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The Complete Spontaneous Event: Live 1967-1969
This tracks on this album were recorded between 1967 and 1969 and include all the tracks on the five sessions Ray Russell’s Quartet recorded ‘live’ for Jazz Club in that period. Those sessions included compositions from Ray’s first two albums he made as leader for CBS – Turn Circle and Dragon Hill. Just six tracks from these sessions were previously released on very limited edition vinyl as Spontaneous Event by Jazz In Britain in 2000. That album attracted particular interest on its release, it …
Raised Pleasure Dot
Drummer Joey Baron has played with such unorthodox types as John Zorn, Wayne Horvitz, and Tim Berne, so it's not surprising that his own sessions are equally diverse and ambitious. This date presents an unusual instrumental lineup and a freewheeling, constantly changing musical menu. Baron heads a trio with saxophone and trombone; the absence of bass, keyboards, or guitar results in intriguing voicings and the pieces are solely dependent on the interaction of his drumming with Ellery Eskelin’s s…
In Wildness Is The Preservation Of The World
The music on this recording is drawn from a range of solo, chamber, and orchestral works composed by Brian Fennelly (b 1937) over a period of two decades. In his thirty-year career, Fennelly has contributed more than sixty works to the repertoire of twentieth-century music. His most significant teachers were Mel Powell, Donald Martino, Gunther Schuller, George Perle, and Allen Forte.
The works presented here make use of a variety of harmonic systems: the complex and sophisticated serialism of In…
Piano Concerto for Left Hand and Orchestra
Gary Graffman and I have been staunch friends since we met as students at the Curtis Institute in 1943. The notion of pooling our talents, however, arose only when we returned to that Institute nearly five decades later, Gary as director, I on the faculty. Now Gary, who has not made professional use of his right hand since 1980, felt an urge to expand the admirable but restricted literature of left-hand works (most of them composed long ago for the elder brother of philosopher Ludwig Wittgenstei…
Dream Sequence (Chamber Music)
Andrew Imbrie (b 1921) is a composer whose independence and singularity of purpose have endowed a prodigious output that awaits wider discovery. His method of composing is not in and of itself remarkable. He is, rather, of a tradition wherein achievement is measured in terms of individuality, depth of expression, and craft.
His music reveals a preoccupation with line, which in turn generates form, harmony and color. Line also motivates the forward motion and energy that characterizes so much of…
Electronic Designs
Entirely remastered from the original analogue tapes and featuring brand new artwork designed by Luke Insect, this Four Flies reissue finally brings back to life one of the most surprising albums from the strange phenomenon that was the Italian library music of the Seventies.
Racional Vol 2 (LP)
Exact LP repro edition. Grey-area reissue of this legendary album, with top audio quality. When in 1974 the Brazilian soul singer Tim Maia discovered a book called Universo em Desencanto (Universe in Disenchantment) no-one around him would have predicted what would happen next. At that time Maia was one of Brazil's biggest pop stars, and undoubtedly its biggest soul singer. Singles like "Chocolate" and "Não Quero Dinheiro (Só Quero Amar)" had propelled him to the top of the charts. With his grou…
Radio Experiment Rome, February 1981
Warehouse fund ! An unusual detour in the Robert Wyatt catalogue, Radio Experiment Rome was recorded in February 1981, when the ex-Soft Machine drummer had been invited to record some material in-progress for a radio broadcast. The tone of these sessions is characterised by a free-roaming experimentation, laying down eight-track recordings of vocals, piano, hi-hat, jaw harp and a variety of analogue tape effects. This is Wyatt unhinged and completely let loose from the agenda of proper album rec…
Over The Edge
Eric Chasalow (b 1955), who grew to aesthetic maturity as Postmodernism was evolving, points (not at all surprisingly) to jazz as part of the family tree. In 1983, Chasalow created a set of three works for soloist and electronic sounds. The composer fashioned each, for cello, for soprano, and for flute, with particular accomplished performers in mind, taking his inspiration, he says, "from their personal styles and energy."
