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Essen 1970
A document of one of British folk-rock's great might-have-beens, captured just weeks before it ended. Recorded live at the Grugahalle in Essen on 23 October 1970, during the third Essen Pop & Blues Festival, Essen 1970 finds Fotheringay - the short-lived band Sandy Denny formed on leaving Fairport Convention - at the height of its powers, playing with the confidence of a group that believed it had years ahead of it. Within three months, it would be gone.
Fotheringay took its name from Denny's ow…
Psycotron - 1
** Limited edition of 150 hand-numbered copies in printed box with silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally issued in 1984 as a ca…
Blank Forms - Vol. 10: Alien Roots: Éliane Radigue (Book)
A detailed look at the elusive work of a French pioneer of musique concrète and electroacoustic composition Eliane Radigue
Saving One Who Was Dead / Little Crusader
Music for movies by Václav Kadrnka "Absence of the loved one is a theme running through both films, but during the creative process we never discuss with the Havels the themes, symptoms or attributes of the characters. We do not specify any meanings. Our collaboration is intuitive, based on interconnectedness. We neither explain things to each other nor analyse. From the outset we have a common goal: to quieten the viewers’ perception, to attune them to certain vibrations by visual, musical and…
Concert A Prades Le Lez Vol.2
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
Concert A Prades Le Lez Vol.1
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
Concert A Prades Le Lez Vol 1 & 2
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
Vol. 4 Jo Maka
Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka. The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tus…
Faint Light Blackens
*200 copies limited edition* On his fourth solo album, and debut work for the Psychic Liberation imprint, Henrik Munkeby Nørstebø presents Faint Light Blackens, a negotiation between the atomized instrumentation of the solo trombone is pushed towards a “full range wall of sound” over the concise sprawl of seven distinct acts on two sides of a vinyl record. The seven acts that make up the album were developed specifically for recording within Emanuel Vigeland’s “Tomba Emmanuelle”. The fresco with…
Spirit of Eden
On Spirit Of Eden, Talk Talk dissolve the idea of a “band” into a hushed, slow‑burning soundscape, six long pieces where jazz, blues, chamber music, and near‑silence fuse into something that feels less like an album and more like a single, ritual act of listening.
Panorama
Deluxe Tip-On jacket LP including exclusive and extensive liner notes. Remastered from the original master tapes. Transversales Disques proudly presents Panorama, an excursion through rare French soundtracks & other rarities mostly never reissued or compiled. 11 forgotten nuggets recorded between 1969 and 1980 by famous masters like Francis Lai, Alain Goraguer and Michel Magne alongside underrated composers like Jean Schwarz, Christian Gaubert or Maurice Lecoeur. A cinematic journey overflowing …
Memoire Magnetique, Vol. 1 (1966 – 1990) LP
**2021 Repress** Transversales is very glad to announce the release of Mémoire Magnétique, vol.1 spanning 1966-1990, revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty concert music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation fil…
Mémoire Magnétique, Vol. 2
Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late '50s, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also music…
Mémoire Magnétique, Vol. 3
Transversales Disques presents Mémoire Magnétique Vol.3, a revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani, spanning 1967-1971. This third volume offers unprecedented access to unreleased rarities from Parmegiani's personal archives - intimate glimpses into the working methods of one of electronic music's most visionary composers. The late Bernard Parmegiani (1927-2013) stands among the founding fathers of electroacoustic music, a core member of the…
Nafs At Peace
On Nafs At Peace, Jaubi turn a Lahore jam into a spiritual suite: North Indian raga, hip‑hop pulse and modal jazz woven into a journey from turmoil to stillness, as if Coltrane’s quest had been reimagined on tabla, sarangi and MPC‑haunted drums.
Grzybnia
On Grzybnia, Błoto return from a three‑year silence with their most concept‑driven set yet: a darkly glowing, mycelium‑inspired tangle of jazz, house and techno pulses, where four players improvise like a single underground network branching in all directions.
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Hìeratico
Biiig Tip! Italian drummer, composer and sound artist Nicolas Remondino announces the release of his new album Hìeratico, a work that delves into the borderlands between ritual, abstraction and contemporary experimental music. The record presents a radical reimagining of the drum set and percussion as an autonomous sound-world, where pulse, noise and silence continuously collide and reconfigure. On Hìeratico, Remondino treats rhythm as a living architecture rather than a mere time-keeping device…
Soundtracks for Toshio Matsumoto
250 copies. A third, extraordinary document. Purge.xxx continues its quiet, singular excavation of the work of Japanese composer Takashi Inagaki with Soundtracks for Toshio Matsumoto - five soundtracks gathered for the first time, newly transferred from the original tapes, mixed and mastered, and accompanied by an original essay by Jennifer Lucy Allan.
Toshio Matsumoto (1932-2017) was a foundational figure in Japanese experimental cinema - a film director, video artist, and theoretician best kno…
Dirty Water
Released in June 1966, Dirty Water stands as the definitive album by The Standells. Recorded during a two-day break from touring, the LP blends garage rock, attitude, and raw energy, powered by the iconic title track — a Top 10 hit and one of the band’s signature moments. A longtime cult favorite, it remains one of the strongest garage-rock statements of the 1960s.