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The Soft Machine
"This 45-minute live fragment captures the Soft Machine at the Paradiso Club in Amsterdam circa 1969. The second incarnation of the band included Hugh Hopper (guitar/bass/vocals), Mike Ratledge(keyboards), and Robert Wyatt (drums/vocals). The trio heard here had originally been joined by Kevin Ayers (guitar) on the group's major-label debut Volume One (1968). Not only did that leave the band minus a lead guitarist but a primary contributor to the material as well. The songs are derived from Volu…
Anecdote
**CD version, to be released on 29.05.2020** "WRWTFWW Records is proud to announce the official reissue of Motohiko Hamase’s extremely rare live album Anecdote (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the Esplanade Series which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.Anecdote was recorded …
#Notes of Forestry
**CD version, to be released on 29.05.2020** "WRWTFWW Records is very happy to announce the official reissue of Motohiko Hamase’s remarkable ambient / environmental / minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the Esplanade Series which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.One of the …
Kannon-Daiji
WRWTFWW Records and MEG Museum (Geneva) announce a new full-length album by celebrated Japanese percussionist Midori Takada, in collaboration with Buddhist monks belonging to the Samgha group of the Shingon school of Koya-san, led by Reverend Syuukoh Ikawa. Recorded at The Premises Studio (London) and in Tokyo in 2019, You Who Are Leaving To Nirvana is a majestic work combining a suite of six Buddhist liturgical chants and a musical creation by Midori Takada. The Buddhist chants come from three …
Technodrome
**CD version, to be released on 29.05.2020** "WRWTFWW Records is very happy to announce the official reissue of Motohiko Hamase’s astounding ambient house album Technodrome (1993). The album is sourced from original masters and available on vinyl for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the fourth release from the Esplanade Series which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.Inspired by John Cage, Jon Hasse…
Promises
* New repress, on black vinyl* Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement. Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offerin…
Interior
*In process of stocking.* WRWTFWW Records is very happy to announce the official vinyl reissue of the highly sought-after Haruomi Hosono-produced Interior self-titled debut, originally released in 1982 on legendary label Yen Records. The LP comes in a heavy 350gsm sleeve.Interior is Daisuke Hinata, Eiki Nonaka, Mitsuru Sawamura, and Tsukasa Betto. Their classic 1982 debut, produced by Yellow Magic Orchestra’s Haruomi Hosono, is one of a kind - a very rare breed of feel-good ambient music blendin…
Chrysalide
WRWTFWW Records is wonderfully proud to announce the long anticipated official reissue of Chrysalide (1978), the sole album from French multi-instrumentalist and enigmatic genius Michel Moulinié. The krautrock/ambient/minimalism paragon is available as a limited edition LP with one never-heard bonus track. It is sourced from the original reels and housed in a heavy 350gsm sleeve. Originally released in 1978 on Ange and Jean-Claude Pognant's mythical prog rock label Crypto, Chrysalide is a fusion…
Dolls
For the first time on vinyl! The full score from Empire Pictures' 1987 cult horror movie Dolls directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) - at last! Music by the great multi-instrumentalist, producer, composer & singer Fuzzbee Morse (Ghoulies II !)
Live
Recorded live April 12, 1980 at Gaskessel in Grauzone's hometown of Bern, Switzerland.
Colored Music
At the dawn of the 1980’s, a few years before her now legendary LP, Through The Looking Glass, took form, a young percussionist playing with the Berlin Philharmonic, Midori Takada, found her creative ambitions looking further afield. Her ideas brought her home to Japan, then peculating with new notions of what avant-garde and experimental music could be, to form The Mkwaju Ensemble with fellow percussionist Junko Arase and Yoji Sadanari. The project quickly recorded two astounding LPs in 1981 – …
One Day
Shortly after the breakup of Flower Travellin’ Band, guitarist Hideki Ishima released his first and only solo album in 1973—a hauntingly beautiful work that stands apart in the landscape of ’70s Japanese rock. Known for his later work as a sitar player, Ishima showcases a signature floating guitar sound throughout the album, blending psychedelic rock, acid folk, and introspective singer-songwriter elements into a deeply personal and atmospheric record. Contributing to this richly textured sound …
Sonor
For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of colour, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor. Sonor is a record full of life and optimism, from an artist finding the beauty of existing between two worlds, much as a sunset does. Between the cultures of Mongolia and Germany, tradition and innovation, nostalgia and ex…
Beam Penetration
Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Ban…
Nihil Obstat
Gorgeous new full length from Dutch lutenist Jozef Van Wissem. Wissem's long form, graceful melodic lute layers, preceded by suspenseful deep bass movements, create a transcendental and pastoral. Wissem's is a world where hypnotic minimalist figures are repeated to slow the act of listening. Nihil Obstat (Nothing Hinders) is performed on Wissem's custom black lute built by Michael Schreiner. LP pressed in an edition of 800.
"New classical lute music that sound as if it always existed, as if it h…
Out Front To And Friends „Revisited"
"The material on From Out Front To Booker Little And Friend Revisited is Little’s collective chef d’oeuvre. It is exploratory but also strewn with retentions from tradition. The dense yet sonorous dissonance, the graceful tempo and metre shifts, the extended forms that give equal weight to composed and improvised sections, together these „alter the present“ and „direct the past“." – Chris May
How Time Passes To Essence "Revisited"
"...How Time Passes... and Essence were issued at a time when jazz history was being made practically on a monthly basis. There are a few reasons why they became submerged in the tsunami of groundbreaking albums released in the first years of the 1960s. For starters, Candid and Pacific Jazz simply did not have the market clout of Atlantic, Impulse, and other labels. Furthermore, Don Ellis’ music differed significantly from that of the avatars of free jazz, occupying a space between contemporar…
Charles Mingus Presents Charles Mingus To Pre Bird „Revisited“
"Heard together, Charles Mingus Presents Charles Mingus and Pre Bird suggest the enormity of
Charles Mingus’ artistic vision. No one album encompasses it in its entirety, and perhaps not even
two or three. However, these recordings, made six months apart in 1960, vividly summarized his
work to date, as he headed towards to jazz’s pantheon." – Bill Shoemaker
Prophecy Live, First visit
First visit live offers new mastering of the trio’s first performance at the cellar cafe, New York City 1964.
Solo Bern 1984, First Visit
"In its entirety, the concert is lively and penetrating evidence of Braxton’s remarkable facility, powers of invention, and commitment to his principles at this point in time, with special emphasis on saxophone techniques energizing variables of tone color, texture, and timbre to affect separate phrases, extended lines, and sectional contrasts." – Art Lange
Producer’s note: "I experienced over many years Anthony Braxton different performances. His solo performance 1984 in Bern belongs into the …