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Extra heavy fusion of industrial noise and musique concrète, this exclusive collaboration unites forces of two legendary musicians who were witnessed the roots of industrial music movement. It consists of three long tracks of mechanical aggression, c…
Right at the start we are welcomed by Le sexe du noyé by Walter Feldmann, which (besides requiring exceptional technical skill) keeps a tight rein on the oboist, even as far as inhaling and minute movements are concerned. But Matthias Arter does not …
On the second full-length release by Kiila, the band gently conjures up mildly otherworldly tunes with a peaceful air and feathered eyes. What was once free-pop played by two is now free-folk played by seven. The language of the songs has reverted ba…
Today, the piano concertos by Béla Bartók are regarded as works of classic modernism and are considered suitable even for conservative audiences. Musica Viva, the concert series for contemporary music in Munich, included the piano concertos in their …
restocked: The music comprising John Bischoff’s new CD ‘Audio Combine’, just released on New World Records, is beautiful, fascinating, thoroughly enjoyable. Philip Perkins’s engineering and production values are superb.The five tracks on the disc are…
When, in the summer of 1992, Lutz-Werner Hesse visited St. Francis’s hometown in Umbria, he was deeply moved by Giotto’s frescos in the Basilica. Using prints of the frescos, Hesse later developed a dramatic sequence, which was meant to serve as the …
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and findin…
Now I know what it's like to assume you know what Arthur Russell sounds like. Back in the day, those comfortable with his modern classical accomplishments were baffled by his acetates of loopy leftfield disco. Likewise, lovers of t…
Giacinto Scelsi (1905-88) has featured prominently in my music writing life for a decade and a half, ever since I wrote Discovering Scelsi on my first computer for Piano Journal (Oct. 1986), one of the first UK articles about this fascinating and …
First ever CD by this legendary and ultra-obscure Japanese psychedelic rock group. Kousokuya are from Tokyo, have donated some spectacular tracks to the first two volumes of the Tokyo Flashback compilation series on the PSF label, and self-released …
'The fusion of metal, noise rock, free jazz, industrial, and harsh electronics that makes up The certainty of swarms is the rare kind of heterogeneous concoction that is carefully matured, but never lost in pedestrian calculation. A blistering onslau…
The oboe more than suited Maderna's partiality for clear structures and sensual-concrete sounds. It was not without good reason that at a time when the supply of music dedicated to the oboe was anything but plenty, Maderna wrote, not one, not two, bu…
CD Compact disc album, cardboard cover, limited edition. '17 french bands from the genesis of industrial, experimental, free jazz musics, for the most part unclassable underground musics, and more recent and emergent artists from the same vein, form …
Long awaited reissue of this historic pre-FMP album by Peter Brotzmann. Known to many for it's placement on "The List" (T. Moore's Top Ten list of free jazz artifacts as published in Grand Royal of course), this is one of the most desirable and compl…
“Z is about infinity and the double dimension we all live in yet don't fully understand. Z is the sound of that feeling you get when you think you're being watched or followed by the omnipotent one. Z is for believers and followers of the "Ecstatic T…
The most recent of his compositions which Rihm called “string quartets” date back a few years already, with a gap in the enumeration still waiting to be filled (the eleventh quartet is missing). Even a cursory comparison of the three works’ beginning…
Since 1979 Christian Marclay has been experimenting, composing and performing with phonograph records. His interest in records, both as objects and bearers of sound, is expressed through sculpture, performance, video and music. In performance, he mix…
After the pruitt igoe e.p, kangding ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With or, kangding ray continues to blur the borders between experimental and bass music,…