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Restocked, reduced price. Originally released by the legendary Cramps Records - one of the most remarkable assemblies of avant-garde recording in history, Michele Fedrigotti and Danilo Lorenzini’s long overlooked LP - I Fiori Del Sole, is among of the great works of to emerge from Italy’s incredible movement of musical Minimalism. Both Fedrigotti and Lorenzini are renowned classical pianists, with the bulk of their respective careers dedicated to realizing the works of others. During the 1970’s…
Mannequin Records starts a series of re-presses dedicated to the legendary Nocturnal Emissions, one of the best kept secrets of the industrial genre since the 1970s. Led by Nigel Ayers and Caroline K, the band was one of the first to use tape cutting, avant-garde art, and underground video works to create a stage experience that was being cultivated by like-minded artists like Throbbing Gristle, SPK, and Cabaret Voltaire. Originally self-released in 1988 on Earthly Delights, Spiritflesh is a mas…
ESP-Disk' present a vinyl reissue of Peter Lemer Quintet's Local Colour, originally released in 1968. British pianist Peter Lemer studied with Jaki Byard, Paul Bley, and Bill Dixon. His lengthy and distinguished career has found him in a wide variety of settings. As an avant-garde jazz pianist, he recorded with Spontaneous Music Ensemble; in the jazz fusion realm, he was a member of Gilgamesh and Paraphernalia; as a progressive rock keyboardist, he played with Gong, Baker Gurvitz Army, the Mike …
An exhilarating blend of free jazz, the roots rhythms of northeastern Brazil, electronics and Asian percussion, from 1982. Zé Eduardo Nazário is a virtuoso drummer. In the late '60s he was a regular at the famous Totem night club in São Paulo, performing alongside the likes of Tenório Jr. With Guilherme Franco, he formed the Grupo Experimental de Percussão. Besides recordings with Hermeto Pascoal and Egberto Gismonti, he is most celebrated for his six years tenure with the pioneering Grupo Um. E…
2015 repress. ESP-Disk's vinyl edition of this classic 1965 blowout by free jazz icon Albert Ayler restores the original front-cover art. 50th Anniversary Remaster from the original tape. On this Judson Hall session (ESP used the empty concert hall as their "studio," its reverberation adding to the bigness of the sound) both Ayler's playing and his new band's sound even more intense than before, the parts of the players sometimes only loosely related. Some defended it as an energetic ensemble st…
**500 numbered copies. sold out at source** Unsurprisingly for a creator as prolific as Muslimgauze's Bryn Jones was, when he was asked for a contribution for any sort of group project, he would tend to provide more options than necessary. In the case of longtime label Staalplaat's 1996 compilation Sonderangebot, where Jones would find himself in the company of everyone from Charlemagne Palestine to Reptilicus, the selected track was the characteristically head-spinning Kaliskinazure, nine minut…
Azzazin is a double standout Muslimgauze album, first LP originally issued in 1996, as a CD (Muslimgauze Subscription 003); the second disc originally as a 10" of remixes (Muslimgauze Subscription 007). This 2LP adds two unreleased tracks. Tightly focused on a singular palette of monotone drones and swarming electronic buzzes, which arguably sound like a parallel to early Editions Mego. They're probably the most minimalist Muslimgauze tracks you've heard, and even still he manages to express a f…
David Murray Quartet's 1993 Japan only CD release Ballads For Bass Clarinet (DIW/Disk Union) is issued for the first time on vinyl by Ko Ko Music. Comprising a couple of waltzes, a blues, a Monk-ish suite-like piece, a free-ish drums and clarinet interlude, and finally an elegy to civil rights leader Fannie Lou Hamer - David Murray leads on bass clarinet, managing to go both deep and soaringly high, it sometimes sounds like two different instruments are being played. But this is not a solo effor…
This really is a treat, a re-issue of the incredibly rare debut LP from legendary blind outsider Moondog. Originally released back in 1956 on the musician's own Moondog Recordings imprint, this incredible album showcases the man at his way-out best, blending Eastern instruments and ethnic music with American exotica to come up with a sound which is impossible to categorise. A mostly self-taught musician, Moondog (real name Louis Thomas Hardin) performed in the streets of New York City for most o…
Originally released in 1953, this collection of very early Moondog pieces features the same tribal rhythmic impulse as his famed Prestige recordings, but there's an impressive line in chamber music running through these compositions: the B-side is dedicated to two suites for strings, which could easily pass for more traditional works were it not for the heavy bongo presence. Essentially though you can hear a sense of discipline, and a thorough working knowledge of conventional classical composit…
The great bassist and band leader Charles Mingus cut some of his most exciting and rewarding recordings in 1960. Taped during the apex of Mingus's creativity, this incredible session showcases such stars as Roy Eldridge on trumpet, Jimmy Knepper on trombone, Eric Dolphy on alto saxophone, Tommy Flanagan on piano, and Jo Jones on drums. First edition of 500 (numbered).
