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Spring 2026 " Space Time" (Magazine)
We Jazz Magazine, Issue 18 / Spring 2026 "Space Time" for Shabaka. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Shabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott & Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term "Free Jazz" b…
Strata, Act (Joy Contemporary)* Zurich
Pianist Pat Thomas, saxophonist Seymour Wright (both of [ahmed]) and drummer Paul Abbott - the latter two working as XT - deliver a remarkable set of new music, each, re-imagining improvisation and synthetic ideas with acoustic and electronic tools. This monumental new suite Strata, Act (Joy Contemporary)* released by We Jazz Records on 30th January 2026 is spread across three release formats, the complete album includes more than 2 hours and 15 minutes of music recorded live in London and Zuric…
Homestudio Rituals
*200 copies limited edition* Focussing more on the atmospheric-ambient-drone side of the moon, Spielerei presents seven moving soundscapes, all composed, performed, recorded and finally mixed in the cozy environment of the artist living room studio, where sacred rituals of black coffee, love & peace and musical creativity are cherished.
In & Out The Confort Zone
*200 copies limited edition* "Listening from the 80’s to Ambient explorations in the form of IDM, Minimal Techno and other more experimental Glitch, Clicks & Cuts styles and its creative, playful use of rhythmical structures and sounds, inspired me to take a step out of my musical comfort zone into more beat driven area’s and so, I bought myself a MPC Key 37 and overwhelmingly started hitting the pads, pressing the keys, twisting the knobs, in attempt to let my musical history repeat itself with…
Grotto of the Sun
Winding through cavernous and dark meanders, amid gurgling water, rustling sounds, low and deep pulsations, incisive and impactful sound masses, floating waves, crystalline drips, sudden rays of light, electronic spirals, and unexpected openings onto almost soothing soundscapes and quiet environmental stasis, Rod Modell paints musical textures that are apparently abstract and contemplative, but in reality charged with pathos and drama, taking advantage of a spectacular, enveloping and surprising…
Nuances De Spleen
*50 copies limited edition*
Completely handmade packaging.
The edition consists of:- sleeve cover (13.5x13.5 cm.) in black cardboard (thickness 200 grams), on the front of which is attached a figure printed in color on canvas.- 6-fold cover (13.5x13.5 cm. approx. closed, 40.5x13.5 cm. approx. developed), printed in color (200 grams paper)- cdr with printed surface, in black envelope. In the cd envelope is attached a cardboard envelope (12x6.5 cm. approx., cardboard 200 grams thick) which contai…
The Second Death
*42 copies limited edition* Professionally printed CDr inserted in a professionally printed cover.The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size. (closed) and 39x15 cm. (developed).Inside there is also a little bookmark. Based on Revelation chapter 21, verse 8.
Arkeomene
*42 copies limited edition* Composed By, Performer, Recorded By, Artwork – Maurizio Bianchi. Layout – Antonio Benini. Mastered By – Pharmakustik.Professionally printed CDr inserted in a professionally printed cover. The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size. (closed) and 39x15 cm. (developed). Inside there is also a little bookmark.
No Peace, No Love (Book + CD)
*Please note that the book part of this edition is available in Italian language only.* "I first listened to Crass in the late summer of 1979: a friend, just back from a trip to London, had brought me a newly released record, "Stations of the Crass", as a present. I had already read about them somewhere, perhaps because of a censorship issue they were involved in, but I had never really heard of them. That was their second album, and it ended up substituting for a long time, to the indignation o…
Music For Bus Stations
*2025 much needed repress!!!* Music For Bus Stations is an astonishing work that pours into the soul of those allowing themselves to be transported in a dimension where sound turns into background noise. Sound becomes part of us, of our movements, our thoughts, our looks and our silences. There is no reason for resistance. Let's be silent. The noise around us is quite good.
"Generative sonic backdrop for bus stations. Designed to enhance space and portray a mod of progressiveness, grandeur, and …
Totem Three
This is the final offering before entering the new wave of the failed future from MMOB. Totem Three journeys from quiet Bardo womb choosing meditations and instrumental mantras to the delusional glee of Kali Yugafied Indian rock. Totem Three is the most diverse and heartfelt of the Totem trilogy. A steady pulsating musical mirror prison expressing the atrophy of our "modern world" through No-Age hallucinations of passionate and unfolding melodies. A blissful mirage filled caravan with no destin…
Över Mitt Ögas Dag
“Över mitt ögas dag” by composer Lisa Stenberg and poet David Zimmerman is a collaborative text and sound work in which both past and future are constantly gravitating towards the present – a “now” as raging as it is inept.
