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Mineral Kingdom
The Parels is a duo of Jim Goodall and Eddie Ruscha from L.A. This LP is their second release after their self titled tape on Lal Lal Lal. Inside the grooves of this record they continue their strange exotica mission through the jungle and towards the mysterious grottos of the Mineral Kingdom. The trip is listened through a kaleidoscope: Small details and miniature symphonies change places and blend together, enchanting scenes morph into others. Limited edition of 300. Co-release with Ikuisuus.
Logos works
Logos Works contains eight works by the Logos Duo featuring both Darge and Raes on various instruments, as well as other performers on a wide range of instruments. "This latest recording comes as they look back upon 25 years of collaboration as the Logos Duo. More than a retrospective, we see them affirming a long artistic relationship and forging new horizons--together and on divergent musical paths. In this, their work is a metaphorical journey: an inward exploration of the elegance of algorit…
The Bed Bug, Love Buzz
Time was intensifying to the point of becoming alarming, but primarily I was interested in seeing how far it would go. By 1901 I had found that a 10 inch disc playing for three minutes was better for most types of popular music, even popular songs, and the popular 'single' was born. As for myself: I was a lump of thinking ice. I thought of myself as a statue carved from a block of ice and this mad hallucination made me proud with an intense pleasure that is truly secret.
Chautauqua
Aaron not only surprised many with his 2007 debut Almond but gained great notices worldwide. The album set him on a course of many collaborations, and has since worked with a diverse array of artists, including Machinefabriek, Dawn Smithson (Jessamine, Sunn O))) and Jasper TX. His second album, River Water, proved a darkly compelling turn and stands as a forebear to Chautauqua in its pursuit of a distillation of pure emotional range, poised at the meeting point of intensity, calm and resolution.…
An Acoustic Confusion
An instantly captivating, all-original acoustic album of great depth and incredible maturity, the debut album (1971) by acoustic guitarist and songwriter, Steve Tilston. As for the making of the album: 'It was Ralph McTell who very kindly contacted Ian Anderson of Village Thing on my behalf,' Tilston explained. 'I followed it up and secured a meeting with Ian and a gig at the Troubadour Folk Club. I'd met Ralph through Wizz Jones at Les Cousins in Soho, and he'd been very complimentary abo…
Samla Mammas Manna
Exacting reissue of the 1970 debut album by this trailblazing Swedish quartet, led by composer/pianist/organist/accordionist/vocalist Lasse "Lars" Hollmer, just prior to any knowledge of anything called "RIO" (Rock In Opposition). Formed in the late late '60s in Uppsala, SMM canvassed the festival circuit (appearing on the same bill that Träd Gräs och Stenar recorded their mammoth Live Gardet 1970 album) to popular and critical appeal. Later SMM would team up with groups like Henry Cow and …
Klein Eiland
Klein Eiland comes as a suprise: the past decade, the ROT-members have been playing less shows, and their record output had come to a halt. Not sure why: there has been the occasional gathering and recording session. (this one happened to be the last one feat. Floris Vanhoof as a band member) But: R.O.T. proves that they still manage to capture a specific time and place like no one else does. This session was recorded in a now demolished building in the south of Brussels, and is now replaced by …
Peinheil
"Peinheil" is the fourth full-length from German power electronics act Femeheim. Following in the footsteps of Anenzephalia, Dagda Mor, Advokat Ihrer Hoheit, etc. "Peinheil" alternates between extreme noise, heavy electronics, and atmospheric industrial passages, bringing a classic sound into the new generation of European industrial music. Mastered by Grant Richardson.
