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Full recording of one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter. Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. Together they unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to f…
III (pronounced /el/) is Daichi Yoshikawa, Paul Abbott and Seymour Wright. This recording includes two bare 20-minute excerpts from separate performances at Café OTO. Daichi Yoshikawa (feedback); Paul Abbott (drums); Seymour Wright (alto saxophone). gjerhan began from subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in 2009 -- their first, 2012 public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organi…
Tip! LP reissue of Collective Calls, the first duo LP from Evan Parker and percussionist Paul Lytton. Mythically alluded to as ‘An Improvised Urban Psychodrama In Eight Parts”, Collective Calls utilises electronics, pre-records and homemade instruments to wryly in/act self investigation. Having just recorded the cliff jumping Music Improvisation Company with Derek Bailey, Christine Jeffrey, Hugh Davies and Jamie Muir, Parker was at the point where [he] was thinking, ‘what’s the next thing?’ On C…
Reissue Evan Parker's first solo LP Saxophone Solos. Recorded by Martin Davidson in 1975 at the Unity Theatre in London, at that time the preferred concert venue of the Musicians' Co-operative, Parker's densely woven and often cyclical style has yet to form; instead throaty murmurs appear under rough-hewn whistles and calls -- the wildly energetic beginnings of an extraordinary career. Reissued with liner notes from Seymour Wright in an edition of 500. "The four pieces across the two sides of Sa…
Originally recorded and released in 1980, "Six of One" beautifully captures the detail in Evan Parker's high frequency split tones for which he is now perhaps better known. Five years on from "Saxophone Solos" and with circular breathing and polyphonics well worn into his live performances, Parker's experimentations here produce sustained passages of brilliant flight. Set into the echoes and resonances of a St Judes On The Hill church, the results are stunning.
"The recital commences with a sp…
Born in 1964, Yukihiro Isso is a Japanese Noh flutist (hayashikata fuekata) from a family that has been playing this instrument since the 16th century. He received his initial instruction in flute playing from his father, Yukimasa Isso, and performed on the Noh stage for the first time at the age of nine. Beginning in his middle school years, he began listening to a variety of different kinds of music and studying new instruments including the recorder and piano. An acclaimed performer of classi…
Tip! “Two Duos” is pressed from cellist Okkyung Lee’s most recent OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on Ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it’s magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities. On the A side Noetinger’s opening tape hiss establishes a current; an electrical partner …
Slip is Paul Abbott’s response to his 3 day residency at OTO in 2023. It’s a continued exploration of the acoustic-digital hybrid drum setup Abbott has been developing for some time, which involves drum kit and synthetic sounds combined closely—through an entanglement of limbs and cables—in an intimate but strange relationship with each other. Paul Abbott hasn’t had any formal musical training, but has a long history of making music, having collaborated for years with Seymour Wright, Pat Thomas,…
Huge tip! It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on Otoroku. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again. Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and …
Composer, performer, instrument builder, teacher, and writer Gordon Mumma has left an indelible mark on the American contemporary music scene. A prolific composer and innovative French horn player, Mumma is recognized for integrating advanced electronic processes into musical structures, an approach he has termed "Cybersonics." Musicologist Michelle Fillion curates a collection of Mumma's writings, presenting revised versions of his classic pieces as well as many unpublished works from every st…
Re-issue of industrial music's 'holy grail', released back in 1984 on Eskimo Records. Not much is known about this obscure Japanese band, White Hospital are a duo, Jun Konagaya of Grim and Tomo Kuwahara of Vasilisk. In the early 80s Jun formed White Hospital together with Tomasada Kuwahara. They released one album called “Holocaust” in 1984 and a 7″ “We Wish You Are Merry X’mas”. Kuwuhara moved on to Vasilisk, while Jun released a number of solo records as Grim and one track as Howling Of Himala…
LOGOS “The idea of dedicating a record to sleeping disorders hit my mind as an illumination when two tracks were already done and I was trying to find out their obscure sense. The more I searched for it the more I couldn”t sleep at night. Composing during nightime, through headphones, is a kind of sleep treatment for me. In a big city like Rome silence is a nearly nonexistent condition; only at night I seem to have the silence I need to concentrate, but some lonely car running down the road alwa…
Ideal Recordings presents Insnitt By Carl Michael Von Hausswolff. Recorded at the opening of CM von Hausswolff’s solo exhibition ”Insnitt” at 3:e Våningen, Gothenburg on September 14th 2018. With: John Duncan, Leif Elggren, Jean-Louis Huhta, Joachim Nordwall, Henrik Rylander. Cover photo by CM von Hausswolff. Design by Joe Gilmore at Qubik. Produced by Joachim Nordwall.
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
**CD version** "Window In is Michael Vallera’s third full length offering on Denovali, following All Perfect Days (2018) and Vivid Flu (2017). The four tracks that compose Window In are an exercise in density, movement, and space. Raw studio recordings of electric guitar were taken as the foundation, then heavily altered and manipulated through sampling, erasing the trace back to origin of the sound. The result is a series of vignettes that are unattached to a particular source but instead exist…
** Edition of 200 ** The compositions on this album started out after travelling to Normandy (France) where a week long I took inspiration on the quiet beaches listening to the sounds of the waves, the wind and the natural sounds. Starting out with field-recordings from church bells and improvised sessions on organ the idea arose to recreate the ever ongoing soundscapes of self-preservation as heard on those beaches. After moving from Antwerp to Brussels new inspiration came. New impressions fr…
With Kulverzuchter Bas van Huizen returns to Moving Furniture Records for his third album. After the visceral and noisy releases Kluwekracht (2015) and Waanzintraan (2016) this album offers more minimal and ambient explorations. Kulverzuchter and the accompanying video are perhaps Bas at his most understated. On this album he seems to embrace doubt and uncertainty. The music is hazy, ambiguous and uncanny. The textures are toned down and the sound less layered, but there is a lot happening below…
Formed in Japan after the collapse of the noisy, SPK-ish White Hospital — the other half of which, Jun Konagaya, went on to continue as Grim — Vasilisk consisted of Tomo Kuwabara and Yukio Nagoshi, with other members (including longtime fixture of the Japanese underground, drummer Tatsuya Yoshida) joining in from time to time.
Live Blood was compiled from two live sessions held in Tokyo in 1992 and 1993, music is like a looser version of the explorations into African tribal music manifested by a…
20 musicians from around the world created a neofolk / neoclassical charity compilation for the Armenians of Artsakh who were prosecuted and forced to move from their land last Winter...
Imbaru, Walden, Regard Extrême, Uwe Nolte (Orplid) and many others. Mastering has been done by Paul Lavigne (InfoKontrast Mastering, London, UK).
Compilation and idea by Thalie Némésis
You can’t speak of industrial music without mentioning the cassette tape. The tape was an essential format in the formative years of the experimental, industrial underground, and has remained a significant factor within the post-industrial scenes ever since. Where right now the cassette tape is going through some kind of fetishized hipster-revival in other scenes, in industrial, experimental and noise music it never died. The tape was a revolutionary format for Paolo Bandera as well, who capture…