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2006 release ** Elaborate cardboard sleeve. Xavier Charles, clarinetist and electro-acoustical experimentalist (he uses variety of objects, which he throws into vibrating loud-speaker), played on the first edition of legendary Musica Genera Festival in 2002. Back then, he deeply impressed the polish audience with his charisma, therefore we were waiting for his firther performances with great anticipation, and now we are happy about this album. It's a recording of a live performance on board of M…
2007 release ** "Cones features Marcel Turkowsky and Ulf Schutte both members of Datashock and involved in other projects/labels like Aosuke, Tapetektoniks, UUHUU, Hui Tales Collection, Leo Mars and more. Their "Iceskating Elephants" shows four different cosmic soundtravels taken from their March Recording Sessions. When they are not parading into burlesque musicalia of beautyful underwater storiedrones read in muddy submarines floating to Kurosawa´s spiderwebcastle, they are visiting more concr…
2007 release ** "Brad Rose, the man behind the Digitalis and Foxglove labels returns with another solo album. Archaic Spines is an album that utilises only a bouzouki and a hint of vocals, spreading five celestial ragas over forty minutes of improvisation. Unlike the open tuned raga variations we've come to expect from the Takoma lineage, these pieces tend to be strummed with droning open strings as you'd find in classical sitar music. For all the nods toward Eastern harmonic patterns and improv…
2008 release ** 199 copies limited edition. Original 2007 CD copies repackaged in a new cover. The old A Silent Place warehouse was flooded by water, so a big amount of goods has been destroyed, in particular the original covers and all printed matters. Few original CD copies were saved and now found, so a new edition has been released. Packaged in a new redesigned cover. "We Could For Hours is instability. It represents the will to open the gates of unknown. It is the dark, whispered sounds and…
2005 release ** "Yawling Night Songs is the first album from the Italian collective Slumberwood who, after a long apprenticeship in the deepest crannies of the Italian underground, finally took some time to record this LP, now released for public consumption by the mighty A Silent Place label. Drawing inspiration from artists as diverse as Werner Herzog, Coil, Big Star, and This Heat, Slumberwood came to life years ago as a techno-industrial outfit before morphing into a completely different kin…
Fourth album from the free-spirited power trio that should need no long introduction by now, apart from the significant fact that Frank Rosaly has taken over the drum stool from Paal Nilssen-Love. No mean feat, seeing how the hand-in-glove rhythm section of Nilssen-Love and Håker Flaten has graced a large number of recordings over the years and built a solid reputation as one of modern jazz and improv's most reliable units. That said, the Chicago-based drummer is doing a remarkable job in bo…
Over the years the Menstruation Sisters have through a selective, but incredibly varied output of albums steadily built a reputation among music fans as a unique band. It was never a secret who the members of Menstruation Sisters were, yet the band's aura was shrouded in mystery and confusion, possibly because they would completely reinvent themselves with every new recorded statement. As a fan of the Menstruation Sisters you had to abandon everything you knew with each new piece of the puzzle.…
**100 copies, transparent blue vinyl** "These tracks are based on time stretched sounds created using my first, early attempt at programming a granular synthesizer in Pure Data. For this synthesizer, I inadvertently implemented a typical “beginners-error" in the algorithm, by basing the "scroll function" (which reads pre-recorded audio files at varying speeds) on a “control" object, rather than a “dsp”-object. This causes a discrepancy between the control data (which transmits control messages i…
2015 Release. Jonas Olesen is a Danish experimental composer and the coordinator of the Scandinavian education plan on sound art at Nordic Sound Art. He is back again with the home label BIN and his new album, which it might be defined as “analog-anthological”. Test features some source material, taken from a number of historical test records, and some psycho-acoustical demonstration recordings, including additional parts generated with a LEADER LFG-1300S Function Generator, and processed by an …
2014 Edition. 150 copies. The Forest Organ is a digital sound sculpture created in a interdisciplinary collaboration between artist Birgitte Kristensen and composer Søren Knudsen Lyngsø to a specific site for the exhibition Sculpture by the Sea 2013. The work is at the same time a computer controlled instrument integrated into the landscape and a dynamic sculpture consisting of sound. The Forest Organ will be situated in a clearing in the forest where it engages in a dialogue with the site’s ele…
Outre-nuit as Outre-noir by Pierre Soulages, the greatest nuances on subtle variations. The programme can be listened to in one go between Clara's two compositions, it's Xnoybis, an extraordinary performance by the great Giacinto Scelsi - a piece that makes you feel like you're listening for the first time - Giacinto Scelsi's Xnoybis (1964) is a journey amongst the reliefs contained within one single pitch. Written in three parts, the piece is an instinctive approach to the sound spectrum (the t…
**Deluxe gatefold sleeve with varnish effect including an 8 pages photo booklet.** "Pak Yan Lau, one of the most original pianists of the new European creative scene, has the ability to build complex formal architectures starting from minimal materials – insistent rhythms, barely hinted melodies, electronic effects as evocative as they are mysterious. Darin Gray uses his long experience as the backbone of many improvisational groups with a painstaking work on timbre and a deep and multiform soun…
Big Tip! Varder is a new LP-series dedicated to unearthing early Norwegian electronic music. When this new form of music began to spread in the 1950s, it required large studios with expensive equipment, and the outcome was often considered not commercial enough for record labels to venture into. But despite the meagre means, Norwegian composers threw themselves into new sonic adventures such as electroacoustics, musique concrète and computer music, travelling to studios in Norway, Sweden, Poland…
1992 release ** "Eric La Casa and Sylvie Larouche's first album of lush, cinematic ambience and unsettling atmosphere from 1992. La Casa's sense of drama and timing might sound familiar to those who know his (entirely excellent) later work with field recordings."
2001 release ** "A terrific drone album here, on this first solo-release, Werner Durand presents six works all dealing with the buzzing phenomena. This phenomena is found in many musical cultures around the world as an integral part of the sound, eg. with chinese and korean flutes, ethiopian and basque string instruments and also the Indian tanpura. The results are stunning: dense drones with pulsing, buzzing, dizzying movements swarm with an intoxicating cadence. Recorded in multi-track, the so…
2010 release ** "The main instrument on this CD is the organ, which sounds in fast mechanical sequences a bit unusual for our ears and more typical for the Berlin school of electronic music. Simple compositional structure meets vivid expression, liturgical atmosphere and a sublime metaphysical line running through the whole concept of the project. Some parallels can be drawn with the CD of the Sphere Rex project, released in 2009 by the same community of labels. And it is no coincidence, as bot…
1999 release ** "Zonk't comes from Paris and is led by Laurent Perrier who used to be in Nox, Cape Fear and ran the Odd Size label and store. He is now recording under this pseudonym, and also uses the alias Heal."
2003 release ** "The Physics Room and National Radio’s ‘revolutions per minute’ show have joined with curator Sally McIntyre to bring six of New Zealand’s emerging and acclaimed audio artists into the physical space of the gallery and headspace of radio broadcast. New audio works have been developed for the project by six artists: Philharmonic / Richard Francis / John McCallum / Radioqualia / Rachel Shearer / Wendyhouse. Each sound work is installed in the gallery space (with individual listenin…