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**300 copies** Assault and Mirage is an entirely instru(mental) and excellent Zoviet France recording from their year of glory in obscurity and a decent place for beginners who are unfamiliar with this collection of oddballs. It kicks off with 'Seige' -a tune which will remind you of that bit in the film "Close Encounters" where multitudes of far east people chant the famous five alien notes - only here it's done through what sounds like three foot wide pipes played by the God Zeus, with unearth…
**300 copies** 'A Flock of Rotations' is an aptly named album for this collection of shorter Zoviet France tracks which only has a running time of 36 minutes. It has a theme running throughout, of sorts. It may be tenuous, but for the first 20 minutes it sounds like something is trying to break out from the inside of a short-wave radio.bA shouting garbled vocal from what sounds like the top of an Iranian Minaret introduces listeners to yet another highly peculiar and strangely alluring recording…
Bear Bones, Lay Low is the pseudonym of Belgian based Venezuelan Ernesto González. Hacia La Luz, a solo vinyl LP he produced when not tripping out with psychedelic super-group Sylvester Anfang, taps into Belgium’s booming experimental scene and his own warped aesthetics. Tune out to cosmic synths and lo-fi, electronic freak-outs.
On the 2nd of two entrancing Beast volumes, modular maverick Koen Holtkamp (Mountains) further distinguishes his new, rhythmelodic velocity in four studio-based iterations, making a subtle contrast with the live performances of Volume 1, and beautifully exemplifying the distance travelled from his earlier works released by Type, Thrill Jockey and Umor Rex since the late ‘00s. Hemming the finest line between the ‘Process Music’ approach of ‘70s minimal/maximalists Jon Gibson and Steve Reich, and…
Lose yourself in the circuitry of the original 1965 Buchla 100 with NYZ (Dave Burraston) as he utilizes Barbara Hero's Lambdoma tuning theories to create two slow, deeply layered, subconscious, organic and meditative compositions. NYZ's split 12" with ELEH (IMPREC 477LP) will be released at the same time as Millz Medz. David Burraston is an award-winning artist / scientist working in the areas of technology and electronic music, operating Noyzelab as an independent art / science music studio sin…
Double LP version. Decadent Yet Depraved, the debut album by Belief Defect, finds shelter and complicity in Raster as a home and label. Familiar with the underground music scene and how its skeptical nature can also be an obstacle to overcome, Belief Defect abandon any claim or credit in an attempt to transcend the limits authorship imposes, avoid the boundaries, or expectations, earned or self-imposed, and find the clearest, most direct path to their music for themselves and the listener. At th…
** very last copies** Everything starts when Maurizio Bianchi from Milano, with many years spent as a music journalist, realizes that writing (a very personal style both lucid and delirious) is no longer enough to describe the sounds he has in his mind. In that moment he started to deal with tape recorders, turntables, synthesizers, microphones, self-producing tapes and records under the name M.B., creating his own circuit of fans and aficionados always ready to plunge themselves into the…
"At their best and worst, solo acoustic guitar albums can feel like workshops, demonstrations meant to spotlight a player’s depth or breadth of knowledge and technique. A genteel folk shuffle cedes to a gnarly blues moan, or a ragtime ditty yields to an extended raga improvisation. Maybe there’s a banjo number, a fiddle tune, or a collage of field-recording abstraction, where crickets chirp or creeks trickle beneath incidental chords. This condition has seemed especially true for the large group…
Günter Schickert, four decades of multi-instrumental cosmic
explorations, under Berlin's sky, above genres, and compromises. Marmo
present on his seventh album to date, Labyrinth, the first to be released on vinyl format since 1983's Kinder In Der Wildnis. Schickert's Samtvogel (1974), equaled the imaginative leap and sonic power of the early Pink Floyd, Manuel Gottsching's 1975 album Inventions For Electric Guitar (MGART 401CD/901LP) or A.R. & Machines's Die Grüne Reise (1971). Überfällig
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2017 Edition. Journey Of The K-Verband (Throat Lure) was recorded in the summer of 2011 and is the second chapter of The Voyage Of The Decima Mas. The K-Verband was the WWII German frogman equivalent to the Italian Decima MAS; taking example from the Italian frogmen and their missions. The Rita has used the WWII frogmen theme as representative of the recordings, this time via sound sources from the miking of ocean fishing lures while jigging for Lingcod in the same areas snorkelled for the VOT…
2015 Edition. The Rita continues his journey through ballet fetishism. Female Statuesque is a complex work of obsessive research on discipline, elite beauty, and suffering in the world of ballet. Monolithic walls of harsh noise with the classic Sam McKinlay (BT.HN, Vice Wears Black Hose, Black To Comm) trademark style. Limited edition of 200 hand-numbered copies in a cardboard sleeve with insert.