Static Fuzz Drill
Lingula was a Texas based harsh noise collaboration between David Gilden and Richard Ramirez that existed from 1994-1996. The aptly titled 'Static Fuzz Drill' is a non-stop 72 minute long sonic assault from these two legends of American noise. Originally released in an extremely limited quantity in white painted cassette cases, given out at a show at Harvey's Club Deluxe in Houston. Static Fuzz Drill is now presented in an unbroken format on CD. Uncompromising monolithic noise from a now classic…
Shades of Blue - Dusk Fire
** 2021 Stock ** BGO presents Shades of Blue and Dusk Fire by The Don Rendell Ian Carr Quintet. CD 1: Shades of Blue: Recorded at London, October 1 & 2, 1964. CD 2: Dusk Fire: Recorded at London, March 16 & 17, 1966. The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different …
The Malcolm X Memorial
A live performance recorded on February 25, 1968 at the Affro-Arts Theater, a cultural center in Chicago operated by Philip Cohran from 1967-1970. This concert was a tribute to the late Malcolm X in the form of a suite of 4 tracks, each capturing a period of his life, 'Malcolm Little,' 'Detroit Red,' 'Malcolm X,' and 'El Hajj Malik El Shabazz.' The personnel and instrumentation are almost identical to Cohran's 'On the Beach' session. This historic and mesmerizing concert was originally an LP iss…
Tara's room
Both pieces are intended to aid the listener in times of spiritual change, but are just fine for 'everyday' use as well. Highly recommended." Charles S. Russell, Ear Magazine The two works on this cd - Tara's Room and The Beauty of Sorrow were composed and performed by Pauline Oliveros and recorded in May 1987. Previously only available as a cassette and long out of print." (Deep Listening) "The beauty of sorrow" was played by the composer on a small accordion tuned in just intonation and using …
Sophisticated Beggar
This is where it all began, with a slim volume of poems and psychedelic ditties set to music, backed by a simple Revox machine, and transformed by instrumental turns that display British cult hero Roy Harper's deft guitar work. "Girlie," "Big Fat Aeroplane," and "Legend," while steeped in traditional folk idioms, show hints of Harper's unique songwriting style. His caustic wit and passion are already evident in the wordplay of this 1966 debut. "Forever" is as pretty a love song as you are likely…
Echoes of Harmony - Early Music Reworked
All pieces of the Renaissance Repertoire come from Cancionero de Colombina (around 1470) or Cancionero de Palacio (around 1510). Both sources are well known for their typical Spanish repertoire of this period. Electronic music artist Sylvain Chauveau did new versions of several tracks and added also some drones to the program. Daniel Manhart did the compilation and the additional sound design and mixing. All pieces on this CD are hardly ever performed or recorded -- a fine, sensitive, inter…
BOW
Brussels-based string quintet BOW celebrates musical freedom. Juggling between their own written music and pure improvisation, the ensemble has worked since its creation on a personal and modern approach, digging into their instruments' capabilities and blending a large scope of influences.
Its debut eponym LP, due to be released on Sub Rosa, gathers five instantly-composed pieces that were recorded live by Christine Verschorren in the Echo Collective studio in Brussels. During the day, BOW repe…
Early Works / Things Popping Up From The Past
Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila releases music since 1983 and has produced musical scores for numerous films, documentaries, theatre plays and choreographies. This album collects 11 songs from his early years, released on tape, vinyl EPs or limited CD editions: beautiful minimal loop-based electronica, neo-classical pieces and ambient drone music. A true discovery!
Numerous threads run through the music of Michel Banabila, whose contemporary work …
Scratching Fork
Fundacja Słuchaj! presents Scratching Fork by Marek Malinowski, Robert Rychlicki-Gąsowski and Wojciech Zadrużyński. Recorded at A/V Studio in Bydgoszcz, 11-12.11.2017. Recorded, mixed by Artur Maćkowiak. Mastered by Marcin Bociński. All compositions by Marek Malinowski. Photos by Wojciech Woźniak. Liner Notes: Robert Rychlicki. Graphic Design: Zuza Ustjan. Executive Producer: Maciej Karłowski. Special thanks to Tomasz Łuczak.
A place between structure and fluctuation where planning and spontane…
A l'ombre des roches
An extraordinary twilight world opens while listening to Organizatisya. Adventurous yet humble, they push the limits towards the unknown. One thing’s for sure, it’s fresher than the juiciest peach on a perfect summer day. Organizatsiya hail from Lyon, France. Leo and Zoe clearly have strong roots in folk and acoustic music. These ‘old worlds’ blend in surprisingly well with more contemporary digital, futuristic sounds. Soothing analog recordings meet hyperdigital compositions reminiscent of IDM …
The Return Of The Incredible Bongo Band
Re-released for the first time since 1974, this is the sequel to the classic 1973 ‘Bongo Rock’, which became a foundation of rap and popular music, up to the present day. Reproduced on heavyweight 180g vinyl and in top-quality Japanese sleeves. The Incredible Bongo Band is a blend of many multi-talented people. Jim Gordon is one of the featured musicians. Ringo Starr has said "Jim is one of the finest drummers in the world". Gordon composed 'Layla' in association with Eric Clapton. King Errisso…
One Man Session Volume 5: Just Cooking
It is inside an imaginary kitchen - among pots, stoves, appetizing scents and the reassuring hustle and bustle of the dishes - that Massimo Martellotta closes in beauty his five thematic discs, baptized just a year ago with the synthetic constructions of the first volume and then developed through three other academic appearances that have celebrated the prepared piano, the symphony orchestra and atmospheric guitars, however, without ever moving away from the fascinating microworld of library mu…