We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Liquid Rhythm
Three years after Stroom TV released his debut album Modified Perspectives, Kolàr released, Loops & Pieces, a documentation of sounds he has been working on in the period 2017-2020. According to Kolàr, this tape, also his first release for Dauw, was full of vaporous drafts transforming into solid forms with the help of time and distance. Compared to his previous work, the music on Loops & Pieces is much more stripped down and minimal, yet the dreamy character remained. On Liquid Rhythm, we see K…
Kwiatostan
Despite the Covid-19 outbreak disrupting promotional and concert plans of the band Błoto, the three pressings of the debut album ‘Erozje’ have quickly sold out. Instead of leaving fans with old (recorded in 2018) material, the quartet decided to build the momentum and release the second album in 2020, entitled ‘Kwiatostan’ (‘Inflorescence’).
About Time (LP)
* In process of stocking * Repressed for the first time in LP, 1971’s ‘About Time’ was the Ping Pong debut album. Founded by Alan Taylor from The Casuals it was one of the first bands in Italy (based in Bologna) to be inspired by the British sound of the period moving between late ‘60 psychedelic rock and the jazzy prog such Jethro Tull, Tonton Macoute, Camel and Caravan. 10 tracks all sung in English delicate and exceptionally well performed with warm precision, enthusiasm and greater energy in…
Stromsa​̈​nger
Christina Kubisch’s Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results.
Infinite Branches
*100 copies limited edition* 'Infinite Branches' explores multi-textural sound illustrations that encompass an array of calm tones and gentle movements. The ep features four beautiful arrangements by the artist with eight reworked vignettes- where two branches of the theme share a certain commonality, but never intersect. Infinite Branches is a compelling and inspirational paean to various forms and patterns of the ambient genre which include reworks by: 36, zakè, Pausal, City of Dawn, Ai Yamamo…
View From The Magician's Window
A 70's odyssey of moog infused cosmic krautrock and psychedelic baroque on this debut record from 'The Psychic Circle'
Transcendental Meeting at Hatagaya
Jared Carrigan plays synthesizer and sampler. Yuya Oguma plays bass guitar with effects. Zefan Sramek plays synthesizer with looper and effects. Recorded at Forestlimit in Hatagaya, Tokyo. Mastered by Taku Unami. "I bathe in the lake and walk through the forest in the rain. Sleeping outdoors, I feel as though I’m closer to the Earth. How do we maintain connection with each other? How do we communicate in ways that transcend language? I often reflect that so many of us are trapped in our own cult…
Vilnius Noir
Ran Blake, piano. David 'Knife' Fabris, guitar. Ran Blake solo and duo with David 'Knife' Fabris. Works from Alexander Olshansky, Joel Yennior, Jason Yeager, George Russell, Peter Udell, Tommy Goodman, Michel Legrand, Herman Yablokoff, Abraham Ellstein, Antonio Carlos Jobim, Stevie Wonder, Duke Ellington, Barney Bigard, Irving Mills. Recorded live on 10th December, 2010 at St. Catherine's Church by Arunas Zujus. Limited edition of 500 records
Live at the Magic Triangle
One of the most original cornet players to emerge from the avant-garde, the great 81-year-old Bobby Bradford hasn't dimmed at all over the years – and he sounds wonderful here on cornet in the company of   Ken Filiano – bass, effects,  Royal Hartigan – drums and Hafez Modirzadeh – tenor saxophone. Bobby made his mark in Los Angeles, playing with Ornette Coleman, Eric Dolphy and John Carter. Over two decades, saxophonist Hafez Modirzadeh has developed his pioneering chromodal concept, a cross-cul…
Live at the Open gate
Amid the structural redefinition of jazz music, which is continually ongoing and, as of late, has placed an emphasis on the merger between free improvisation, arch composition and pulsative, rock-based rhythms, there is still much conversation to be had on the relevance of tradition. Musicians are still reckoning with the world opened up by Ornette Coleman, an alto saxophonist (later violinist and trumpeter) and composer whose 1959 stand at New York’s Five Spot and subsequent LPs took the music …
A Wing Dissolved in Light
Peter Evans - piccolo trumpetJohn Butcher - tenor and soprano saxophonesFrédéric Blondy - pianoClayton Thomas - double bassPaul Lovens - selected and unselected drums and cymbals
Live at the Blue Whale
Edition of 300 copies. Recorded live on 15th January, 2017 at the Blue Whale, Los Angeles. Bobby Bradford - cornet, Hafez Modirzadeh - soprano saxophone, karna and khaen, Roberto Miguel Miranda - bass and Vijay Anderson - drums
Live At Willisau, 1993
NoBusiness presents Live at Willisau 1993, a new set of recordings by  Juozas Milašius / Tomas Kutavičius / Dalius Naujokaitis and Lithuanian Young Composers Orchestra recorded live 26th August, 1993 at Willisau Festival, Switzerland. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Juozas Milašius - guitarTomas Kutavičius - pianoDalius Naujokaitis - drums Lithuanian Young Composers Orchestra:Vytas Labutis - saxophones, cymbal, clapping, tramplingVilija Naujokaitienė - vocal,…
Live at Kerrytown House
Though modern, “avant-garde” jazz is an ensemble music often based on collective improvisation, solo performance is its own extraordinarily fruitful sub-area of investigation for the creative improviser. Without a reactive, interpretive partner (or several), the solo recital blurs the lines between composition and improvisation as the performer enters a world of unfettered development. Greene has been performing and recording solo since the 1970s, and these settings have yielded some of t…
Philip K. Dick Volume One
Following well-received releases on labels such as Satatuhatta, Krim Kram, and White Centipede Noise, Cyess Afxzs debuts a new series based on the novels of Philip K. Dick. It is tempting to describe this work as post-noise. But such verbiage is reductive at best.
Dead Harbor
This is a cassette released by American noise artist Dead Door Unit from the country's experimental/noise label Tribe Tapes in April 2024. Contains two 2-minute Lo-Fi junk harsh noise songs using field recordings and tapes. A sound lover's feast. The reincarnation of the individual sounds would be enough but the scalpel is applied in broader strokes.
The Spyked / Lamb Lays Down In Georgia
"The weave of events rises and falls creating an undulating flow like a living river of aural dramas." 46-minute program, handmade packagingJohn Olson, Max Julian Eastman, Creighton Jenkins
Music By Jean Eichelberger Ivey For Voices, Instruments, And Tape
*2024 stock. Custom CDr* This 1973 recording combines live performance and tape in order to “offer the best of both worlds, plus a dimension which neither live performer nor tape can reach alone.” There are four pieces on the album: “Terminus” and “Aldebaran” are each for a solo performer and tape, “Three Songs of Night” is for a large ensemble with intermittent tape, and “Cortege—for Charles Kent” is an entirely electronic piece. Liner notes contain a biography of composer Jean Eichelberger Ive…
Electronic Music
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the second in the North American Continent. The abstract songs are eerily captivating. Liner notes include explanations of how the songs were created, as well as biographical information on the members of the EMS.
New American Music, Vol. 4
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…