Back in stock

*100 copies, white vinyl * Agenzia Dancing Days involves elderly people dancing to electronic music choreography. The dances are collective. The itinerant project took place in discos, dance floors, ballrooms, city squares and festivals. The record collects the sound recordings of rehearsals and performances.

* 250 copies, hand numbered * On Nils Vermeulen’s first solo album, the sound of the double bass is the  main variable. Recorded at the empty Ghent Opera, where every note, attack and vibration comes through, including the creaking of the wooden floor.  There is no hiding in reverb, nor in easy playing. The strings Vermeulen uses on this recording (‘Tempera’ strings by Gerold Genssler), are inspired by traditional gut strings, and have lower tension to let the instrument resonate freely. The pie…

The compilation “Celestial Birds” reveals and focuses on the widely unkown electronic compositions of the AACM founder and jazz pianist Muhal Richard Abrams. #5 in the Perihel Series, curated by zeitkratzer director Reinhold Friedl. Anybody interested in jazz knows that Chicago has always been an impressive hot spot for new talents – and still is. One essential landmark in the history and development of jazz was the founding of the AACM (Association for the Advancement of Creative Musicians) in …

*Limited edition of 600 copies.* The Bi Ba Doom trio, featuring saxophonist Chris Pitsiokos, bassist Luke Stewart and drummer Jason Nazary, will release their debut album Graceful Collision in the coming months. The trio Bi Ba Doom, in their recording debut with the album Graceful Collision, delivers five collective compositions (Skeletal Representation, Invisible Maze, Caught The Flicker, Graceful Collision and Limitless Fascination) in which free improvisation, ambient jazz, electronic music a…

Limited 2 LP edition. "Alter-" is Automatisme's reaction to altermodernism in sound art.  "For the Automatisme - Alter- album. I am inspired by how the art historian Nicolas Bourriaud defines the Altermodernism. Bourriaud understands the term "Alter" as a way to mean "other". The altermodernism would be another modernity that is different from the avant-garde modernism and post-modernism. More precisely, this is a new paradigm from the XXIe century with alternative ways to motivate artists to be…

*In process of stock* Limited vinyl LP pressing including bonus tracks. The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostl…

Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and Brazilian Disco Boogie Sounds compilations series. This time, recordings come from Sweden, Switzerland, South Afric…

Reissue of the first album by this French iconoclast poet, recorded in 1974 with William Sheller's string arrangements. This highly symphonic and dystopian rock album should overjoy fans of Gerard Manset or Genesis.

**In process of restock** "Pentiments continues its collaboration with the legendarily enigmatic American sound art pioneer Leif Brush, this time with an extensive double LP release representing the most comprehensive collection of his recorded work to date. In plumbing the depths of his archives, weve unearthed and gathered a great breadth of his decades-long sonic research, spanning from his early work as a grad student to various lecture documents from his eventual tenure at UMD, with many cu…

* First-ever officially licensed compilation of this kind Artwork by noted illustrator/designer Koichi Sato New liner notes by Mark “Frosty” McNeill Double LP housed in wide–spine jacket * Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & B…

In November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen / Ursula Reuter Christiansen exhibition They Won’t Survive Without The Bird Songs
. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work insti…

On Synthetic: Season 2, Halifax pop artist and composer Rich Aucoin continues his journey through the history of synthesizers. The second entry in his quadruple LP series once again features an armada of the world’s most rare, historic, and highly sought after electronic instruments. Gaining access to the collections of Calgary’s National Music Centre and LA’s Vintage Synthesizer Museum, Aucoin ran amok on machines to create four albums of thrilling, transporting instrumental music. Each song on…

140g black vinyl pressed at RTI. Insert & jacket printed at Stoughton Printing Co. Mastered by Stephan Mathieu * In 1992, under the guise of the Cat & Bells Club, eighteen-year-old Cheriton residents Graham Lambkin and Darren Harris self-released three tapes—two yellow cassettes and one pink—documenting their earliest musical efforts at S.H.P. studios (Lambkin’s bedroom in his parents’ house). The lowest of all lo-fi recordings, these tracks were laid down live, directly into a boombox with no o…

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

* Limited Edition 400 copies. Includes 3 Bonus Track and a postcard * Cinedelic Records is proud to present Paolo Vasile’s score to Enzo Castellari’s 1980 poliziottesco fim, Il Giorno Del Cobra. This record features one of maestro Vasile’s most iconic themes as featured on various polizio compilations. This release will include three bonus tracks and will be pressed in a limited quantity. The cues on this soundtrack feature a wonderful mix of cool keyboards, horns, funky basslines, and driving k…

*2022 stock.* 'Deuter has so much material available that it's best to start with one of several compilations of his work. Although Call of the Unknown is also a fine introduction to his music, the double-disc Sands of Time is really the best choice for several reasons; first because it features some of his most recent compositions (including a selection taken from his video soundtrack to The Petrified Forest) that you won't find on any other recording. The first disc also offers a balanced pres…

*2022 stock.* This fine introduction to Hamel's varied style presents him in various moods from 1979 to 1983. Samples are taken from Transition, Colours of Time, Bardo, and a few previously unreleased selections.

*2022 stock.* By the mid 1970's Deuter was fully formed as a composer, having jettisoned the rougher edges and rather derivative prog and Krautrock elements of his first few albums. The albums listed above date mostly from his heyday spanning 1976 to the late 1980's and appear on Celestial Harmonies sub-label Kuckuck. During this period he spent much of his time in Poona, India as a student of controversial guru Bhagwan Shree Rajneesh. The inspiration flowed and some truly great music was born. …

Battle Pieces uses trumpeter Nate Wooley's "social music" system, where each piece is constructed for a soloist who improvises with no score while the remaining player choose at will from over 75 compositions over which the soloist must find their path; here at Roulette in NYC with Nate Wooley, Sylvie Courvoisier (piano), Ingrid Laubrock (saxophone), and Matt Moran (vibraphone).

"A project called ‘BeingFive’ might be motivated by a search to know the nature of being and, by extension, what it means to be together. In this way Montreal clarinettist Lori Freedman set up at once an atelier and a laboratory where both a group music could be made of practically nothing and a social organism could uncover both its organising principles and, perhaps, their limits. Here are exceptionally gifted improvising musicians –– hand-picked by Freedman for a Berlin residency project, a "…