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**Edition of 250** Following the release of Ambienti Coassiali’s Vol. 1 - Room 1-6 in 1988, the years and decades passed without another sound. For the few aware of them, it would have logically seemed that the project had been swallowed by the shadows of time. Then, in late 2017, came Spare Rooms, an incredible LP with clear conceptual links to the project’s debut - their first effort to emerge in 29 years. Issued by Artisti Del 900, the relaunch of legendary Italian imprint ADN, the album is n…
This EP features 3 unreleased early takes from Martin Revs Les Nymphes -album from 2008. Tracks are early 2006 stripped down versions. Sähkö dig out previously unreleased versions of Martin Rev’s ‘Les Nymphes’ cuts from cold storage, spanning singular takes on rock ’n roll techno, dark drone ambience and a slow rave peach by the Suicide legend.We almost mistook the swaggering nine minutes of ’Sophie Eagle (Early Version)’ for a Theo Parrish number, but nah, it’s definitely Martin Rev getting dow…
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
LP version. Bureau B present a reissue of Heldon's 6 - Interface, originally released in 1977. A brilliant moment occurs right at the end of Heldon's sixth album, Interface. The album's final song, its side-long title track, builds up slowly into a roaring tornado of fiercely mutating drum patterns, effervescent synth work, and guitar licks that wail into the atmosphere like an abandoned astronaut. Then, after nearly 19 minutes of highly futuristic avant-garde space rock, this ultramodern music …
Karen Dalton's 1971-released second album is given a deluxe 50th-anniversary reissue, freshly remastered with brand-new liner notes and a grab-bag of extra material, including previously-unreleased live recordings and alternate takes. A masterpiece, with or without the trimmings. Oklahoma-born icon Dalton is having a a moment, again. Last year, director Robert Yapkowitz released his documentary feature "Karen Dalton: In My Own Time", and now the the film's namesake is getting a deluxe reissue. D…
French avantgarde Jazz-Funk pioneers Cortex released three milestone albums during the seventies including the iconic Troupeau Bleu. Their music has been sampled by Hip Hop artists such as MF Doom, Wiz Khalifa, Lupe Fiasco and Rick Ross and as a consequence is still very much alive today.
Trad Vibe Records proudly presents a first time re-issue of their double sider 7inch single from 1976 Les Oiseaux Morts / Back To Life. We are sure that you will enjoy the melancholic beauty of “Les Oiseaux Mor…
The track Psychose, unreleased to date, was recorded by Cortex in 1977, for a film whose film was unfortunately destroyed in a fire. The original soundtrack, fortunately saved, has recently been found.
Soundtrack to the Classic Fellini Film on Double LP. Newly Remastered with Previously Unreleased Tracks! Cam Sugar is proud to announce the release of the restored soundtrack of La Dolce Vita, one of the timeless milestones of Italian cinema, directed by Federico Fellini and featuring music by Nino Rota. The release marks a new installment of CAM Sugar's Heritage series, the label's collection dedicated to the scores that made the history of Italian cinema.
La Dolce Vita is here presented in a n…
As Celer, Will Long and Danielle Baquet laid out a framework for extended exercises in ambience, texture and atmosphere. Their work, much of which was initially circulated through collectors, traders and fanatics, went on to become a blueprint for an approach to sound that was equal parts patient, generous and drifting. Cursory Asperses collects a unique set of shorter form works that typify the pairs interested in warmth and subtle density. Recorded between 2007 and 2008, it captures a culminat…
Remember hearing music while dreaming, fully confident that you’ll be able to reconstruct it once awake? Music that, as it turns out, you were the sole witness. In retrospect, why ruin the experience by something so vulgar as hearing it a second time, much less having to share it? We don’t mean to alarm you, but David Grubbs and Liam Keenan have returned from the dark side of the pillow bearing Your Music Encountered in a Dream.
Tip! *100 copies limited edition* Originally composed as a soundtrack for a live performance of Eva Geatti’s eponymous theatrical performance, La Vaga Grazia is a concert of synthesizers inspired by the electronic music of the 1950s, passing through the sparkle of library music and the cosmic sequencing of krautrock. Rhythmic machine scores alternated with digital glitches follow one another, directing and modifying the wandering flow of the performers on stage.
Hauras is the newly christened project for Howard Ryan, an idiosyncratic san francisco musician who had previously operated under the snickers moniker. this new name hauras translates from the finnish as ‘fragile,’ and a certain fragility exists as a dialectic condition to ryan’s strange sounds. the argument could be made that ryan is a deconstructionist of the archetypal ‘rock’ song, dissembling it into eerie echoes of guitar noise and narcoleptic vocals, something akin to michael morely’s work…
Vertonen is the work of Blake Edwards, a veteran of the chicago noise and experimental scene. with close to 100 releases many of them published through his own crippled intellect productions and ballast imprints spread over several decades, edwards has finetuned his craft of cryptically inclined, electronic invocations that might channel the raw brutality of industrial machinery or the existential claustrophobia of a submariner's voyage nearing its untimely end. there are numerous aesthetic face…
*200 copies limited edition* Australia-based baroque violinist Lizzy Welsh has recorded three new compositions for solo baroque violin—the astounding result of a decade-long process of commissioning repertoire of such work during her doctoral research. Each of the works on « The Target Has Disappeared » initiates an intimate conversation between Welsh and her instrument, outlining the contours of memory and loss, weaving together fragments of old and new traditions in the sound of gut strings.
2015 repress and remastered. Remastered CD edition of Une éclipse totale de soleil, Ghédalia Tazartès' third LP, originally released in 1984. Far away from contemporary music intellectualisms and the works of synthetic noise purists, this album features a new form of musical expression and is certainly one of the most original and creative records of the '80s. The value of this work was at the time underestimated and only a few people had a chance to listen to this beautiful music. The rec…
Brighton's Map 71 are a duo comprised of Andy Pyne (percussion, electronics) and Lisa Jayne (words, voice). Together they have been working away at an approach that draws from post-punk, improvisation, electronics, and other such realms of music to create a refreshing environment where reflection, wry observations, the abstract, and immersion can develop. They have existed for a few years now and had several releases out both on their own Foolproof Projects imprint and via a couple of other labe…