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*2025 warehouse found* On vinyl, this is a reissue of the final Henry Cow record, originally released in 1979 after the group had officially disbanded. The LP features guest appearances by Irene Schweitzer and Anne-Marie Roeloffs. Following their split with Virgin, the group's history became complicated; bass player John Greaves left, and after a dispute in the recording studio, what was intended as the next Henry Cow album mutated into the Art Bears' much respected Hopes and Fears. In 1978 the …
Six Pianos is a minimalist piece for six pianos by the American composer Steve Reich. It was completed in March 1973. Music for Mallet Instruments, Voices and Organ – again – emerged in the same year. The piece is scored for glockenspiels, marimbas, metallophone (vibraphone without resonator fans), women's voices and organ. The piece is in four sections, played without a break, marked off by changes in key and meter.
A vibrant blend of Finnish jazz-rock, featuring intricate arrangements, modal harmonies, and memorable melodies. The result is an immersive, forward-thinking listening experience
The second in a series of posthumous Mika Vainio releases on Säkhö, celebrating the work of a true, electronic music visionary. The tracks on Kiteet, released under Vainio’s Ø alias, were initially written for the 1997 Snow-Crash exhibition in Milan but never used. Five of the eight tracks found their way onto later albums, three have never been released anywhere. As you would expect from an artist with Vainio’s immense stature and pioneering legacy, Kiteet is a mesmerising listen, built from so…
"Finnish experimental veteran Mika Vainio has kept up a brisk output of new music as of late. In the second half of last year, he put out collaborative albums with Joachim Nordwall and Stephen O'Malley, and on the solo front came Kilo, an arresting set of fierce, heavy rhythms reminiscent of his work in Pan Sonic. Vainio's latest solo effort is Konstellaatio, an atmospheric and often-poignant journey from his legendary Ø project.
Konstellaatio is Ø's first proper full-length since 2008's Oleva, …
Generic Flipper, the debut album by Flipper, remains the most absorbing full-length LP to emerge from the early San Francisco punk scene. A constant source of imitation for so-called "noise rock" bands, it has yet to be surpassed in its nihilistic glee. Recorded between October 1980 and August 1981 and released in 1982 on the indispensable Subterranean Records, this album functions as a chaotic, sticky mass of individual personalities: the magma-like bass eruptions and dual vocals of Will Shatte…
* First-time vinyl reissue, gatefold sleeve * Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971. At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the meldi…
** 2026 Stock ** BGO presents Shades of Blue and Dusk Fire by The Don Rendell Ian Carr Quintet. CD 1: Shades of Blue: Recorded at London, October 1 & 2, 1964. CD 2: Dusk Fire: Recorded at London, March 16 & 17, 1966. The Don Rendell - Ian Carr quintet, created in 1963, was,a small Brit jazz group that took the country by storm and was well received in Europe and in limited circles in the United States. The band developed a unique sound that came out of hard bop and moved through many different …
English jazz musician John Surman’s three albums for Deram, dating from 1969, 1970 and 1971. A talented saxophonist, clarinet and synthesizer player, Surman made his name playing and recording with the likes of Mike Westbrook, Graham Collier and before being signed to Deram. Recording for a variety of labels, Surman signed for ECM in 1979 and is still with them to this day. Digitally remastered and slipcased. Extensive new notes by Charles Waring.
Michael George Henry (aka Ras Michael and, for this lone release, Dadawah) was born in 1943 in Saint Mary Parish, in northeastern Jamaica. Henry was raised in a Rastafari community when the religious movement was still in its infancy and marginalized within Jamaica. It was there that he began performing Nyahbinghi, the Rastafarian devotional music that combines the influences of African drumming and Black gospel. Henry found himself in Kingston in the late 1950s where he worked for Coxsone Dodd …
2024 repress! Gary Wilson's monumental 1977 LP reissued with the original cover art (care of Owen Maercks's well-loved copy), delicately laid out by Scott Allison. Which makes it, perhaps, the last copy you'll ever need. You Think You Really Know Me (also the title of Michael Wolk's 2005 documentary about Wilson) was Wilson's second LP, but the first he recorded as a vocalist, hewing to his own bizarre vision -- a syncretic collision of romance, new wave cocktail jazz, heartbreak, disco porn-sou…
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
Tip Tip Tip! XKatedral Anthology Series III is the third installment in the label’s ongoing archival series, and it arrives as both a celebration and a statement of intent. Marking ten years of XKatedral, this double‑vinyl set gathers works composed between 2014 and 2025 by artists who treat harmony and timbre as slow‑moving terrains rather than backdrops. Synthetic and acoustic sources, algorithmic procedures and close‑mic’d performance all serve a common aim: precise, patient work in the realm…
** Temporary reduced price ** Quoting Dusted magazine "This is not a jazz album. This is the music of ritual. Any resemblance it has to jazz is purely coincidental and passing. This is the sound of utopia, of equality, of the universal egalitarian dream, of the earth, the water, and the life force in all its various guises." and "This is an album of education in practice. Don Cherry spent the summer of 1971 teaching at a youth music camp normally devoted to the study of classical music. Somewher…
Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue of this cosmic masterpiece - a recording that stands as both a spi…
The only 'group' on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early '70s jazz. That they're not is the result of the Black Jazz label's distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with th…
2025 stock Altoist Marion Brown is perhaps best known for performances on albums by his contemporaries, such as Coltrane's Ascension, but Brown stands on his own as one of the most creative and important forces to come out of the 1960s avant-garde jazz movement. Porto Novo is widely regarded as one of Brown's best recordings, captured during a 1967 session in Holland at the peak of his creative powers, accompanied by bassist Maarten van Regteben Altena and drummer Han Bennink. Previously out of …
Anichy & Lyemn reduce electronic sound to patient, glowing essentials: slow harmonic rhythm, canons, repetitive phrases and gently shifting layers, across two unreleased remix pieces that treat minimalism less as a genre tag than a way of feeling time stretch and fold.
Mega Tip! **Double vinyl with eight electronic music pieces, three of which are now on record for the first time.** Roberta Settels was an American composer and industrial designer. She studied composition at Juliard in New York, and during the 70-ties and 80-ties, composed electronic music in Stockholm at EMS, and in Paris at IRCAM, and studied with the composeres Pierre Boulez and Iannis Xenakis. Later she created her own studio. Isolation from 1985 is her only released recording. It was relea…
On Music for Pulse Meridian Foliation, Joshua Abrams translates Lisa Alvarado’s immersive installation into gently spiralling sound: two violas, harmonium and electronics tracing slow, minimal arcs that feel like geology moving through the body, memory folding and unfolding in real time.