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Memories from the age of the Dragon
Restocked - AWESOME!! Lavishly packaged in a heavy textured cover, red vinyl, troglosound art, 3 different inner sleeves (gold/red/green), "Memories from the age of the Dragon" with david vanzan percussion, voice, bow harp, bass, anologue electronics virginia genta soprano sax, ocarina, flutes, marimba box, bells maurizio abate kalimba, zither, hurdy gurdy, tape delay
Luminarium
Taking cues from pop, experimentalism, & minimalism TAPE has become recognized internationally for it's "luminarium of sound where past & present merge at the speed of light." Released on CD by Hapna in 2008, Immune is proud to release "Luminarium" on vinyl for the first time.
Octagonal polyphony
These recordings, sadly, mark some of the final trio recordings with David Gamper who passed away in 2011. This LP is being released simultaneously with DLB's Great Howl At Town Haul CD and Pauline Oliveros' comprehensive 12 CD collection of electronic work. Pressed in an edition of 500. 'Deep Listening Band January 2011 residency and concert at Town Hall Seattle produced enough material for both a CD and an LP on Important Records, and a double LP on Taiga Records. The subsequent summer consist…
3
LP-only release. This is the third full-length release by KTL, the formidable collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). Another soul-destroying follow-up to the highly-acclaimed 2, with more accompaniments created for the theatre piece, Kindertotenlieder by Gisele Vienne and Dennis Cooper, which premiered in Brest, France, March 2007. Perhaps the broadest bulletin from the duo thus far, featuring two contrasting tracks. The layered dementia …
Like A Neuron
Richard Youngs is a prolific British musician (located in Glasgow) with an extremely diverse output. Dusted Magazine once wrote he is defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him. So his new album for Dekorder might not be a surprise to anyone following his career. Still, a self-proclaimed all-electronic 'ecstatic House record' comes somewhat unexpected. With a line of distinctive s…
Fiteiras Suadas
Clear azul vinyl, artwork by Joana Da Conceicao. For sure one of the weirdest and most unique records on Qbico, thanks to this young couple from Porto; hard to explain, no easy listening... but once you get attuned, it grows on you... deeply. Some vague similarities with the Astral Social Club LP.
Wounded Galaxies Tap At The Window
This is the long-anticipated third album by Cyclobe. Essentially a duo comprised of Ossian Brown and Stephen Thrower, Cyclobe have created a thrilling and compelling collection of music, which moves effortlessly from realms of cavernous cacophony to moments of blissful delicacy. The first new Cyclobe music to surface since their "death-concréte" missile Paraparaparallelogrammatica (an album made in collaboration with Nurse With Wound), Wounded Galaxies Tap At The Window showcases major new …
Toads Tools Amongst The Tombstones
Green vinyl with grey. Pengo is: John Schoen, Jason Finkbeiner, R. Nuuja. Pengo comes from Rochester, NY and are simply a dark-bright beacon of madness in the subterranean swamp of psychedelic junk collectors. They're kind of elusive, having issued only an LP prior to this release (it had been a year since we're working on this album) + a few CD-Rs and tapes. Got affiliations with Coffee & the Doyle EAE... wild stuff/weird vibes!
Undercurrent
California Gothic set to the tidal rhythms of the Pacific and tuned into the metabolic pathways of the northwest coast. Porras (Barn Owl) has scripted a love poem to the mist, a prayer cast in ghostly reflected guitar and deep pools of distortion. The ominous opening of 'Gray Dunes' is a dense and impenetrable murk, a fear that eventually succumbs to distortion but then gives way to a endless open space of delay in its second half. Its trajectory is symbolic of the record as a whole, with many o…
Sonne = Blackbox
Germany's answer to Daphne Oram or Raymond Scott - or more likely an elaborate wind-up perpetrated by Jan Jelinek, on whose Faitiche label her "archive" recordings sporadically appear - Ursula Bogner is back. Whether or not it's Jelinek behind the Bogner corpus (and I think by now we know the answer to that), there's no disputing the consistently brittle beauty, dizzying complexity and easy charm of her radiophonic constructions. You certainly get a lot of Bogner for your buck on Sonne = …
Beatings With Gimpy Flighted Wings Entrapped By Post-Fence Of Ga
EXCLUSIVE! Member of CAROLINER RAINBOW & DEERHOOF. Some may call these tunes brashly harsh, some might call it electronic composition, others may think it to be the sounds of rusty robots mating. Oh no, this is none of those, this is hardcore done with wires, lo-tech tape manipulation, bits of synth, home rigged effects, and a whole bunch of other crap.
Foxy Baby
Surely this can only be the work of the ultra mysterious Sam Meringue (Matrix Metals, Flashback Repository, Explorers) etc. I believe at one point this guy was actually suspected to be James Ferraro which isn't difficult to believe as their work has very similar qualities. Anyway this is apparently an "esoteric glam-damaged concept record about Berlin nightclubs and foxy ladies" and listening to the tracks it makes sense. At times sounding like Ariel Pink being sucked into some phazer vort…
Peaceful messages
RESTOCKED, last copies - Gorgeous new lp with fold out cover and inner sleeve... "welcome to the temple, where you'd see the sun and the moon... experience the eternal balance between day and night, good and evil."
Last Days III - Atlantic City
Following volume I (8mm, 2008) and II (Presto?!. 2009), and previously released in a super small cassette edition on Tulip, Stefano Pilia's Last Days III is finally available in a new remastered one sided LP edition. The intuitions of the first two chapters of this series of 'Last days' shine in 'Atlantic City' in all their beauty. Stefano’s touch is so warm and gentle, always unique in creating that feeling of soft, warm nostalgia, loud, and passionate as he’s strumming his strings with …
Fathom
Douglas Quin's Fathom brings together four extended underwater soundscapes-two each from the Arctic and Antarctic. The recordings have been gathered over a period of 15 years, capturing an extraordinary palette of sonic voices, events, spaces, and textures. To the human ear, these soundscapes are haunting and otherworldly; yet they are very much of this world-out of earreach. The tracks are minimally edited and are his first field recordings to be archived in vinyl. Included with the rele…
Live '418
Ainotamenishis is a loud, heavy guitar group from Tokyo who were birthed from one oviduct marked "Velvet Underground" and a massive salpinx marked "Gaseneta." Their high-energy rock 'n' roll action was first captured on an extremely limited CDR release, now released for the first time on vinyl. Ainotamenishis's brand of controlled panic is sure to spike the tongues of all those who purport to talk about the rock. It is primal, punk, eerie, harsh, and utterly essential.
Who Will Feed Them
Black vinyl with insert. Performed by: Mark Bajuk, Tony Fasce, Silvia Feriozzi, Eric Mauer, Brent Peich, Russ Waterhouse. The next evolutionary step from Double Leopards and Family Underground, very subtle and psychedelic music.
Birth of anolder, much more ugly Christ
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
Old Souls Wearing New Cloths
Restocked, last copies: limited edition of 323 copies, this LP is a live recording for piano, voice and electronics. Issued in a beautiful red vinyl pressing, it's a terrific minimal droning piano in La Mount Young vein
Gussie
On a hot Minneapolis night in the summer of 2001, the legendary avant/jazz group Curlew played a scorching gig at the now-defunct Gus Lucky's Gallery. Gussie documents that evening: the veteran improvising group dispensed with their compositions altogether and took an eminently successful walk along the free-improv tightrope. The ever-evolving lineup featured George Cartwright (saxophones), Davey Williams (guitar), Chris Parker (piano), Fred Chalenor (bass), and Bruce Golden (percussion). A limi…