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Encore 72 Hours
"Encore 72 Hours is a special project including some remarkable Chinese domestic musicians. This release is a live recording compilation of the project. All mixing and mastering are done by famous mixing engineer Liu Ying’s studio thus possess extraordinary quality. The album is not only a recording and a reproduction but also a necessary supplement to a live performance, even an artistic reinvention of acoustic. We hope to strike resonance among some listeners." - Tu Fei
Zhuizi Selections
This studio album is recorded after Guo Yongzhang performing on the 5th Tomorrow Festival stage.
The Meaning Of Blackness (More Decorous Than Duty Having Become Faster Than Everything A Smile That Was Never Birthed Into The Light)
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
Otomo Yoshihide Live in Shenzhen
Over the years, Otomo’s music has spanned across Free Jazz, Noise, Free Improvisation, Sound Art, popular music, film scores, and compositions for large amateur ensembles. Carrying the lineage of the Japanese Free Jazz movement that developed in the 1960’s, Otomo has exploited the sonic possibilities of both the electric guitar and turntable. He is one of the key figures who defined a now internationally recognized genre of Japanoise. His band Ground Zero, which was active throughout the 1990’s,…
Nikhil Banerjee in California 1967
*2023 stock* These are live recordings of Nikhil Banerjee at KPFA Radio in Berkeley, California, on the 9th of July, 1967. It is for the first time they are made into vinyl record and published in China. The original recordings were on two reel-to-reel tapes. In 1988, American record label Raga Records released the recordings on both CD and cassette. Until a few years ago, it was by chance that producer Tu Fei got hold of these reel-to-reel tapes and decided to release this vinyl version, hoping…
The Equatorial Stars
CD Edition. Re-release for the first collaboration between Robert Fripp and Brian Eno in over 30 years, that nearly equals the effuse beauty of their celebrated 70s works. "Ambient is a spacious, electronic music that is concerned with sonic texture, not songwriting or composing," says the All-Music Guide. That seems reasonable, although I suspect Brian Eno might take issue with the notion that his music is somehow unconcerned with composition. As with most musical definitions (and music itself)…
Dombra Solo
"This album has its genesis in a precious reel-to-reel tape recording which we discovered in a radio station. It is unfortunate that the tape itself does not contain information on the date of recording, which we roughly speculate to be around the late-1980s to the early-1990s. The recording in this album has two parts. The first is Daulet Halek’s interpretation of folk tunes from other ethnic minority groups, including the Tatars, the Mongols, the Sibe, and the Kyrgyz. The second part document…
Volume One
Before Om, there was Sleep and ‘Volume One’ was their debut album release, on Californian label Tupelo (probably best known for releasing Nirvana’s ‘Bleach’ in Europe). It hit the shelves in 1991 to great acclaim and the band were eventually signed by metal dons Earache, but ‘Volume One’ has been unavailable for some time now, and with the renewed interest in Hakius and Cisneros it makes perfect sense to have the album available once again.
Sleep were quite clearly indebted to Black Sabbath at t…
EVOL
"EVOL" was Sonic Youth's fourth album, significant for one fairly obvious reason: the addition of Steve Shelley behind the kit. Steve joined the band in mid 1985, and this is the first album he plays on. EVOL also features the first real "guest appearance" on a Sonic Youth album -- Mike Watt, who contributes bass to "In The Kingdom #19" and the non-LP bonus track "Bubblegum". "Shadow Of A Doubt" became their second music video. At some point circa June 1985, after the first European Bad Moon Ris…
The Futuristic Sounds Of Sun Ra
Sun Ra stated that he wanted to create otherworldly emotions on this album. These emotions are “disguised as jazz,” to quote one of Ra’s poems. The Futuristic Sounds of Sun Ra, recorded in 1961, consists of a range of simmering, swinging, riffing tunes full of deft counterpoint. On the surface, these tunes show a rather restrained side of Sun Ra and his Arkestra, yet below that surface lurk some unsettling emotions. Some might mistake those unsettling feelings for detachment, or worse, emotional…
The Nubians of Plutonia
In the late '50s, Sun Ra emerged from big band to modern/progressive big band status, began to employ electronics, and used a more Afro-Centric percussive focus. This recording perfecly demonstrates those qualities, and more. There are several definitive themes from The Arkestra included, such as "Plutonian Nights," "Nubia," "Africa," "Watusa" and "Aethiopia." Dig for this one on vinyl if you can (the cover art is stunning,) but it is nigh impossible to find on Saturn Research. (AMG)
The Parable of Arable Land
Milestone! The Texan Psych legends push boundaries on their 1967 debut album. The first and finest album by The Red Crayola – the band feted in psychedelia circles for producing some of the weirdest and most inventive music ever – which sounded unlike anything else from the 60s. At the cutting edge of psychedelic music, The Parable Of Arable Land defies boundaries and unleashes a free-form anti-rock noise on audiences. A precursor to avant-garde/noise & industrial rock, this recording is a conti…
Yasmina, A Black Woman
Iconic musician and political activist makes a typically thought-provoking statement on historic 1969 recording.
Yugoslavia New Wave & Post-Punk 1980-1989
Another tape reissued in our ongoing partnership with Philly's World Gone Mad. 90mins of post-punk and new wave from former Yugoslavia.
French Post-Punk & New Wave: 1980-1983
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.
French Post-Punk & New Wave: 1988-1990
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 3 of 3, focusing on 1988 to 1990.
French Post-Punk & New Wave: 1984-1987
DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 2 of 3, focusing on 1984 to 1987.
An Electric Storm
When White Noise’s debut album, An Electric Storm, landed on Island Records in 1969, it must have sounded like nothing else. Packaged in a striking black and white sleeve that pictured a spark of lightning streaking across a black sky, this was an album that - quite rightly as it turned out - resembled as much a scientific experiment as any conventional musical document.
White Noise were first conceived when American electronic engineer David Vorhaus-- following a lecture by BBC Radiophonic Work…
Love Is A Many Splendored Thing
Originally released in 1974, this album features Kunihiko Sugano, often referred to as a piano magician, who is the sole leader remaining in TBM following the 5 Days in Jazz concert recordings sponsored by TBM. Echoes of Erroll Garner's "Genius Kuni" can be felt throughout the music.
Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been exper…
Blue City
Originally released in 1974, this is Isao Suzuki's second album, following his acclaimed debut, "Brow Up," which introduced him to the jazz world. The album features exquisite interplay with Kazumi Wataabe, showcasing a unique musical synergy that makes it a true masterpiece.
Now reissued by the legendary "Wa-Jazz" label, TBM (Three Blind Mice), this iconic label has gained popularity in Europe, the U.S., and beyond. The long-awaited reissue of the original titles on vinyl has been expertly rema…