on Isaiah’s previous, and now sold out, CD ‘Bow’.
*2022 stock* “Patrick” is an Australian thriller/horror movie made in 1978; at the beginning of the following year, Goblin were asked by the Italian distributor of the film, De Laurentis, to write a new soundtrack – originally composed by an Australian musician called… Brian May! – for the Italian movie market. The result is a mix of old songs chosen added by the Cinevox Record label and new selections, strongly influenced by Alan Parsons Project.
*2022 stock* First of a trilogy of films directed by Luigi Magni dedicated to the papal Rome of the Risorgimento period, Nell'anno del Signore (In the Year of the Lord) depicts a Rome subjected and accustomed to the temporal power of the church.After this feature film will follow: In the Name of the Pope King (1977) and In the Name of the Sovereign People (1990), which will have the same stylistic line. In the first two feature films, the scores were written by Armando Trovajoli, while for the l…
*2022 stock.* You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with som…
Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Brazilian music …
A fantastic early recording from the great French tenor saxophonist Barney Wilen – best known as an artist who recorded famously in the soundtrack world of the French new wave, and with Art Blakey – but who's even more striking here on a rare small combo date from the 50s! The session's a monster – cut with rhythmic backing by Milt Jackson on piano (!?), Percy Heath on bass, and Kenny Clarke on drums – and two cuts feature additional percussion by Gana M'Bow, which gives the set a wonderful kick…
Andrius Arutiunian’s debut album »Seven Common Ways of Disappearing« was first conceived as an installation for the Armenia Pavilion at the Venice Biennale in 2022. The Armenian-Lithuanian artist and composer uses hybrid forms of music, focusing on sonic vernaculars, hypnotic musical forms, and aural cosmologies. Arutiunian is known to work with installations, sound objects, and time-based collaborations with ensembles and performers. The piece on this record was written for two musicians, a ret…
*100 copies, white vinyl * Agenzia Dancing Days involves elderly people dancing to electronic music choreography. The dances are collective. The itinerant project took place in discos, dance floors, ballrooms, city squares and festivals. The record collects the sound recordings of rehearsals and performances.
* 250 copies, hand numbered * On Nils Vermeulen’s first solo album, the sound of the double bass is the main variable. Recorded at the empty Ghent Opera, where every note, attack and vibration comes through, including the creaking of the wooden floor. There is no hiding in reverb, nor in easy playing. The strings Vermeulen uses on this recording (‘Tempera’ strings by Gerold Genssler), are inspired by traditional gut strings, and have lower tension to let the instrument resonate freely. The pie…
The compilation “Celestial Birds” reveals and focuses on the widely unkown electronic compositions of the AACM founder and jazz pianist Muhal Richard Abrams. #5 in the Perihel Series, curated by zeitkratzer director Reinhold Friedl. Anybody interested in jazz knows that Chicago has always been an impressive hot spot for new talents – and still is. One essential landmark in the history and development of jazz was the founding of the AACM (Association for the Advancement of Creative Musicians) in …
*Limited edition of 600 copies.* The Bi Ba Doom trio, featuring saxophonist Chris Pitsiokos, bassist Luke Stewart and drummer Jason Nazary, will release their debut album Graceful Collision in the coming months. The trio Bi Ba Doom, in their recording debut with the album Graceful Collision, delivers five collective compositions (Skeletal Representation, Invisible Maze, Caught The Flicker, Graceful Collision and Limitless Fascination) in which free improvisation, ambient jazz, electronic music a…
Limited 2 LP edition. "Alter-" is Automatisme's reaction to altermodernism in sound art. "For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be…
*In process of stocking* Tarotplane offers up a new portal of possibility, entitled Light Self All Others, on the Impatience label. An unshackled mind melt of amorphous Berlin School electronics, glistening guitar tones, snatches of disembodied voices and rumblings of percussive melody, Light Self All Others is an invitation to introspection, turning Tarotplane’s sky seeking kosmiche towards a resonant, contemplative core. Drifting between dreams, the record is infused with an emotional ambiguit…