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2006 release ** "Oh! You are so naive! is the fourth album released by Mirt outside of the parent Brasil & the Gallowbrothers Band, and previously One Inch of Shadow. The album is a continuation of the path begun on the last mini-album – “Most”. This time, however, the whole is not based on a specific place, but on the fascination with twentieth-century revolutions and socialist utopia. Six songs about a revolt that never took place, about the hopeless immobility of today's rebels camouflaged so…
2020 release ** "Isabelle Duthoit makes her throat jump like a madwoman, Thierry Waziniak grinds on the skins with rage and circumspection, Pascal Bréchet makes his electrocuted guitar implode and shred, Franz Hautzinger articulates by belching into the mouthpiece, detonating the vibrations of the air in the bell of his trumpet. What is astonishing is the precise alternation of interventions, which makes them play more as a three-piece than a four-piece, as each imposes brief silences, which ind…
2005 release ** "This project began with an unlikely source: a t-shirt, which read 'if you eat, you have an interest in agriculture.' From conversations about the ways in which agriculture and farming practices have shaped our lives in North America derived primal ideas on a language to represent agriculture. Early in the spring of 2004, as the snow was just melting, I made some recordings of myself "playing" a derelict rusty piece of farm machinery abandon in a field. I was quite taken with the…
2010 release ** "The collaboration between the two industrial/dark ambient polish projects is a mesmerizing production of sorrow. The album is inspired by two poems: 'Madman' and 'Modern Icarus', aiming to tale the descending into the pits of madness of a man. However the result is not so strongly conceptual and linear and, honestly, sounds more like the descending into despair and the self-consciousness of it; but the technical level of the production is amazing and the album sounds good. The a…
*160 copies limited edition* Pentiments is extremely honored to present American composer Rick Corrigan’s original soundtrack for Faustfilm: An Opera, Stan Brakhage’s seldom-seen 1987 experimental psychodrama. The first of what would come to be a four-part series, Faustfilm: An Opera saw the preeminent experimental filmmaker venturing into territories strikingly different from those previously explored in his films, utilizing actors, set designs, soundtracked music and a loose adaptation of Goet…
First-time vinyl reissue is limited to 750 numbered copies. Comes with poster. Yoshi Wada's Lament For The Rise And Fall Of The Elephantine Crocodile, originally released in 1982 on India Navigation, remains one of the most remarkable flowers to grow in the rarefied air of American minimalism – akin to Terry Riley's Reed Streams and Pauline Oliveros' Accordion & Voice, yet with a wild, liberated energy all of its own. After graduating from Kyoto University of Fine Arts with a degree in sculptur…
When Harry Bertoia's Sonambient label was resurrected, Important Records' intention was to tell the story of Bertoia's groundbreaking Sonambient work as revealed through his extensive collection of notes and recordings. When the first new LP was released in 2016, Important were only in possession of 1/20th of the archive. Now, in 2019, the label is excited to release the first LP of new material from the full archive and they present it to increase understanding of what Bertoia was doing in his …
On this new LP Harry Bertoia shows why he may have been the first industrial musician. Bertoia often referred to his sound sculptures as a "collaboration with industry" and on this new LP Bertoia is intentionally creating heavy, rhythmic music he described as "mechanized," "mechanical" and "factory like." This first edition is packaged in a full color sleeve with metallic inks. Mastered by Tom Eaton at Sounds & Substance.