Chasalow composed Hanging in the Balance (1983) for the redoubtable cell…
Wes York
In a robustly maximalist age that gladly permits the fusion of unrelated styles and the flaunting of eclecticism, Wes York's (b 1949) music stands out as reductive, elliptical, elusive, implying diversity rather than spelling it out. It is a music that is unusual in its reconciliation of what had previously seemed two incompatible forms of Minimalism: the propulsive, harmony-and-rhythm driven sort pioneered by Philip Glass and Steve Reich, and the more mysterious and intangible ways of Morton F…
Past Tells
This is not a recording for the fainthearted, the straitlaced, or the stylistically correct. Bass trombonist David Taylor has assembled a multi-faceted self-portrait out of pieces he selected, inspired, and composed. His eclecticism demonstrates how meaningless the old stylistic boundaries are for a contemporary artist. Taylor is known for his work with such artists as Duke Ellington, Barbra Streisand, Frank Sinatra, Aretha Franklin, The Rolling Stones, and Quincy Jones. He also premiered compos…
Gravity
Joona Toivanen Trio returns to We Jazz Records with their new album "Gravity", out 31 January 2025. A landmark work for the long standing group, the album showcases the forward-looking sound of the band, moving way beyond the basic scope of the "piano trio". There’s a startling sense of telepathy and intimacy at work in the music of the Joona Toivanen Trio, something you can glean from the opening moments of their latest album, Gravity. It’s that rare synergy that can only come with years of tim…
McPhee Marker
Chicago-based saxophonist and clarinetist Ken Vandermark was invited to arrange a set of seventies music for a concert in 2019, and among the pieces he chose were tracks by funk legends Parliament and post-punk iconoclasts DNA. On this 12-inch 45rpm EP, Vandermark's band Marker presents a unique take on "Night of the Thumpasorus Peoples," drawn from Parliament's 1975 LP Mothership Connection, and DNA's "Egomaniac's Kiss," which first appeared on the classic 1978 Brian Eno-produced collection No …
Arthur Pétronio
Edition of 500. With fold-out poster and original sleeve design by Alain Geronnez. Arthur Petronio (1897-1983) was a French-Italian musician, poet and painter. Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France. Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe. Played solo violin for Belgian King Leopold II, at the age of 9. Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk. Develops and presents his “Verbophonie” in 191…
La Poupée Vivante
Four mouvements of electro-acoustic and vocal poetry projecting luminous shadows of a decadent fin de siècle. Performed by Timo van Luijk, Frédérique Bruyas and Arlette Aubin. Edition of 300 copies with printed inner sleeve.
Sodorome Vol. III: Les Romans de Massou
From 1973 until his death, Jean-Marie Massou lived isolated in the heart of the forest in the Lot, a territory he traversed and redrew in his own way, digging countless underground galleries, unearthing gigantic stones that he shifted, erected, aligned, piled up, engraved. When he was not moving heaven and earth, he drew and recorded on hundreds of cassettes his laments, his stories, his dreams, his speeches about the end of the world, ecological disaster, or the arrival of extraterrestrials. Je…
MU V / MU VI
Original 1984 copy of self produced studio album from 1984. Recorded and mixed at Conny’s Studio. Insane instrumentation, expanding the boundaries of percussion. Michael Ranta is an american percussionist based in Cologne since early seventies. Known for his one off collaboration with Toshi Ichiyanagi, Takehisa Kosugi, live performances with Hartmut Geerken and his own improv group Wired. This one is a solo recording of Ranta playing Sha-tik, Mu-yu, Mok-eo, Mu-ban, Bamboo Tubes, Bungkaka, Tongat…
Nestor's Nest
Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.
An unstoppable force his first recordings in the early 90’s Rob Mazurek has been at the forefront of experimentation and adventurous improvised music for most of the last 4 decades. The American composer, cornetist, and visual artist has been developing his own style of improvisational music with a myriad of collaborators, too many to list bu…
Pruning
On his Discrepant debut Memotone aka Bristolian Will Yates collects some unreleased recordings under a most aptly titled name - »Pruning« - following a healthy stream of releases for such esteemed labels as Black Acre, The Trilogy Tapes or Soda Gong. Considering the process of pruning as a practice of selective removal, the album takes its name at face value never falling into a mere collection of tossed off material or random B-side assemblage, making it a cohesive listen throughout its dispara…
Flow of Adhisthana
Prajñāghoṣa's debut ambient album on Into The Deep Treasury is a narrative, a musical poem, an attempt to share the story of a transformative odyssey — an outer and inner journey marked by higher aspirations, spiritual growth, and a profound connection with the world.