Allan Fraser & Daisy DeBolt met in the summer of 1969. They had both been working individually on the coffeehouse circuit in their native Canada; over the next five years, as the duo of Fraser & DeBolt, they created a sublime body of work that still sounds remarkably fresh decades later. They recorded two albums for Columbia which garnered rave reviews at the time, but saw little commercial success. Both have since become cult classics in psychedelic folk circles; the first, With Ian Guenther, b…
Clear vinyl, edition of 300 copies. The peculiar and relatively unknown musical experiment by Alessandro Mendini, crafted together with a strange company that included supposedly distant outfits like Matia Bazar (chart-topping Italian pop band) and Magazzini Criminali (experimental, highbrow theater collective) and released by a major label that printed a tiny amount of copies.The opening track “Casa Mia” included random quotes from Cinismo Abitativo, a “poetic” editorial written for the design …
"For decades, Crystal Syphon were, at most, a footnote in the music history books: a name on posters from the psychedelic ballroom days, and a fond memory to those who'd seen the Merced, California band perform on the west coast circuit in the late 1960s. That changed with the release of Family Evil in 2012. Their debut album -- evidence that the mine of hidden gems from the original psych era had not yet been picked clean -- caught the ears of fans worldwide, garnering raves and equal-footing c…
Eggnog/'Lice-All' Disc one is Eggnog, from 1991. Originally released as a 10-inch, Eggnog is a wild ride into the outer limits of Melvins-dom. The first side cuts loose with three quick blasts. “Wispy” has the Lorax (Lori Temple Black) on bass and Dale Crover on drums, pounding one note in unison while Buzz Osborne bellows and whispers and turns his guitar on and off. “Antitoxidote” is a rabid horse galloping off into the desert, with yet more stops and starts and feedback detonations. “Hog Leg”…
When one thinks of the musical centers of New Zealand, the city of Tauranga doesn’t have as celebrated a history as Dunedin, Auckland or Christchurch. Which is apt, in a way, as the artist known to us only as Rotate The Completor makes music that sounds unconnected to any scene in NZ or elsewhere. A chance encounter with an enthusiastic passerby while busking on the streets led to the receipt of a home-recorded cassette, which caught the ears of the outsider music community, although any attem…
If the city of Beirut doesn’t leap to mind as a hotbed of avant-garde musical activity, listen up: since 2005, the Al Maslakh label (translation: The Slaughterhouse) has been documenting far-thinking sounds from the small but vital Lebanese scene. The “A” Trio’s first release, Music To Our Ears, was one of the most startling debuts of 2011; now, Roaratorio is proud to present their second album (and first vinyl release): Live In Nickelsdorf, recorded at the Konfrontationen Festival in 2012. Whil…
Roaratorio's survey of the unheard Sun Ra continues with Sun Embassy. Consisting of recordings from Sun Studios (aka Ra's house in Philadelphia) from 1968-1969, the album features nine tracks: six compositions which have never been heard before in any form, plus fresh coats of paint on such 1950s classics as "Sunology" and "Ancient Aiethiopia", and an early rendition of "Why Go To The Moon". Essential listening for Sun Ra devotees. Includes download coupon.
** shipping within a few days** In an everlasting process that continuously repositions and reevaluates infinity as a consciously unachievable but ultimately rewarding goal since the early '90s, David Maranha's music has been riding that arc with ferocity and aplomb. A unique vision that has been translating the eternal in a sprawling language through countless performances, approaches and records like Marches of the New World and the Roaratorio released classic Antarctica. Always the unse…
Paul Metzger continues to pile up the plaudits from critics and peers alike for his virtuosic string-slinging, gaining notice through his CD on Chairkickers and his split LP with Ben Chasny and Chris Corsano on Roaratorio. Metzger’s modified banjo is tricked out with additional sympathetic raga strings, although the compositions on Gedanken Splitter are informed by much more than Eastern drone music alone. Recorded in the same period as 2007’s Deliverance on Locust Music, this is a more jagged …