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Bronze Cloud Disk (1975) for multitracked, processed bowed tam-tam; Two Mirrors Face One Another (1976) for multitracked, processed bowed Japanese temple bells; Cities of Light (1980) for multitracked, processed voice; TenThousand Shades of Blue (1985) for realtime interactive computer music system; Staring at the Moon (1987) for realtime interactive computer music system with bowed and struck vibraphone; Walking Slowly Backwards (1989) for vibraphone.“Lainhart’s music rings true to the spirit o…
Simplicity and clarity have always been among Tom Johnson's chief concerns as a composer. That concern led him to research number theory, particularly by Pascal, Fermat, and Euclid, and these sources suggested musical structures somewhat more complicated than those that he had used before. Music for 88 is the result of these researches. It contains nine sections (six of which are on this recording), each of which is a musical demonstration of a mathematical phenomenon.
*100 copies limited edition* With a microscopic focus on the snare drum, Jean-Baptiste Geoffroy extracts and manipulates its sound in a variety of tunings whilst maintaining a precision and simplicity of method and form. This exercise is a common one for the artist, in which he limits both the instruments used and the techniques with which its sounds are processed — in this case using only reverb and hard EQ-ing to engineer the final outcome. Even with these self-imposed restrictions, there is a…
A selection of six tracks from “Spider Labyrinth” appeared for the first time, on CD “Porte aperte”, from the homonymous movie of director Gianni Amelio. Compared to the original stereo masters, there are nine more unpublished tracks. The author composed and directed a symphonic score which alternates dissonant and calm, suspended musics. This LP, of a total running time of 34:42 minutes, intends to be a sincere homage to Franco Piersanti’s Art.
**Limited Collectors Edition, 300 copies** Digitmovies releases the originally soundtrack by Luciano Michelini for the film Silent Action (aka Chopper Squad, original title La Polizia Accusa: Il Servizio Segreto Uccide). Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. The album opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. A second recurring motif is…
* 300 copies * Digitmovies release an LP of the OST by Ennio Morricone: Noi Lazzaroni (We Rascals) from 1978. Ennio Morricone has composed a very "rural" score with the sounds that represent the life of the protagonist. Although integrated within modern society, the soul of this man is always directed to his past, to his land, to the teachings of his father which he could never leave behind. This adherence to the homeland is expressed through deliberately wild and almost enraged vocal performanc…
* 300 copies * Digitmovies presents on LP another musical jewel by Ennio Morricone from the TV movie broadcasted by Italian Rai Television in 1978 Il Prigioniero (The Prisoner). Ennio Morricone has composed an extremely serious score which reflects the whole sentimental and dramatic side of the historic atmosphere, in which the protagonist is immersed. The author varies the main theme with different orchestrations: the romantic, but nostalgic "L'estate È Finite" for flute, harpsichord and orches…
In the immense Goblin discography, an enormous void has always been represented by the original motion picture soundtrack of Squadra Antimafia, a score which we have tried to find, since many years, but that is apparently lost. A 1978 movie full of absolute cult icons among which Tomas Milian, Bombolo, Enzo Cannavale, Eli Wallach, Massimo Vanni directed by Bruno Corbucci: to this incredible list of stars to add Goblin is exciting. So, a while ago, following the initiative of Fabio Capuzzo, veter…
Beat Records and Digitmovies are pleased to release for the absolute first time on CD the complete edition of the brilliant soundtrack by Guido & Maurizio De Angelis for the sci-fi comedy “Chissà perché… capitano tutte a me” (aka Everything Happens to Me) directed in 1980 by Michele Lupo and a cast starring Bud Spencer, Cary Guffey, Ferruccio Amendola, John Bartha, Giancarlo Bastianoni, Paolo Figlia, Lorenzo Fineschi, Giovanni Gianfriglia, Robert Hundar, Clayton Landey, Amedeo Leorini, Ottaviano…
1980, a crossroad full of living icons in a single movie interpreted and directed by Alberto Sordi, Io e Caterina. So, Alberto Sordi, Edwige Fenech, the year of release, 1980, what do we miss to get an absolute masterpiece? The soundtrack composer, Maestro Piero Piccioni. We can say it openly, one of its greatest score for cinema, intense, full of energy, orchestral, funky, melodic, touching, enthralling, passionate. An album that will be the score of your private summer, on your turn-table, in …
*200 copies limited edition* Human intervention modifying nature and occupying it by integrating into its space through architecture, nature reshaping spaces by (re)settling among structures in the form of a pulsating living organism, an ecosystem, a forest. An aural reflection on the experience of space and sound, and how the natural sound of a place can interact in particular with the architectural space that has occupied it. A visual, photographic and aural investigation of contemporary mount…
This recording was designed by Yasushi Utsunomiya, a brilliant engineer, using the newly proposed "Autonomulti" method. The DVD contains eight independent channels: the sound of the duo Nanaentai performing on the third floor of the building Shin-Imamiya Nichiuchi Building, Osaka (4 channels), the sound on the second floor below where they perform (2 channels), and the environmental sound on the roof of the building (2 channels). The interleaved 8-channel data DVD contains 8 independent channels…
Picchio dal Pozzo is regarded as one of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s. They share their original label with Henry Cow's Concerts, and were early invitees to the canonical Recommended Sampler. Aldo De Scalzi, Andrea Beccari, Giorgio Karaghiosoff and Paulo Griguolo all met at infant school and began playing Teleman, Corelli, Bach and Mozart together in their school orchestra. In 1969, Aldo's brother, one of …
Tim is best known as a founding member of the legendary avant rock group Henry Cow [1968-1978]. Pragma is an intense fusion of contemporary classical music and rock energy. There are six substantial compositions focusing on horns, violins, percussion, voices, & small orchestral ensembles. Includes: "SHHH" (for taped voices, including fragments of Ana-Maria Avram's 'Archae'); "For Looking Inside" (for 3 prepared violas) & 4 others.
Jon Rose and Chris Abrahams (of The Necks), after four decades of being parts of other projects, finally got around to recording as a duo. Jon uses a number of violins, including the bird - a specially made tenor hardanger fiddle with sympathetic strings; his tunings are non-standard, and create complex microtonal dissonances with the standard keyboard. Abrahams is unfazed and somehow manages to make the conversation coherent; they’re still speaking one language – probably because these are both…
This soundtrack contains many silences... Don't turn up the volume: it should be set so that the music and ambient sounds blend together. Better: open the windows and listen to it all. This is a four parts work, with an additional optional piece. To program this musical interlude in the listening sequence, call for the number 5. If your cd player doesn't allow sequence programming, just wait a few minutes after the fourth part: it is there somewhere.
New and old compositions for Luigi Russolo’s legendary Intonarumori. After publishing his visionary manifesto, the Art of Noises, in 1913, the futurist painter Luigi Russolo designed and built a revolutionary family of new instruments with which to compose with noise: black, wooden boxes, fitted with huge acoustic horns, crank-handles (to drive them) and levers (to vary the pitch). They came in different varieties – designed to give composers access to five of what Russolo had identified as ‘the…