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Decoder - The Soundtrack
A cult classic of sci-fi dystopia, Decoder saw Neubauten’s members working alongside Genesis P-Orridge and William S. Burroughs. It’s one of the strangest (and most prescient) films of the decade
Psychic Geography
DOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together…
Second
When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn R…
Dew Point Harmonics
Balmat began our journey in 2021 with the release of Luke Sanger’s Languid Gongue. Now, three years later, we turn an important corner as the Norfolk musician rejoins us with Dew Point Harmonics, the first repeat appearance on the label. Sanger’s new…
Duvet
In the winter of 2023, Ingri Høyland and Ida Urd retreated to a Danish sommerhus, or summer house—the tiny, tidy shacks that are a central feature of the national culture, where for generations, Danes have whiled away the warm months with their famil…
Projections Of A Coral City
Coral Morphologic and Nick León’s Projections of a Coral City marks a series of collisions between distant worlds: the organic and the artificial, the Eocene and the Anthropocene, sea and cement—and even, perhaps, ambient music and activism. Coral Mo…
Reel 19 36
Reel 19 36 by Verto splices tape‑saturated psych, loose‑limbed prog and a faint industrial undertow into extended pieces that feel like fragments of some lost rehearsal reel, restless ideas bleeding into one another in real time.
8 Petites Pièces De Variété
On 8 Petites Pièces De Variété, Urbi-Flat compress a playful, genre‑hopping imagination into miniature form: eight short pieces that treat “variety” as licence to slide between jazz, musette, pop and cartoon‑score pastiche with light‑footed charm.
Subversion
Subversion’s lone self‑titled effort is a jagged artefact of post‑punk dissent: sharp‑edged guitars, brittle rhythms and urgent, slogan‑skewering vocals carving out songs that feel like manifestos scribbled in the margins of a collapsing system.
La Vieille Que L'On Brûla
La Vieille Que L'On Brûla by Ripaille is a baroque‑tinged prog fable: harpsichord‑like keys, acoustic guitars and theatrical vocals recounting witch‑trial tales with a mix of pastoral charm, satirical bite and intricate arrangement.
Quad Sax
Quad Sax’s self‑titled release revels in the possibilities of four saxophones and nothing else: tightly voiced chorales, pointillist counterpoint and raw honks spinning from cool modernism to playful chaos without ever touching a rhythm section.
La Clef Des Songes
Pentacle’s La Clef Des Songes unlocks a distinctly French prog dreamscape: lyrical vocals, flowing guitar work and subtle symphonic touches combining into songs that feel like folktales told in shifting, mist‑lit harmonies.
The World Of Genius Hans
The World Of Genius Hans finds Moving Gelatine Plates stretching out into longer, more intricate forms: extended suites, rich horn voicings and mercurial grooves building a strange, storybook universe where virtuosity and eccentricity walk hand in ha…
Moving Gelatine Plates
On their self‑titled debut, Moving Gelatine Plates fuse Canterbury whimsy with French jazz‑rock bite: knotty horn lines, fuzz bass and nimble drumming tumbling through tunes that are as playful as they are technically fearless.
L'uccello dalle piume di cristallo
* Black vinyl edition. Gatefold cover * Dario Argento’s opera prima ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of …
Il gatto a nove code
2025 much-needed repress. Black Vinyl. "Il Gatto a Nove Code" (The cat o 'nine tails), filmed in 1971, is the second film by Dario Argento, a horror thriller still distant from his horror works for which he will later become famous on an internation…
Et après...
Mémoriance’s Et après... is a cinematic slice of French symphonic prog: narrative suites, mellotron swells and dramatic vocals unfolding like a dystopian concept film scored for rock band and orchestra in miniature.
