We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Reissued! Rising from the silence, shaking the muck of level-Z rock and roll detritus from their feet, Royal Trux returned to action in October of 1992 with an untitled album, their third. It had been two years since they'd vanished into the negative zone with Twin Infinitives, an ultimate left-turn that appeared to have no endgame. For Untitled, Royal Trux strung together eight pieces of varying vintage that clearly communicated their rock and roll desires with the most direct approach to playi…
Everyone's belle de jour Diana Rogerson and Andrew Liles got together to create what we regard as one of the most considered and well conceived albums Liles has been part of. 'No Birds do Sing' can only be described as a hallucinogenic voyage of disconcerting mysticism and cosmic pandemonium and is a recording he's very proud of. This disc is a completely black and comes in a stunning super high gloss digipack with wonderful artwork by Babs Santini.
An exhibition companion compilation to SFMOMA's 2003 listening room program 33 RPM: 10 Hours of Sound From France, curated by Laurent Dailleau. 33 RPM's Compact Disc companion features compositions from Kasper Toeplitz, Kristoff K. Roll, Jean-Claude Risset, Lionel Marchetti, Christophe Havel, Laurent Dailleau, Mathieu Chamagne, pizMO, Jean-Philippe Gross, and Mimetic. Comes with a 24 page booklet and original program details.
The tale of the Sleeping Beauty set somewhere between science fiction and biting social criticism. In her texts Elfriede Jelinek explores the states of sleep, of apparent death, of semi-consciousness, or of being barely awake – and in doing so investigates Austrian everyday life in all its uniqueness, including all the petty power games and battles of the sexes. Jelinek's grim texts, recited by Anne Bennent, Hanna Schygulla and an artificially generated voice, are combined with Olga Neuwirth's t…
1991 CD reissue of the 2nd TG album, originally issued in 1978; digitally remastered by Chris Carter. Adds 2 bonus tracks from the legendary Sordide Sentimental 7" ("We Hate You (Little Girls)" & "Five Knuckle Shuffle". Breaking from the live sound of the previous Second Annual Report, D.O.A. finds the group assembling collages of computer noise, cassette tapes on fast forward, looped feedback and tape hiss, surreptitiously recorded conversation, threatening phone calls, and much more, all to a …
KTL is a collaboration between Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.). This is a six-part collision amongst the increasingly fading presences between the light and the dark, with some pieces recorded in a resistance fortress in southern France during a thunderstorm -- while others were recorded in a winter garden drenched in sunlight. The collaboration came about as the two were working on a theatre production by Gisèle Vienne and Dennis Cooper, entitled Kinder…
Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus
Long deleted, this is a must have cd collecting all the Scelsi pieces for string orchestra. "An internal struggle, stemming from the introductory tremolo, all through its serene yet chaotic means of lumonisity"
restocked ""three days of silence" is conceived as complete phenomenological experience of listening. i have been three days within the sanctuary of la verna on the top of a mountain called "the mountain of the stigmata" in tuscany. i've lived together with the monks recording and attending the ceremonies and the sounds of the place trying to penetrate in a dimension of pure contemplation. la verna, in latin alvernia and geographically known as monte penna, is a locality on mount penna, an…
Gas-station attendants around the world will rejoice at news of this final missive from Jason DiEmilio (aka Azusa Plane), a cleverly titled reminder of one of the Boss's most visionary & epic lines. Featuring two long tracks of cable glitch, amplifier hum and microphone bumping, this CD has such comedic aspirations that even Neil Hamburger will probably have to sit up and take notice. Thank you, New Jersey.
Vicki Bennett, under the People Like Us moniker, returns from several collaborations for her first solo album in several years. Stranded in the United States for an extended period after the Icelandic volcano eruption blocked her British homeland's airspace, Bennett derived thematic material of displacement, travel, and a longing forelsewhere, from the natural disaster that caused her own predicament. Volcanically marooned in Baltimore and NYC, Bennett utilized some of her "free" time to…
Long deleted, few copies available: "Gestation Sonore" is the only album to be released by the French improvisational quartet "Horde Catalytique Pour La Fin"; which rightfully found its way onto the infamous Nurse With Wound list. The four piece line-up consisted of Richard Accart (Saxophone tenor, flutes), Francky Bourlier (Harpe de verrer, flute, vibraphone, percussions), Jacques Fassola (Contrebasse, guitar, banjo, Orgue a bouche) and Gil Sterg (Drums and percussion).Released in 1971 on the l…
The mid-'60s formation of Chicago's musician collective, the Association for the Advancement of Creative Musicians (AACM), proved a watershed event for jazz, providing a springboard for some of the next few decades' most influential performers, including the Art Ensemble of Chicago, Muhal Richard Abrams, and Anthony Braxton. In many ways, Braxton's Three Compositions of New Jazz is that movement's manifesto. Seeking a new degree of abstraction and purity, Braxton opted to eschew drums or bass on…
Carl Michael von Hausswolff's first major domestic release. As a composer he has been the main sound organizer in the duo Phauss; he has also worked with The Hafler Trio, and is currently performing live in the group Ocsid with Graham Lewis (Wire, Dome). As a visual artist, he is co-founder of the conceptual state of Elgaland-Bargaland, which hosts a worldwide array of embassies and consulates, and who physical territory is described as 'all borderlines between existing states and areas at sea.
"Re-mastered at Piethopraxis in Köln, July 2007. "Hotel Paral.lel", originally released in September 1997 by Mego, was Christian Fennesz's debut solo album. Following up from the EP "Instrument", it was an investigation into the sonic possibilties residing in guitar based digital music, recorded just before mobile computing devices became the norm. A far more darker and experimental work than what was to follow. Freeform noise, sliced techno beats and subtle ambient textures create a time…
Alfred Otterstaetter began playing music in the late '70s, releasing homemade tapes and records under different band names. Blumen des Exotischen Eises LP was released in '86 in the quantity of 100 copies on his Dead Eye Records. It was recorded between '83 and '85 and consisted of spontaneous music, some of it played by Alfred alone on different instruments with overdubs, and some with friends. Some tracks have early '70s open-air spaced out feel, others -- more heavy hypnotic Teutonic sound. O…
"The great avant-garde reed player Anthony Braxton (who on this set switches between alto, C-melody sax, clarinet, flute, soprano and sopranino), bassist Adelhard Roidinger and drummer Tony Oxley play five of Braxton's complex originals, Oxley's "The Angular Apron" and the standard "All the Things You Are." As usual Braxton's improvising is quite advanced and original but is colorful and fiery enough to always hold on to open-eared listener's attention. This is one of literally dozens of …
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
From the Kitchen Archives Vol. 3. Amplified: New Music Meets Rock, 1981-1986 is the third release in a series of CDs compiled from The Kitchen's archive that documents historic concert recordings at The Kitchen from the early 1970s to the mid-1980s. While the first two releases, New Music, New York 1979 and Steve Reich and Musicians, Live 1977 focused on major figures of new and experimental music from The Kitchen's first decade, Amplified moves into the early 1980s, representing a vocabulary th…