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Damon Locks & Black Monument Ensemble’s new album "Now" was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the…
Canadian composer Scott Morgan’s 12th long-player as Loscil takes its title from an influential series of early 20th century photographs by Alfred Stieglitz, abstracting clouds into miasmic, painterly canvases of smoke and shadowplay. It’s a deeply fitting analog for Morgan’s own musical process across the past two decades, fraying forms and tones into widescreen mirages of opaque texture and negative space. The name Equivalents referred to Stieglitz’s notion of the photographs as being equivale…
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
Dinah Bird's LP, 'A Box of 78s' is a record that is designed to evoke memory through sound. The recordings used on the LP are taken from the old 78 records owned by Dinah Bird's grandmother in the 1910s and 1920s. To quote the sleevenotes: "This piece is about rekindling lost, and perhaps forgotten, sounds. Are they so very different to those my grandmother heard? It is a personal response to the people and places of Salt Spring Island." The record is also one that - contrary to the curre…
An absolutely stunning accomplishment, Piero Umiliani's L'Uomo Elettronico - sprawling across 2 LPs issued by the Rome based imprint Four Flies - delves into the composer's electronic works created between 1972 and 1983. Featuring 3 previously unreleased tracks, as well as rarities and hidden gems - all remastered from the original analogue tapes - it's an absolute must for seasoned Library music fans, devotes of late 20th century electronic music, or anyone just beginning to explore the incredi…
"Tradition belongs more to the present than the past. For three weeks Parisian cellist and composer Gaspar Claus met with traditional and modern Japanese musicians in a Tokyo studio to record Jo Ha Kyu. Performing with Claus on this piece are: Eiko Ishibashi (voice, piano, drums), Keiji Haino (voice), Kakushin Nishihara (voice, satsuma biwa), Ryuichi Sakamoto (piano), Hirochimi Sakamoto (electric cello), Sachiko M (sine wave), Otomo Yoshihide (turntable), Leonard Eto (wadaiko), Kazutoki Umezu (t…
The group toured widely and had a large body of work to draw from, but only released one, self-titled album on the Ogun label during their lifetime. Looking For The Next One, a compilation of rare and unissued studio sessions and live recordings, will not only rekindle discussions about S.O.S.’s innovative music among connoisseurs, but introduce their exciting, virtuosic music to a new generation of listeners. While the entire set is filled with striking music, the inclusion of the entirety of t…
In the Moment is a retrospective of the solo, multi-phonic guitar work of underground rock and experimental musician Benjamin Miller. Utilizing extended techniques, prepared objects and implements, and an array of processing, his approach to the electric guitar on In the Moment is almost like a polyphonic sound generator, fully apart from the tradition of Chuck Berry, Clapton and company. Alien tongues, ambient soundscapes, the sounds of mechanization and technology breaking down all emerge in t…
**500 copies. Lovely crafted tip-on sleeve. Remastered from Master tapes** The music on this compilation was, for the most part, originally released privately in Geneva as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist Richard Reimann. The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven keyboard players Christine Schalle…
Gondwana Records present ‘Next Time Could Be Your Last Time’ – the debut album by Forgiveness, AKA Jack Wyllie, JQ and Richard Pike. Described as “not really jazz, not really new age, not really ambient or electronica”, instead they welcome you into a synaesthesia-inducing technicolour fantasy, full of wondrous emotive beauty. This genesis began with the sharing of music, burgeoning friendships, and the mutually-inspirational benefit of the collective power of a group dynamic, with each spurring…
Reissue of sadly underrated 1968 UK psych-folk rarity. Mixing in melodic psych folk with experimental feel throughout. This album has been neglected for far too long! And yes, he is related! Limited edition 300 copies only.
Yemenite interpretations of Bollywood soundtracks from 1982. An ultra-rare album by Jacky Mckayten who combines his own Yemmeny heritage together with popular Indian music from film. A deep journey amidst tablas, sitars, and electric guitars, through heartbreaking songs of love and betrayal. McKayten was a highly influential figure, yet remained largely underrated until his untimely death. This is his most powerful work, reissued for the first time, from the original master tapes, excavated by F…
**500 copies** Discos Transgénero presents the first ever album by The Manchester Mekon, a group of musicians that were active from the end of the '70s to the beginning of the '80s in Manchester. Influenced by Frank Zappa and the Mothers of Invention, Igor Stravinsky, King Crimson, Maurice Revel and Pink Floyd, the Manchester Mekon aimed to integrate composed and improvised music, blending orchestral and electronic sounds with rock, both live and in the studio. Over a period of five years (1977-…
There are constellations within the grooves of Cymbalom Solos. Innumerable points of light, rendered audible in glowing, radiant sound. There are entire worlds too - undiscovered, yet familiar -- both terrestrial and celestial. There are moments of quiet comfort and exultant discovery. And all of it conjured by one man with a handful of ancient and invented instruments, recorded mostly-live, with precious few overdubs. Michael Masley has been a fixture of Berkley, California, since he arrived fr…
Stephan Mathieu's FrequencyLib was originally released in 2001 on Mille Plateaux's Ritornell sublabel. A quintessential document of the late 1990s/early 2000s Pismo PowerBook era of digitally manipulated audio, FrequencyLib is an adept meditation on the entropic possibilities inherent in popular music. Included with this reissue is the complementary Sad Mac Studies EP - first issued in a run of 100 on Robert Meijer's boutique En/Of label. Exploring similar themes/processes as FrequencyLib, Sad M…
Impressive session led jointly by Herbie Mann and John Rae. On side A, the group incessantly shifts from soft vibes-and-flute jazz to percussion-heavy Afro-Cuban rhythms to classic "Blue-Note" hard bop. Side B is the African Suite, a percussive trip across the Sahara.
»Herbstlaub,« the third album by Marsen Jules, was both introspective and visionary, modest and ground-breaking. Blending elements of classical music with electronic textures, the German artist created six pieces that draw on the power of repetition, yet are full of internal tensions and sweeping dynamics. Now, Keplar makes it available again on vinyl for the first time since its original release in 2005. This version, remastered by Stephan Mathieu and with a new artwork by Umor Rex’s Daniel Cas…
* Brand new extended and remastered version of the original LP from 1981. Gatefold with new photography and liner notes * Slickest Afro-jazz-funk swerve from legendary South African cornet player and anti-apartheid figure Hugh Masakela, recorded at the Maseru Holiday Inn before a small audience during days surrounding his defiant 1981 performance in Lesotho while banned from performing just over the border in SA proper. Newly remastered and recut from the original single LP over a 2LP pressing."…
In 1959, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz. Utilizing four trumpets (including Doc Cheatham), up to three percussionists and a flute-vibes-bass-drums quartet, Mann performs four standards (including "Dearly Beloved," "I'll Remember April" and "Autumn Leaves") and two originals in a style that was beyond bop and much more African- and Cuban-oriented.