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The two moldy, water-logged LPs being reproduced here - the particular copies in question were steeped in Italian bog-water for decades, then recently proffered to the Mr. P.C. C.P. brain-trust - cover the self-released early-80s Electronic Free Jazz / Improv diversions of one Robert Aaron - the New York "Jazz Musician" / James Chance sideman who was recently arrested in connection to Philip Seymour Hoffman's death. That aside, let's focus on the music: both LPs - issued via Aaron's Private Arti…
1972 split release on Pathé Marconi EMI by the GMEB - Groupe de musique expérimentale de Bourges - founders & wife-and-husband team of Françoise Barrière & Christian Clozier. This is the first issue of Barrière's work & only the second of Clozier's after the Perspectives Musicales "Lettre À Une Demoiselle / Dichotomie / Petite Suite / D'Une Multitude En Fête" split w/ Jacques Lejeune (Creel Pone #073). Barrière's three-part "Cordes-Ci, Cordes-Ça" coats the A-side, electronically warping her Harp…
Handy collection of all of Composer James Dashow's early Computer Music issued in the vinyl era, including his 1982 Edipan "Computer Music / Musica Elettronica" LP, plus his track from the "Computer Directions" collection on CRI & the piece "La Pianta Di Livio" tucked onto the end of the soundtrack to the film "Oedipus Orca" released on Cinevox. Dashow started out in the Chicagoland area, studying with J. K. Randall amongst others before heading to Italy on a Fulbright in the late 60s where he s…
Wow, just wow. One of the dynamics at play in the C.P. program that has been all but absent in the recent catalogue is the "one man against the world" spec. These politically-charged times make me hesitant to use the catch-all "outsider", although, in the case of upstate-New York Composer Glenn Williams, it's clear that a palpable distance from the greater world was, indeed, in effect. Let's first focus on the music; the A-side's side-length title piece works a long-form take of the exact sort o…
Despite being something of a self-professed “Enthusiast” of exactly this kind of thing - privately-released LPs of minimal, experimental electronic music from the 1970s - I had literally never heard head nor hide of the storied Italian actor - he was in Roger Vadim’s wonderful Barbarella, Tinto Brass’ Attraction, and Vittorio de Sica’s Sunflower, something of a holy trifecta right there - Umberto di Grazia’s lone musical outing, featuring a series of minimal, experimental electronic etudes real…
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
Remember that period at the turn of the century when people were talking about Lounge, Exotica and Easy Listening? It was the so-called Cocktail Generation phenomenon, of which VIP 200, a quartet formed in Italy in 1999, was the ultimate expression as a band. The most important input came from the reissues and compilations of Italian soundtracks that debuted with great success at the time, and VIP 200's interpretations of them were genuine, rustic and rich in atmospheres that led back precisely …
Cinedelic Records present a reissue of Fred Bongusto's soundtrack for Conviene Far Bene L'Amore, originally released by Fonit Cetra International in 1975. In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L'Amore is a 1975 film written and directed by Pa…
‘Rituals’ is the new album of spiralling drone & ambient formations by Italian artist Danilo Betti aka April Clocks (Union Editions / Mixed Up); a masterwork of sublime disorientation by the Rimini-based outlier, arising from a period of reinvigorated artistic practice. Emerging just over a year after the project’s second album ‘It Takes Time’, ‘Rituals’ heads deeper into spheres of consuming, hypnagogic haze, coursing through nine coalescent compositions of amorphous yet absorbing electronics. …
*180 gram Gatefold Vinyl* One of the most exciting bands of the British Blues Boom era, Steamhammer was powered up by guitarist Martin Pugh and vocalist Kieran White. After gaining a reputation for steaming ‘live’ performances they were signed to CBS and released this debut album in 1969.
It is packed with dynamic performances, including ‘Junior’s Wailing’ - a track released as a single that became a hit in Germany (and was also successfully covered by Status Quo). Also among the tracks on the L…
"A beautiful solo album by experimental electronician/multiinstrumentalist Jean-Marc Foussat. The album is clearly dedicated to his son Victor Foussat, a young poet and painter who died this year. One of his paintings his reproduced on the inner sleeve, and Jean-Marc recites a poem of his in-between the two 20-minute tracks that make up the album. I rarely cross paths with Foussat’s music, but each opportunity is a delight. The two pieces here are powerful amalgams of synths and objects. Foussat…
Fou has struck again. Jean-Marc Foussat has volunteered so much of his time to collect all this free improvised music in its most explosive, confusing and emotionally charged moments that his litany becomes infinite! Summary of A Century (in Memoriam Annick et Fred). The musicians: the career of Antwerp pianist Fred Van Hove is so special (and ultimately little known to cognoscenti) that it seems to me to be a symbol of openness, a quality intrinsic to this “kind of musical practice. In the mid-…
A tour-de-force of solo improvisation from French trombonist Christiane Bopp, flawlessly captured by sound engineer Jean Marc Foussat, as Bopp transforms her instrument through technical skill, lyrical ability, and unusual technique, creating virtual duets, furtive expression, and thundering emotion, an absolutely impressive example of modern trombone language.
Sophie Agnel, piano, Daunik Lazro, tenor and bariton saxophones. Recorded at Dom, Moscow, June 22, 2016 by Maxim Khaykin
“C'était à Moscou au déclin d'une journée printanière particulièrement chaude. Deux citoyens firent leur apparition...”
Mikhaïl Boulgakov
"This disc represents the outcome of an improvised concert from February 2000 featuring double bassist Peter Kowald, saxophonist Daunik Lazro, together with the voice of Annick Nozati. Having had to resort once more to Google Translate I apologise in advance for misunderstandings and mistranslations. Comparing the French to Google’s English I can recognise the correctness of it but suspect that the nuances of language have been overlooked. The liner notes start with Nozati saying that she does n…
*2022 stock. Limited edition of 300 copies.* Note: All LPs have a small manufacturing defect: all delivered discs are not perfectly flat, they have a slight inclined shape which however does not prevent the perfect reproduction of the sound. We like to clarify this before your order but don't hesitate ordering such item as this small flaw is almost invisible and has no side efects.
Nordvargr makes a triumphant return to the darkambient scene after a few years of silence. Having focused more on …
Following up their 2019 album 'Summer Bummer', the trio of Rodrigo Amado on tenor saxophone, Goncalo Almeida on double bass, and Onno Govaert on drums are heard in this concert, recorded by Joaquim Monte at Namouche Studios, Lisbon, January 12th, 2020 in a solid set of confidently exploratory improvisation and engrossing group dialog balancing pensive reflection and fire.