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Born in 1934. Boeswillwald took an eclectic engineer training (electronics, sound recording) of fine arts (decorative arts) and theatre, and at the Sorbonne antique theatre. In 1953, he discovered the Sorbonne maison des lettres studio founded by Roland Barthes and from that point commits himself into sound creation. He frequented regularly the radio Club d'essais where he met P. Schaeffer. 'Le piano joue, la caravane passe' (2000). 'Au fond, la mer est belle' (1999). 'Pathos ad Libitum' (…
It's hard to go wrong with Fela Kuti's work from the 1970s, and LIVE!, which features the Afrobeat innovator backed by his powerhouse band Africa '70 and ex-Cream drummer Ginger Baker, is no exception. Like all of Fela's recordings from the era, LIVE! consists of just a few tracks, each of which approximates or exceeds the ten minute mark. Yet the arrangements are so dynamic on these tracks, the criss-crossing polyrhythms so absorbing, and Fela's incantatory vocals so entrancing that the long ru…
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …
Somewhere between Alex- ander Rodchenko, Jackson Pollock and Charles Ives: Marino Formenti's piano studies based on an instal- lation by Florian Pumhösl as a listening experience! The brilliant Italian pianist has placed compositions by Charles Ives (»Thoreau« from the Concord Sonata, the song »Tom Sails Away«, and »Study 11«) under his magnifying glass and studied them, has taken them apart, searched them for resonances, assonances and silences, and confronted the results with Ives’ own methods…
Berg's early lieder owe their existence largely to the young composer's great interest in literature; nevertheless it was his friend Hermann Watznauer, who actually inspired him to embark on composing his first lieder around 1900/01. And Berg enjoyed himself so much that he continued along the same lines until 1903, completing another 30 lieder; even Arnold Schönberg was essentially fascinated by them: "Berg's earliest compositions, however clumsy they may have been, already reveal two qualities…
This piece is sung by the Swiss “deep voice”, Marianne Schuppe in trio with herself, a feat made possible by playing back recordings of her own voice. This is not minimal music; melodic lines arise, sensual, beautiful, and undoctored, swaying like a lullaby, yet boosting the overall rhythmic intensity. There cannot be many works which demand of the soloist such careful timing, intense concentration and voice control.
The most ambitious and grandest of his projects would of course never see completion. For over forty years, Ives continued to supplement the material for his Universe Symphony, adding both notes and details. At some point, the scenario he envisaged got somewhat out of hand, Henry Cowell reported. “Several orchestras and large parties of singers, male and female, were to be placed in valleys, on mountain slopes and on summits,” and “6 to 10 different orchestras on several mountain tops, each movi…
Their first label release in many years & represents their most polished work to date. One of the most enigmatic, mysterious, & defiantly anti-commercial groups to emerge from the NYC loft scene during the '90s. Incorporating elements of folk, drone, psychedelia, free jazz, noise, & just about everything else, NNCK has nevertheless carved out a distinctive sound despite the seemingly random component elements.
second release in this series documenting the archival recordings of this previously obscure, genius musician. Volume one received broad critical acclaim, including a top ten critics pick for 2001 in THE WIRE and numerous other reviews and articles. Volume 3 in the series, Hillbilly Tape Music, will follow shortly. Before the publication of his music, Flynt was most often known as an (often distorted) footnote in art history, as the man who invented Concept Art, Flynt's name in the early sixties…
Summons of Shining Ruins is a project of Shinobu Nemoto, who works with electric guitar, tape delay, old rhythm machines, stompboxes and 4-track-recorders. No computer or software is used to record this work. And you can hear that in every tone.
An opera? An anti-opera? A monodrama? Whatever it may be: Neither (1977) marks the meeting of the kindred artistic souls of Samuel Beckett and Morton Feldman.
Long awaited reissue of this historic pre-FMP album by Peter Brotzmann. Known to many for it's placement on "The List" (T. Moore's Top Ten list of free jazz artifacts as published in Grand Royal of course), this is one of the most desirable and completely unseen albums in the genre of modern improvisation. Recorded April 18/24, 1969 and released on the Calig-Verlag label. Simply put, Nipples is one of the rarest and most influential European energy jazz recordings of all time. The incendiary Sex…
This CD with … the first four string quartets reflects the interesting path of Rihm’s artistic development. The Minguet Quartet approaches the first two, shorter, works with audibly high concentration without relinquishing, in the frenzy of high-energy playing, their own cultivated sound born from quartet tradition. Here, Rihm’s third quartet, with its not unproblematic subtitle ‘Im Innersten’ (‘at the innermost core’), does not become self-indulgent navel-gazing, the display of sounding extremi…
As early as in 1942, in Credo in Us, Cage employed not only a percussion ensemble but also sounds from the radio and records. Therefore, quite in accordance with what the composer would have wished, the materials used by the Percussion Ensemble Mainz in this recording range from Beethoven's fifth symphony (vinyl record, including the rustling) to ABBA, Tina Turner and advertising slogans. It goes without saying that rhythms play an important part in music for percussion. Cage, though, was also i…
Kurtág's attachment to speech is also to be sensed in the works from this first period of maturity, something which emerged more concretely in this CD maily cenetered around the Russian language, which he learned especially in order to read Dostoevsky, and which is almost "sacred" for him, in the way that Latin was for Stravinsky. In his Russian works, opp 16 to 19, Kurtág's response to Russian prosody transforms his musical dialect with a poignant lyricism; this is to be heard both in the works…
recorded in 1993 following the first Gulf War. 10 years later, following the second Gulf War, Soleilmoon is pleased to finally release this important Muslimgauze album. On April 15, 2003, we issued it in an expensive limited edition of 500 copies, packed in a hand-made metal box. This second edition, in an edition of 1000 copies, is released without the box but has a friendly price. It's commonly known that Bryn Jones, the late musician behind Muslimgauze, was driven by the passion of th…
Orignal master series reissue: a real masterpiece...after a car accident put Brian Eno in the hospital in 1975, he came out with the idea of creating Ambient music, or music that was essentially to be used as atmosphere. Discreet Music was the first of his ambient experiments and is therefore a landmark recording in addition to being a beautiful combination of tape-delay and composition.
CD release of the blau vinyl written and produced by Monoton in 1980. Re-mastered in 2006. It also contains 3 unreleased tracks from that period. Since the late 70's, early 1980's, Monotonprodukt and the "Institut für wissenschaftliche Sensation" (Institute for Scientific Sensations) have been working on the transposition of metamathematical structures, natural constants and resonance patterns in models of "bionic" psycho-active automat music. Publications, installations and long-ter…
As part of its Japan focus the 1999 Biennial Festival for New Music in Hannover also presented Toshio Hosokawa's exploration into the music of his "musical ancestors." This CD was recorded live during the performance and includes three works from the 17th and 19th centuries. Chidori no kyoku by Yoshizawa kengyô II (1808-1872) is based on the 31-syllable poems of the classical poetry anthology Kokin wakashû (10th century), so-called waka poems; chidori is the Japanese plover, whose calls have bee…
The "devil's organist" in action: if you really want to know what the "Queen of Instruments" is all about, make sure to experience Wolfang Mitterer play it live.Mitterer's organ event at Darmstadt in 2004 included not only works for organ solo but also synthetic sounds. In the piece mixture V (1995) he adheres to the principle indicated in the title, the mixture, in various respects – on the one hand in terms of organ technique and sound, on the other hand by his way of combining organ and elect…