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Transversales Disques presents for the first time on LP, François de Roubaix’s full score for the French TV series Les Secrets de la Mer Rouge, an adaptation of the epic travel, through the Middle East, of the famous writer and explorer Henri de Monfreid. This album is a collection of the original (1967) themes and those recorded later in 1975 when the TV series was continued. In the 1967 soundtrack, de Roubaix uses various flutes, marine conches, and for underwater views, unexpected instrument…
After Les choses de la vie, Transversales proudly presents the first ever LP reissue of this classic Philippe Sarde soundtrack: César et Rosalie. « As it happens, Philippe is less interested in his natural function which is to write music sheets... than in the film itself. And I, somehow, am as much, and perhaps more interested in the music than in the film itself. Therein lies the deep reason for our paradoxical relationship.” These are the words French film director Claude Sautet used to defi…
Starting 2021 off with a bang, Transversales Disques is back with an absolutely stunning LP, 'Un Monde Lacéré', comprising a never before released, long-form work by Pierre Henry. A mind-bending example of the heights of Musique Concrète, by one of its most important pioneers, it remains years ahead of its time and challenges the perceived notions of how electronic music is understood to sound.
Transversales Disques presents the first ever LP reissue of Gianni Marchetti's Il Magnifico Tony Carrera, ultra-rare Italian soundtrack originally released on cult CAM label in 1969. Gianni Marchetti wrote this beautiful score for the Euro-spy film Il Magnifico Tony Carrera as he was more of a songwriter than a film composer. The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di …
John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote much later. “You’re not really seeing the personality.” Indeed, Cale’s personality as a polyglot seemingly interested in everything emerged more and more on his n…
** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…
2024 Stock. Full title: "Caught in the dilemma of being made to choose" This makes the modesty which should never been closed off itself Continue to ask itself: "Ready or not?" The renowned trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi return to Black Truffle with their 11th release. Demonstrating once again their commitment to continual experimentation in instrumentation and approach, the record begins with a long-distance collaboration made in response to a commission from New York's Is…
** This first-time vinyl reissue (configured as single LP) comes with 24-inch x 18-inch poster and 24-page booklet ** In 1981, The Ex started squatting Villa Zuid, an estate overlooking abandoned Van Gelder paper factory in the village of Wormer, Netherlands. Formerly the home of the factory’s manager, the Villa briefly served as the band’s base of operations and would inspire one of The Ex’s most impactful, enduring albums in their 40+ year history. Originally released in 1983, Dignity Of Labou…
** This first-time vinyl reissue comes with 28-inch x 39- inch full-color poster ** While awaiting the release of Dignity Of Labour, The Ex headed back into the studio in early 1983; this time with a new friend—The Mekons’ Jon Langford—helping produce. Originally released in April 1983 (only a month after Dignity Of Labour), Tumult marks a major evolution in Ex-sound. Opener “Bouquet Of Barbed Wire” emerges snarling out of post-punk atmospherics with Terrie Ex’s glacial guitar, Bas Masbeck’s lop…
* 2021 LP edition * compiles the six tracks from the original EP release, their March 1981 Peel session and an early '80s studio outtake. Liner notes by Brian Turner. If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10-inch EP, the inherent and attractive difficulty of The Fall's sound is made physical, framing the urgency of their singles from this period (notably How I Wrote 'Elastic Man' an…
In the swirl of underground music emerging from Dunedin, New Zealand in the 1980s, Peter Gutteridge stands as one of the era's most intense and shadowy figures. Despite being a founding member of The Clean and The Chills, Gutteridge would eschew indie-rock fame for the hypnotic and driving sounds of his later bands such as Snapper.
Fittingly, it is Pure – Gutteridge's lone solo album of intimate home recordings – that serves as the most revealing and celebrated release of his career. As Peter Je…
"abundance" is the new album by Iksre (Phoebe Dubar) composed of eight tracks, eachoffering positive, elevating, shimmering, and textural sonic experiences. The songsincorporate layered vocals, viola, analog and software synths, binaural beats, and uniquesound healing instruments. Iksre (I Keep Seeing Rainbows Everywhere), creates ambientmusic that teeters on the edge of danceability, inviting listeners to connect themselves to theabundance that surrounds them.
The creative process leading to th…
*100 copies limited edition* An absolutely gorgeous long-form piece for trombone, its sustained tones billowing into spectral rumbles that open up trance-inducing harmonic spaces. Simultaneously monumental in scale and introspectively meditative, This Is What People Think Mountains Look Like leaves the brain swirling for days with its reverberations. The venue is vital to the overall recording given its reverberant nature, allowing Barbier to follow the sound of their own trombone as it develops…
*100 copies limited edition* Embracing the impermanency of the world and its ever-fluctuating dynamics, salad offers an intimate portrait of life and the sounds that animate it. Riverside Ishiyama opens a window into a typical Japanese apartment, rich with the activities of daily life and the delicate interactions between a new mother and child. The tinkering and whirring of these subtle, incidental sounds commingle with birdsong and the bustling city outside — altogether engrossing the listener…
*100 copies limited edition* A strange and alluring admixture of guitar and sine tones, electronics, and field recordings. The sounds have a crystal-like clarity that allows for the perception of their depths and distances. Its episodic form is structured by a compositional spine — with its irregular vertebrae both cohering its shape and allowing it flexibility. As its title suggests, Looking For A Ruler is involved in the construction of space, the stitching together of a world wherein perspect…
*75 copies limited edition* A wild and beautiful journey into the ecstatic regions of noise. Unfettered distortion ceaselessly billows and unfurls, harmonized and melodized in all sorts of unexpected ways. The momentum is undeniably forward in every direction, while the jarring suspensions that momentarily intervene to restrict the sound's movement serve ultimately to unleash its sublime energy all the more fiercely.
Prolepsis has been one of contemporary Harsh Noise's best kept secrets for the past couple of years, although i've done my best to put people on to the project, which is not easy considering their minimal online presence and short list of physical only self-released titles (that honestly tend to outshine a vast majority of hyped releases by more well known artists).
Until now this Michigan-based project has only been featured on AAD's "Life is Fucking Stupendous!" compilation, but the brief soni…
In the late '70s, The Avengers established themselves as one of the US's preeminent punk bands. Fusing incisive guitar hooks, explosive rhythms and adolescent venom, the group forged some of the most in-your-face songs of the era. Their live shows were legendary, playing up and down the West Coast and even blowing Sex Pistols off the stage at the latter's final performance. As Byron Coley writes in the liner notes, 'Of the best bands of San Francisco's first wave in 1977, The Avengers were by fa…
Following the release of lo-fi electronic masterpiece I Don't Remember Now / I Don't Want To Talk About It and his brilliant follow-up Plaster Falling, Cincinnati-based artist John Bender began assembling his third and last album, Pop Surgery, in late 1982. While all of Bender's work draws from intimate home recordings – featuring the artist alone with various keyboards, analogue sequencers and tape delays – Pop Surgery remains the one that perhaps best distills his arrant deconstruction of the …