Recorded in 1971, percussion and repetition emulate the pounding rhythms …
35 minute live gig recorded at TUSK Festival, Gateshead Old Town Hall, Newcastle, England 2015 by Sam Grant. Very special Thanks to Lee Etherington. B-side contains entire gig backwards. This is possibly my favorite set I've ever performed. (Aaron Dilloway)
** Released in a beautiful limited edition of 300 copies, fully remastered for this vinyl edition by Lasse Marhaug ** The roots of noise can be traced back to the experimental works of composers like Luigi Russolo, who in the early 20th century introduced the concept of noise machines or "Intonarumori" and advocated for the inclusion of industrial and mechanical sounds in music. This laid the foundation for the exploration of unconventional and non-musical sounds as viable artistic expressions. …
Here we have an early live recording of the legendary Japanese noise band Hijokaidan, commonly known as the "King of Noise," which was made during their performance at the "Answer 81" event that took place in 1981 in a location known as "Kyoto TakuTaku." Although the recordings of this event were originally featured on their first album, "Zouroku No Kibyou," even though it was only a section of the album, it has now been finally made accessible as an independent work together with the entire rec…
2011 release ** "The leitmotiv of this release signed by the Koln-based trio made up of Matthias Muche - talented trombonist and active media artist -, Philip Zoubek - inventive Austrian pianist, who likes to alter his instrument's timbre...what is known as prepared piano - and Achim Tang - experienced bass and double-bass player whose artistic path is rich of relevant collaborations including the ones with Oskar Aichinger, Wolfgang Pusching and dZihan & Kamien, a notorious duo for jazzy disco a…
Space is the place - at least, it's the place uppermost in the mind of midwest US label Past Inside The Present owner Zakè and his sonic partner Ossa - location given as the north pole according to his Twitter - as they embark on collaborative 10 tracks. The fact that the National Aeronautics and Space Administration - NASA to you and me - has supplied them with celestial sound emissions for the tracks is a bonus. But ultimately, the real headline factor once it's actually on your turntable is t…
2002 release ** "It's virtually impossible to discuss The Land of Nod without comparing them to My Bloody Valentine, Slowdive, Spacemen 3 or a gaggle of otheratmospheric shoegazer bands that did it first."
2006 release ** ""This is the same Neville behind Pumice (Raft previously on LVD, and Yeahnahvienna (Soft Abuse) as well as a collaborator with the likes of C.J.A, Witcyst, Matt Middleton, Antony Milton, Chris Knox (Tall Dwarfs) and Campbell Kneale (Birchville Cat Motel), so you should know what to expect: eccentric one-man-band lo-fi goodness. But where Stefan's other releases have always taken the existence of pop-music for granted albeit filtered and fucked 'til broken,' Do Not Destroy makes …
This 12" is the sonic result of a psychogeographic action which took place in Zurich's underground water system at the beginning of winter 2020-2021. This is a purely acoustic recording. Recorded and mastered by Rafal Skoczek. Photography by Mark Siumin. Design by Maximage
«Music is a form of world building. I love to develop sonic characters and set them into fictional ecosystems with unique textures, acoustics and atmospheres. Each song forms a different landscape, through which a vocal character guides us and tries to tell us its stories.» Ludwig Berger’s ‘fictional’ debut album «Garden Ediacara» unfolds as a musical eco-fiction, guiding listeners through a speculative ecosystem with synthesized vocals. Infused with storytelling techniques from sci-fi and fanta…
2013 release ** "The members of Blue Cranes — Reed Wallsmith on alto saxophone, Joe Cunningham on tenor saxophone, Rebecca Sanborn on keyboards, Keith Brush on bass, and Ji Tanzer on drums — bring a unique array of experiences to their group-centered aesthetic, including work with AU, The Decemberists, Laura Veirs, Wayne Horvitz, Rebecca Gates, Laura Gibson, Ethan Rose, Pete Krebs, Black Prairie and Portland Cello Project. The band takes an evolutionary step forward on their fourth full-length …
Gerald Cleaver’s newest album, 22/23, journeys through genre, exploring the future and recalling history, in his most place-based album yet. Born and raised in Detroit, Cleaver is a product of the Motor City’s rich musical history. Long the manufacturing capital of America, Detroit citizens have never been afraid of imagination: technological innovation, a strong labor movement, techno-utopianism or afrofuturism. This spirit of innovation is felt on Cleaver’s newest album, particularly on songs …