The glacial electronics of Lisa Stenberg slowly grinds through both David Zimmerman’s lyrical segments and the adapted fragments of Vilhelm Ekelund’s ancient grave epigrams, all the while lamenting;
Nej / inga klockor märker ut / döda längre
För allt är onödigt, en avsägelse
…
Maquishti
Mexican born, New York-based vibraphonist, marimbist, improviser and composer Patricia Brennan has confirmed the release of her debut full length album Maquishti, January 15, 2021 on the Valley of Search label. The twelve original instrumentals that make up the album were composed and performed solo by Brennan on vibraphone and marimba. Employing unusual performance techniques and occasional electronics, many of the compositions were borne from improvisations created live in the studio at the ti…
Chamber Works 1943-1951
Apartment House presents seven works from John Cage's early period, before he began his systematic exploration of chance procedures. This repertoire captures a transitional moment when Cage had moved beyond traditional methods but before he devised new formal systems—a period when, as pianist Kerry Yong notes, he was "forced to be guided by their instincts and intuition" producing "extraordinary music."
The program balances what Yong calls "simply gorgeous / gorgeously simple pieces like 'Dream'…
Visiting Cloud
What happens when electroacoustic thought migrates into the physical realm of acoustic instruments? Visiting Cloud documents a three-year collaboration between Finnish composer Marja Ahti and Italian ensemble Blutwurst, where two of Ahti's electroacoustic works - Fluctuating Streams (from The Current Inside, 2019) and Chora (from Vegetal Negatives, 2018) - undergo radical transformation into acoustic versions that stretch, deepen, and reimagine their original forms. Initiated by Blutwurst in 202…
Intermission 6
Morton Feldman's Intermission 6 (1953) is a sparse piano piece that typically lasts between 3 and 12 minutes in standard performances. Finnish experimental musician Antti Tolvi has created a radical 72-minute realization that extends the work's meditation on silence and resonance to an unprecedented duration. Tolvi discovered the piece through Philip Thomas's five-CD Feldman Piano box set on Another Timbre, becoming fascinated by Intermission 6 as "the piece which has the most silence in it, and…
Kravis Rhonn Project
Radical collaboration between two of European improvisation's most innovative voices, recorded in Berlin in April 2008. Annette Krebs (guitar, mixing board, tapes) and Rhodri Davies (electric harp & electronics) created hours of raw material during sessions in Krebs's apartment, which she then spent months editing and mastering into this intriguing three-part suite. Krebs - one of contemporary improvisation's most distinctive and selective voices - has built her reputation through carefully chos…
Drift
James Opstad is probably better known as the double bassist with Apartment House than as a composer. But this should change with this release—the first CD of his music as a composer. Five beautiful pieces tracking the evolution of Opstad's work as it moves from textural electro-acoustic music to pieces exploring the layering of instruments playing at slightly different tempi.
The album begins with "Nymphaea" (2020), performed by the GBSR Duo (Siwan Rhys, piano; George Barton, vibraphone), follow…
Blanca
Julia Eckhardt is a musician and organiser in the field of the sonic arts, a founding member and artistic co-director of Q-O2 workspace in Brussels—a laboratory for experimental music and sound art—and co-director of the Oscillation festival. She received training as a classical viola player and worked in various ensembles and orchestras, including the National Orchestra of Belgium, before founding Q-O2 in 1995 with a few friends to play contemporary music and practice improvisation. Brussels ar…
Atypical Girl - Punk rock, Liverpool, and trying to be normal
It’s 1977, and punk rock has just hit Liverpool. The legendary Eric's club is home to the city's rebels, posers and misfits. It’s a place of attitude, adventure and new possibilities, and it changes lives. Some become pop stars; Penny Kiley becomes a music journalist. The story traces Penny's relationship with the music scene from the turbulent political 1980s into the changing culture of the 21st century. Throughout these years, she never stops being a misfit, and the question remains: how do y…