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Five Leaves Left
Whether you know it or not, you've heard Nick Drake before. Maybe
it's from his other albums, maybe it's from that VW commercial, maybe
it's just the sound of that quiet bleakness we all feel when sadness
comes to the door and doesn't want to leave. This music lives with all
of us. It exists in quiet lonely nights, chilly autumn evenings, and the
muted grey of the world when it's been raining all day.During his too-short musical career, Nick used music to look at those
little feelings we a…
Wigmore Hall 1968
*Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert.* John Tchicai (1936-2012) was one of the most visionary free jazz saxophonists of the 20th century - a rare artist whose voice stood apart even among giants. Born in Copenhagen to a Danish mother and a Congolese father, his path to New York came through a chance encounter at a socialist youth festival in Helsinki, where Bill Dixon and Archie Shepp heard him play and urged him to make the mo…
Future Present Past
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music traditions, and spoken word with the story of our collective existence: a future full of possibilities, a present with all its uncertainties, and a past as a source of ancestral wisdom.
Irreversible Entanglements, formed in Brooklyn in 2015, consists of p…
Live On WUOM 1979
Two Rooms Records is excited to announce its tenth and most significant release yet, "Live on WUOM 1979" by Griot Galaxy. Nearly lost to history, this double-length release captures an extended radio performance by the seminal Afro-futurist jazz group, aka “The Sci-Fi Band,” featuring stunning versions of their classic repertoire circa 1979, in a compact, quartet setting.
Known for mixing complex polyrhythms, polytonality and non-western scales with grooves and minimalist elements from popular m…
Tkać
LED and Love Sounds (2015) is Forsberg’s first sound-and-light piece. The piece is made of frozen and processed violin sounds. The drones are slowly changing, providing minimal repetitions that never stay the same. ”A slow transition from playing on my instrument, to play only my electronics. Letting the violin hang there with me on stage, listening to itself. Following how the drones slowly change, minimal repetitions that never stay the same. And you can hear the gallery clearly, it moves some…
9 Dreams In Erotic Mourning
Alice Kemp is a British artist working with noise, performance, fetish objects, installation and many other forms of media. Throughout her work, she articulates a broken and illogical syntax of the subconscious through trance states, dreams, and disturbances. She has performed extensively, occasionally as an associate to the Schimpfluch-Gruppe of Swiss extreme aktionists.
It is a rarified violence that the Kemp invokes on her 9 Dreams In Erotic Mourning. Something disfigured. Something fucked. S…
Crawling To Lhasa
**Picture Disc edition with an insert of 8 pages and is also limited to 1000 hand-numbered copies.** Against its remarkable, sprawling, and lasting influence, it is hard to image the 1960’s and 70’s German sonic counterculture as it was - a truly underground music, almost entirely unknown beyond the borders of the country from which it sprang. Across the ensuing decades, this scene - among the most ambitious, rebellious, and experimental of its day, has offered an unparalleled wealth of inspirat…
Lace Heart
Already sold out, few copis available. Gorgeous double vinyl reissue of what still stands as one of Christina Carter’s finest moments, originally issued in an edition of 300 copies on her own Many Breaths Press. Six love songs comprised of elliptical bell like guitar phrases, barely there, sometimes even coaxing silence, set behind the extended vowel sounds of voice. Soft gentle performances here, like this whole record was cut very very late at night or in the early hours of the morning. An unh…
Local Colour
ESP-Disk' present a vinyl reissue of Peter Lemer Quintet's Local Colour, originally released in 1968. British pianist Peter Lemer studied with Jaki Byard, Paul Bley, and Bill Dixon. His lengthy and distinguished career has found him in a wide variety of settings. As an avant-garde jazz pianist, he recorded with Spontaneous Music Ensemble; in the jazz fusion realm, he was a member of Gilgamesh and Paraphernalia; as a progressive rock keyboardist, he played with Gong, Baker Gurvitz Army, the Mike …
Phantoms LP
Eddie Ladoire, composer and plastic artist, meets Pierre Bastien, an emblematic figure of the french experimental music scene to compose the soundtrack of an original choregraphy made of edited old movies of dancers from all times and spaces.
Babi
Mega Tip! **Sourced from the master tapes. First-time vinyl reissue ** By the early '70s, Milford Graves had more or less stopped gigging. Having learned his lesson the hard way in multiple-night runs like a legendary Slugs' residency with Albert Ayler, he knew that the level of energy that he put out during a performance would be difficult to sustain over the long haul. A concert was a kind of absolute ritual for him, after which he would be totally spent, emotionally and physically. Graves rar…
Play Me
Kim Gordon's third album, 'Play Me,' is distilled and immediate, expanding Gordon’s sonic palette to include more melodic beats and the motorik drive of krautrock. “We wanted the songs to be short,” Gordon says. “We wanted to do it really fast. It’s more focused, and maybe more confident."
The follow-up to 2024’s Justin Raisen-produced, two-time Grammy-nominated 'The Collective' processes, in her inimitable way, the collateral damage of the billionaire class: the demolition of democracy, technoc…
On The Run
On On The Run, Shutaro Noguchi and The Roadhouse Band turn a cross‑continental goodbye into a subtly tripped‑out song cycle, folding Gong‑like cosmic drift, Sakamoto‑esque pop abstraction and Louisville bar‑band warmth into one gently disorienting farewell.
Niblock For Celli / Celli Plays Niblock
Phill Niblock’s riveting and rare work for Joseph Celli sees necessary and long-awaited reissue on the amazing Superior Viaduct, who continue to carefully and studiously unfold the history of avant-garde and experimental music before your ears.
Rampe Amalgam
On Rampe Amalgam, Markus Oehlen extends his studio day into the night, turning the same unruly humour and visual overload of his paintings into skewed, concrète‑spattered electronics: half hidden beat, half dust‑storm, all deliberately “wrong” and fully under control.
The East Village Other
Originally released in 1966. The first North American release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contrary to at least on…
Bload Stations * Syntax Error
Vinilisssimo present a reissue of Polonio's Bload Stations * Syntax Error, originally released in 1987. Eduardo Polonio has been one of the key names of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group of live electronic music; and he was one of the main figures of Barcelona's Laboratorio Phonos since 1976. He was also a …
The Tail of the Tiger
In 1977 an obscure Italian private label issued a record that sounded like it came from outer space. A long and dense trance-inducing drone of sustained notes, rich with overtones and harmonic embellishments, coming from a space so vast and unexplored that seemed almost of non-human, even electronic nature
Normal Street
Normal Street is another salvo in ESP-Disk's drive to revive weird rock! Writer/musician/film maker Chris Shields says: "Near the DIY venue, cooperative, and punk/freak haven, The Firehouse, in Worcester, Mass, there's a street ironically named 'Normal St.' I was lucky enough to be playing a gig with Painted Faces there a few years back. Driving up the steep, labyrinthine roads we spotted the green sign, had a laugh owing to some solid riffing by all present, and then, moved on. The gig was good…