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Never-before-released early 1980s sessions by a band of top British players and composers which never released an album, led by drummer Trevor Tomkins. This is, in effect, the late Trevor Tomkins debut album release as leader, as well as his memorial. We were working on this with Trevor when he died last last year and it's now released with the help and support of his family.
*100 copies limited edition* Oxfordshire: The Black Horse Tails by The Grey Funz Derbyshire: The Drowned Village of Derwent Valley by Mark Vernon
- C-30 printed cassette housed in library case - 6x panel reseach note sleeve - Unique OS map cut-out piece - D/L code
Volume 13 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* Merseyside by Benjamin D Duvall. Herefordshire by Sam McLoughlin
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 9 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* Durham by Rob St John. Staffordshire by Powders
- C-30 printed cassette housed in library case- 8x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 7 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* Shropshire: Bridget Hayden - The Legend of Llynclys Pool Nottinghmashire: Daniel Weaver - Ghosts of the Meadows, Sneinton and Forest Fields
- C-30 printed cassette housed in library case - 6x panel reseach note sleeve - Unique OS map cut-out piece - D/L code
Volume 11 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* West Midlands: The Paranormal Origins of Black Sabbath by dbh and the Dark PoolWarwickshire: Meon Hill by PPYO (The Primitive Youth Percussion Orchestra)
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 12 in the 24x volume set of ceremonial county cassettes.
*50 copies limited edition* Dusty Ballz (UK) and WV Sorcerer Productions (FR) join forces to present two new releases by Beijing-based noise/drone/doom metal group, Ghostmass. In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the corporeal world in their own preposterous ways. A big ghost is not a ghost, it does not terrorise, but neither does it belong. It occurred to Li Weisi that this speaks to th…
Born in New York City, Rue spent his early years pulsing back-and-forth between the city and Woodstock, NY. A kid regular at his grandfather's iconic '90s club Vinyl, Rue kept his eyes on DJs like Danny Tenaglia and Timmy Regisford in the booth. Reflecting this contrasting, at times conflicted background, 4n_Objx is a reverberation of a divided psyche - a "split-level mirage," as one track is titled. It is a reconstruction of the overwhelming fullness of experience. Departing from the gentle amb…
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
Edition of 500. CD and 8 page booklet in gatefold cardboard sleeve * Even though only being fully terminated 50 years after its conception, 'Azabu' can be regarded as the starting point of Michael Ranta’s creative self-discovery. The recordings that form the base of 'Azabu' were mostly made in the Tokyo district with the same name (Azabu-Juban). Next to abstracted field recordings 'Azabu' is also pervaded by a rich variety of percussion, string and wind instruments, all played by Ranta himself.
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Returning to Die Schachtel with his fourth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and elect…
1994 release ** "From the Byzantine Alleluia that begins this ritual to the Scelsi Alleluia that brings it to a close, a circular program weaves a path through the world of Christian theology, Jewish tradition and alchemy, brought together by the universalist music of Giacinto Scelsi. Michael Maier was an alchemist composer whose three voice fugues speak of bizarre cures and spiritual unions. Veronika Krausas set a text by Quintan Ana Wikswo evoking the first female alchemist, Maria the Jewess. …
1989 release ** 20th Century piano music by Nikolai Roslavetz, Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio, Brian Ferneyhough, Sylvano Bussotti, Salvatore Sciarrino.
1997 release ** "Excellent debut album by two mysterious musicians from Wales/UK. Their music sounds like they have adapted parts of 'Sternklang' by Karlheinz Stockhausen for ten distorted guitars. Their focus is upon pure noise with an intent to locate, draw out and revel in it's hitherto hidden harmonies. Using the rough sound of variegated tape-manipulations with some acoustic instruments such as flutes and woodblocks they enjoy to produce feedback drenched drone chaos that flutters and filte…
"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry? When Akio perform…
Australia's Chris Abrahams, widely known for his work with legendary trio The Necks, has amassed an impressive solo discography over the past three decades. With four electro-acoustic editions already published by Room40, the label announces Chris's first piano solo for the label. Appearance is two longform pieces for piano that weave and mesh to create a sense of flow and subtle shifting which unfolds into eternal variation.A note from Lawrence English: "I first met Chris Abrahams sometime in t…