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Pervades
Head to the western neighborhoods of San Francisco, and the city becomes a very quiet place after midnight. By 3am,one can almost hear the fog spilling past the sodium lights that illuminate a lonesome street corner at Judah and15th. Whatever soundtracks that emerge from that time and that place inevitably embody that nocturnal atmosphere, anarcoleptic weariness, a waking dream of the insomniac. Such is the psychogeographical realm as channeled throughsound for Hauras, the obliquely musical conc…
Ephemeral Rituals
Jo Montgomerie doesn't want to pull back the veil too much on her source materials, but she's becoming more declarative and emphatic in how she works with her crucible of tempered noise. The opening clatter to Ephemeral Rituals sounds to these ears like the repetitive strike of a typewriter; though she asserts, without showing her hand, that is not the case. Out of this, a hallowed, radiant black glow emerges, nearly engulfing the acoustic clack with a sublime grandeur. Based in Manchester, Mont…
Hometown Girl
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, it’s a special one.
Finn Von Eyben Workshop
150 hand numbered copies. Kick-ass free music recorded in the glorious year of 1966 in Copenhagen. From Finn Von Eyben a leading exponent of the fertile Danish free jazz movement of the 1960s, comes these never-before-released live and studio recordings, offering an interesting addition to our understanding of a time in Danish music history where past, present, and future clashed to create a whole new sound. This is as essential as it gets. Piano, double-bass & drums in total interaction.
150 h…
Nowhere In The Night
Psychic Ills and Gibby Haynes’ Nowhere in the Night arrives from somewhere sometime ago, a document of sound bending, twisting, and stretching with the joy of collaboration and untethered aspiration.
Psychic Ills, then the trio Tres Warren, Elizabeth Hart, and Brian Tamborello, first intersected musically with Gibby Haynes, then and forever the founding member of Butthole Surfers, when the two groups with Texas roots toured extensively in 2009, and next when the Ills invited Haynes to contribute…
The Invisible Road: Original Recordings, 1985–1990
Biggest Tip Possible! Audiophile vinyl edition, pressed at RTI, includes a 12-page booklet containing liner notes penned by Jack Denton and a plethora of unseen archival photographs . The Invisible Road: Original Recordings, 1985–1990 compiles an unheard, previously unreleased body of recordings by Sussan Deyhim and Richard Horowitz, dissidents from diametric backgrounds who met during the heady days of Downtown New York in the 1980s. This collection reveals the creative and life partners’ radic…
Trabant
Purge launches into the new year with an absolute burner: the first ever collection dedicated to the 1980s, Hungarian countercultural music collective Trabant. Drawn from a body of over a hundred, never before issued DIY recordings, made by the band during during the period between 1980 to 1987, across the LPs two side unfurls some of the greatest, unheard post-punk and indie pop ever made behind the Iron Curtain. It’s an absolute revelation that can’t be recommend enough.
Giant Beauty
2026 Repress! Custom die-cut rigid slipcase, 5 CDs in double card sleeves, 96 page perfect bound book including an interview between Seymour Wright and John Chantler and additional texts by silvia tarozzi, magnus granberg, nate wooley, valerie mol, pär thörn and lars grip and drawings by guillaume delcourt and aliocha delcourt. Limited Edition of 500 copies. [Ahmed] is the quartet of Pat Thomas (piano), Joel Grip (double bass), Antonin Gerbal (drums) and Seymour Wright (alto saxophone). Togethe…
Decoder - The Soundtrack
A cult classic of sci-fi dystopia, Decoder saw Neubauten’s members working alongside Genesis P-Orridge and William S. Burroughs. It’s one of the strangest (and most prescient) films of the decade
Psychic Geography
DOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities: Where that album’s hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair. The album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the…
1979
"Two years after he first appeared on Balmat with 1977, Mike Paradinas returns with 1979. The sense of continuity between the two records is clear, and not just from their titles. Both capture the Planet Mu head venturing into the wilderness, seeking something—half-formed memories, thoughts caught in midair—in some of the most abstract, searching music he has released. Just like 1977, 1979 surveys a synth-heavy array of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues. Li…
Second
When you’re running a label, a demo occasionally comes across your desk that makes you reconsider everything you thought your label was all about. For Balmat, such was the case with this stunning album from Stephen Vitiello, Brendan Canty, and Hahn Rowe. It sounds like nothing we’ve released so far—and that very otherness opened up a whole new world of possibilities for us. Fans of ambient, experimental electronic music, and sound art will be familiar with Vitiello, a New York native, long based…
Dew Point Harmonics
Balmat began our journey in 2021 with the release of Luke Sanger’s Languid Gongue. Now, three years later, we turn an important corner as the Norfolk musician rejoins us with Dew Point Harmonics, the first repeat appearance on the label. Sanger’s new album feels like a natural extension of his inaugural record for Balmat: It’s a bewitching collection of esoteric synth sketches that slips unpredictably between consonant repetition, poignant melodies, and gnarled bursts of noise that catch in the …
Duvet
In the winter of 2023, Ingri Høyland and Ida Urd retreated to a Danish sommerhus, or summer house—the tiny, tidy shacks that are a central feature of the national culture, where for generations, Danes have whiled away the warm months with their families. Picture the scene: an abiding quiet all around. Gardens carpeted by snow; beach grass silvery against the silvery sky; a tendril of smoke rising from the chimney. Not another soul in earshot. This sanctuary was the origin for Høyland and Urd’s D…
Projections Of A Coral City
Coral Morphologic and Nick León’s Projections of a Coral City marks a series of collisions between distant worlds: the organic and the artificial, the Eocene and the Anthropocene, sea and cement—and even, perhaps, ambient music and activism. Coral Morphologic are the Miami duo of marine biologist Colin Foord and musician J.D. McKay; since 2007, they have used a variety of multimedia projects to generate environmental awareness of marine biodiversity—most notably Coral City Camera, an underwater …
Reel 19 36
Reel 19 36 by Verto splices tape‑saturated psych, loose‑limbed prog and a faint industrial undertow into extended pieces that feel like fragments of some lost rehearsal reel, restless ideas bleeding into one another in real time.
8 Petites Pièces De Variété
On 8 Petites Pièces De Variété, Urbi-Flat compress a playful, genre‑hopping imagination into miniature form: eight short pieces that treat “variety” as licence to slide between jazz, musette, pop and cartoon‑score pastiche with light‑footed charm.
Subversion
Subversion’s lone self‑titled effort is a jagged artefact of post‑punk dissent: sharp‑edged guitars, brittle rhythms and urgent, slogan‑skewering vocals carving out songs that feel like manifestos scribbled in the margins of a collapsing system.
La Vieille Que L'On Brûla
La Vieille Que L'On Brûla by Ripaille is a baroque‑tinged prog fable: harpsichord‑like keys, acoustic guitars and theatrical vocals recounting witch‑trial tales with a mix of pastoral charm, satirical bite and intricate arrangement.
Quad Sax
Quad Sax’s self‑titled release revels in the possibilities of four saxophones and nothing else: tightly voiced chorales, pointillist counterpoint and raw honks spinning from cool modernism to playful chaos without ever touching a rhythm section.