**Edition of 1000 copies**Eliane Radigue's Geelriandre / Arthesis is named for the pieces that fill its two sides. Geelriandre, realized on an ARP 2500 synthesizer in 1972, features Gérard Fremy on prepared piano. Arthesis, realized using the University of Iowa's Moog in 1973, comprises the full duration of side B. Eliane Radigue has received much deserved praise for her transcendent composiitions for tape, synthesizers, and acoustic instruments. Her work is deep, slowly changing, and timelessly…
The second full-length release from psychedelic bread bakers and bird whisperers Badgerlore-- represented on this release by beard-core ambassadors Ben Chasny (Six Organs Of Admittance, Comets On Fire), Tom Carter (Charalambides), Pete Swanson (Yellow Swans), and Rob Fisk (7 Year Rabbit Cycle, ex-Deerhoof)-- Stories For Owls features six beautifully lush, organic pieces that rise and fall with the group's broke-down, burned-up improv and the interplay of piano, vocals, and dual guitars. The musi…
Maurizio Bianchi is an Italian composer of electronic/experimental/industrial music. Taking a cue from its unconventional matrices (we are in the year 1976), has officially started its activities in August 1979: originally influenced by the tendency of 'musique concrète', under the name of Sacher-Pelz, he composed four works on tape over eight months. The first of the four tapes, recorded between August and September of 1979, is entitled Cainus. Tracks remastered from original analog tape…
In the late 70s, the Italian industrialist Maurizio Bianchi under the name Sacher-Pelz self-published a handful of cassettes for super primitive musique concrete recordings culled from turntable / needle abuse upon LPs by Kraftwerk, Neu!, and Conrad Schnitzler. 'Velours', his fourth and last tape, was recorded between February and March 1980. Tracks remastered from analog tape with supervised by Maurizio Bianchi. The record has been pressed on 140 gr black vinyl with black label and black inner …
**199 copies** Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The Pleasure Agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content dealt with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death.In 19…
**edition of 200 copies** To be considered a twin release of the previous For Ornette 7". The single consists of two more short tracks - taken from the same Hayyam session - where the five-piece goes bebop, building some rhythmic and harmonic complexity filled by solo virtuosisms of core-members Korhan Futacı (saxophone) and Umut Çağlar (electric guitar).
A seminal power electronics masterpiece for this unforgotten cult artist. Atrax Morgue is anxious and psychotic side of the power electronics and industrial music. With the help of an analog synth, Marco Corbelli blows up emotions and delusions, cutting out the hard way inspired portraits of phobias and deviations. “Cut my throat” is recorded straight off on in a day. We are in 1996. The first CD of the artist contains two paths based on typical analog drones that characterize all the first prod…
When Ballister – the fearsome trio of Dave Rempis (saxophones), Fred Lonberg-Holm (cello) and Paal Nilssen-Love (drums) – performed in Antwerp in March of 2015, they played the kind of music you know some musicians are capable of, but rarely get to experience. It was a magnificent concert that grabbed you by the collar and took you for an adrenaline-fueled ride. There were some quieter moments when you could enjoy the view and take a breath, but the impression that lingered on was one of fearles…
In the early nineties, Slaughter Productions released two masterpieces of Atrax Morgue as Necro-sintesi and Necrophiliac Experience split with Lunus, noise project of Devis Granziera, a very close friend of Marco Corbelli. This partnership is only the prelude to what will happen a few years later. In 1996 Marco Corbelli and Devis Granziera decided to resume a bizarre project by Devis Granziera called Nekrophilia. After two years of work, changing the name of the project in Necrofilia, co…