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Simon Balestrazzi's new solo effort calls for the ear to linger on things shrouded in fog, sounds meandering between vision and reality. Highlighted by the mysterious shots by Adriano Zanni you can now enter an awkward soundworld where nothing can be traced anymore. "Scomparire", to disappear, Vanishing. Pretending to vanish in a thick fog, never to be found again. The detachment from one’s identity. Leaving behind the constant paranoia of what is real and what is not. Leaving behind everything:…
*200 copies limited edition* "Desert Smell", a precious collaborative album by Fabio Orsi and Massimo Amato, is fundamentally centred on suffused and dreamy ambient atmospheres, with inserts of ethereal female voice, suspended notes of reverberated piano, echoes in reverse, breaths of synthetic woodwinds, floating and enveloping pads, fragments of abstract sounds, sequencer phrases sometimes kept soberly in the background, and sometimes reminding of cosmic memories brought more energetically to …
*200 copies limited edition* Black Bamboo IV continues TeZ's series of electroacoustic and acousmatic performances, centered on the live transformation of acoustic sources and field recordings. Improvisations unfold through the interplay of hybrid DIY tools, traditional folk and ethnic instruments, environmental textures, and archival audio fragments. These elements are expanded and recombined through generative filters, delays, pitch shifters, and harmonizers—woven into evolving feedback loops …
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
*250 copies limited edition*
- SynopsisA cosmic operator (Edward Ka-Spel), tasked with cleansing the Universe, stumbles upon the remains of a mysterious monastery scattered in Jupiter’s skies during his work shift. The monastery once housed a community of cloistered nuns devoted to cosmic solitude. Among the ruins, he discovers the diary of Suona Menfrem (Dorothy Moskowitz). Through her words, he uncovers the secrets of her soul—her love for a woman millions of light years away—and learns why t…
London Conversation is the first album by John Martyn, released on Island Records in 1967. Largely self-penned, the album is much more folk oriented than his blues/jazz tinged later releases. Recording was completed by 9 August and the album was released when Martyn was 19 in October 1967. The album reputedly cost £158 to record. The cover photo was taken by Barry Wentzel on the roof of Island Records boss Chris Blackwell's flat in Cromwell Road, London.
Leon Thomas' debut solo recording after his tenure with Pharoah Sanders is a fine one. Teaming with a cast of musicians that includes bassist Cecil McBee, flutist James Spaulding, Roy Haynes, Lonnie Liston Smith, Richard Davis, and Sanders (listed here as "Little Rock"), etc. Thomas' patented yodel is in fine shape here, displayed alongside his singular lyric style and scat singing trademark. The set begins with a shorter, more lyrical version of Thomas' signature tune The Creator Has a Master P…
A Brazilian rock classic! The band had a very sophisticated sound that mixes nice vocal production with spare arrangements supported by guitar, piano, and bass. The sound is difficult to describe – but the record has some extremely compelling songwriting, and great vocal work that carries the strength of the tracks, whether or not you understand Portuguese. (Dustygroove)
Tip! *Japan import with Obi Strip* "The Word II” track has gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit Huncho Jack in "How U Feel." Shigeo Seikito's seminal work, which includes this track, is now reissued on colored vinyl. This album is the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, balearic, and dream pop enthusiasts.
Veruschka, composed by Ennio Morricone and performed by Edda Dell'Orso, is a landmark in Italian soundtrack tradition. The album, first released on CD in 1995 with 14 tracks and later expanded, encapsulates lounge moods, ambient textures, and avant-garde fragments, capturing the ephemeral world of fashion and introspection with atmospheric precision. Double transparent blue vinyl edition of 500.
Limited edition numbered to 500 copies. Transparent green vinyl format / 180 grams + CD. One of cinema's greatest composers ventures into his darkest territory. Ennio Morricone's haunting soundtrack to Elio Petri's 1968 psychological thriller A Quiet Place in the Country stands as perhaps his most radical and experimental work - a disturbing sonic journey that abandons melodic comfort for pure psychological terror. The film follows a painter (Franco Nero) in creative crisis who retreats with his…
Tip! *Japan import with Obi Strip* This is the first and long-awaited vinyl reissue of this Jiro Inagaki & Soul Media jazz rock masterpiece! With vocals by Sammy and Yasushi Sawada. Backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida. Essential!
Reissue of Mauro Pagani's theatrical masterwork Sogno Di Una Notte D'Estate, originally released in 1981 and out of print on vinyl for over 40 years - a musical journey born from a theatrical production conceived by Gabriele Salvatores, with Pagani composing a sonic landscape that lives and breathes independently as pure imagination, passion, and Mediterranean roots.
What we have here is Shakespeare filtered through energetic prog-funk and rock power! The Saifam reissue preserves the original's …
Limited transparent yellow vinyl edition of 500. l Medico della Mutua, composed by Piero Piccioni in 1968, delivers a brilliant soundtrack that fuses jazz, easy listening, and orchestral flourishes, mirroring the satirical verve of the film. Themes shift from playful marches to sultry tangos, amplifying both the absurdity and energy of the Italian medical system’s cinematic parody.
The soundtrack of “La Matriarca” is one of the finest examples of 1960s Italian musical comedy — ironic, sensual, and perfectly tailored to Catherine Spaak’s character. Trovajoli succeeds, like few others, in giving voice to the contradictions of an era through music — an Italy discovering freedom, yet with an ironic smile on its lips. Limited transparent Magenta Vinyl edition of 500.
Nino Rota's most radical work finally gets deluxe treatment. His groundbreaking Fellini Satyricon score abandons melody for archaic soundscapes - tribal percussion, atonal instruments, dissonant choirs creating an alien musical language. This avant-garde masterpiece evokes ancient worlds through pure sonic imagination. Limited transparent red vinyl edition of 500.
Latest LP for Darksmith of California on Second Sleep. Darksmith of California (Tom Darksmith) combines wilting electronics, floppy turntablism and sun-baked cassette protocols and destroys them in a claustrophobic void
Della Morte dell'Amore composed by Manuel De Sica, embodies a complex fusion of brooding electronics, subtle jazz, and gothic undertones, reflecting the film's darkly comic narrative. Spanning 34 tracks, the album stands out for its evocative mood shifts and meticulous attention to emotional detail. Limited purple vinyl edition of 500.
For those who still believe prog is a four-letter word, Caravan remain a mystery - More fool them, for they are missing out on some of thesweetest and most tuneful melodies in 70s rock, whether it be the jazz- inflected vaudeville of the title track of If I Could Do It All Over Again, I'dDo It All Over You, the gentle celebration of Virgin On The Ridiculous from Caravan & The New Symphonia or the funky ambition of The Dabsong Conshirtoe on Cunning Stunts. Formed, like Soft Machine, from the grou…
Edition of 300 copies, white vinyl. In the sprawling catalog of Franco Battiato's remarkable career, certain artifacts remain tantalizingly out of reach—works that slip between the cracks of official discographies yet represent crucial moments in the evolution of one of Italy's most visionary artists. M.Elle Le Gladiator stands as one such treasure, released in 1975 as the final and most controversial work of Battiato's experimental period for the Bla Bla label, marking the end of what many cons…