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Le Temps des Figures du Soleil Noir
With Le Temps des Figures du Soleil Noir, Unglee Izi extends his shadowy electronic cosmos into a four‑hour box set: a slow‑burning, ascetic immersion where time dissolves into glacial pulses, spectral overtones and a solitary mind listening to its own echo.
Industrial Murder / Menstrual Bleeding
*60 copies limited edition*
The edition is handmade.The package consists of a black envelope of embossed cardboard (thickness 250 grams) that has two printed stickers in the center of both sides.The envelope is closed with two double black satin ribbons (one is black and one is red) that hold two metallic pendants, the one on front It's the clock hands, the one on back It's the symbol of the female gender.Inside the package there are:-CDr professionally printed in a black paper envelope-cover pr…
Atholgog
*30 copies limited edition*
Reissue of a work edited by Stridulum in 2007: 22 minutes of experimental-industrial and dark ambient. Usual not standard package made by BeTon FlashCut with a photo in black and white of M.B. in person!Handmade packaging.The mini CD-R is contained in an envelope (8.5 x 8.5 cm) contained in a 14 x 9 cm package, all printed in high quality paper (200 grams).The pachage is closed with a double black satin ribbon holding a golden nail.In addition to the mini CD-R, the en…
M.B. For Buddha
*30 copies limited edition*
This work had previously appeared only as a file on a compilation: now it has found its physical release. A single track of over 17 minutes of very reflective industrial and dark ambient music. A usual non-standard package made by BeTon Raw.Handmade packaging.The mini CD-R is contained in an envelope (14x9 cm) with fake postage and a postmark featuring the M.B. logo.In addition to the mini CD-R, the envelope also contains four postcard-style inserts (13.50x8.70 cm), t…
Organemia
*42 copies limited edition*
Handmade packaging.The CD-R is contained in a 13x13 cm brown cardboard archival sleeve. A sticker is placed on the sleeve.Inside the sleeve are:- a sleeve containing a black polycarbonate CD-R, which resembles vinyl. The CD-R is printed. The sleeve is a random color: yellow, green, orange, or blue.- a full-color bi-fold cover.- three bookmarks.- a mini poster.Layout – Antonio Benini
Loopspool
*36 copies limited edition*
Handmade packaging.The CD-R is contained in a 14x20 cm embossed beige cardboard envelope. A sticker is attached to the envelope.The envelope has a hole closed with two pieces of satin ribbon (grey and blue) holding a charm in silver metal wich represents the symbol of infinity.Inside the envelope are:- a plastic envelope containing the black vinyl-like polycarbonate CD-R. The CD-R is printed- a full-color tri-fold cover (13x13 cm. closed, 39x13 cm. developed)- a minip…
Konkrete Klaenge
*42 copies limited edition*
Handmade packaging.All materials are recycled.The CDR is contained in a striped plastic (black or transparent). The plastic bag is closed with metal staples.The plastic bag has pieces of metal wire attached to the bag with a length of gray cloth tape. A sticker is attached to the tape.Inside the bag are:- a small white bag containing the black vinyl-like polycarbonate CDR. A sticker is attached to the bag.- a black and white tri-fold cover- a small sticker
Seti Non Tael Tene
*100 copies limited edition* The encounter between Ramona Ponzini and Maurizio Bianchi yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic collisions.Maurizio Bianchi, a pioneer of the Italian industrial scene, chisels soundscapes built from abrasive, material noises, dissonant cadences, and atmospheres both dust-laden and rarefied yet simultaneously dense. The listener moves across th…
Mental Depression
*36 copies limited edition* Maurizio Bianchi amassed pre-transposed sounds together with hertzian waves; no electronics were utilized.
Another Perfect Day
Eight years since his last solo electric guitar record. Bill Orcutt returns to what made his playing essential: slashing chords, frenzied double-picking, angular runs that climb and ricochet. Recorded live at Cafe OTO. No computer loops. No gentle melodic glow. Just Orcutt and his four-string Fender through a tattered Twin Reverb.
Ecophony Rinne
One of the most innovative and ambitious albums ever made, Genioh Yamashirogumi’s Ecophony Rinne is a sonic masterpiece featuring over 200 musicians that expanded the limits of what music and sound could do.
The Sound of Raspberry
Tip! “This is what we need! In these confused, populistic and fascist times — this is the jazz we need! Urgent! Dedicated! Radical! Unique-face-peeling-cutting- edge- and- totally-in-your-face-MF! This is all we need for a better living! Think… Borbetomagus, John Zorn, TG, Masami Akita, Hanatarash… this is it and yet, not at all alike!” - Mats Gustafsson "Absolutely blistering duo album. The sax sounds like it's laser-cutting its way through the atmosphere while the drums expand and contract the…
Psychedelic Cumbia Party
This compilation brings together for the first time the best songs by Los Zheros, one of the most renowned cumbia bands to emerge in the early 1970s in Iquitos—alongside groups like Los Rogers and Los Wemblers—in the heart of Peru's Amazon capital. The unique Amazonian sound blended fast, percussive cumbia rhythms with electric guitars in a surf style—a distinctive fusion that came to define Peruvian-recorded cumbia, markedly different from the traditional cumbia styles that developed in other …
Flowers
On Flowers, Zuni (Benito Simoncini) moves from lean, guitar‑driven funk‑rock into more exploratory terrain, trading bluesy riffs for bass‑and‑synth experiments and spacey percussion pieces that gently unravel the classic Italian library mood.
Just Glittering/Idwal Fisher (Book)
Just Glittering and Idwal Fisher were two collaborative noise zines produced by Mark Wharton, featuring work by the genre’s finest exponents and fans. The first issues of Just Glittering appeared in the late 1990s, and the two zines went on to document a fertile decade of creative noise-making. Back then, you couldn’t walk past a pub in Leeds without hearing windows rattled by a passing Japanese noise artist or effects pedals looped into submission, whilst meat thermometers regularly disappeared…
America's Greatest Noise (Book)
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tells the story of Ron Lessard, owner of RRRecords, a record store in Lowell, Massachusetts and, from 1986 to 2009, a record label, releasing the albums of Blackhouse, F/i, PGR, the first Merzbow LP outside Japan and many more, regional compilations, th…
Ste Cy
Ste Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.These raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal - sensual and incendiary, seeping into the music like spice into flesh.
LP includes recto/verso insert with ly…
Delitto sull'Autostrada (7")
Tava Tava Rare is pleased to announce the first release on 7" of Franco Micalizzi's main theme to the film “Delitto Sull'Autostrada”, directed by Bruno Corbucci and starring the Italian-Cuban-American actor Tomas Milian. Eclectic, innovator, full of life and energy, out of the ordinary, the composer is best known for his scores in poliziotteschi films such as “Roma A Mano Armata”, “Napoli Violenta” or “Italia A Mano Armata”, whose theme was used also in Quentin Tarantino's “Death Proof”. The mus…
Drive Unlimited
We Are Busy Bodies presents Drive Unlimited. A gem by South African group The Drive, founded in 1971 by Adolphus "Bunny" Luthuli and Henry Sithole.
Remastered reissue by We Are Busy Bodies. Art restoration by Steve Lewin.
Desaceleradas
There's a bridge in Monterrey called El Puente del papa, and beneath it, on the dried-up Santa Catarina riverbed, something happened in the 1990s that nobody planned. Gabriel Dueñez was playing cumbia one night when his turntable's motor overheated and slowed everything down - voices became ghosts, accordion drones stretched into infinity, drums turned to liquid. The crowd kept dancing. Cumbia rebajada was born from a technical failure that revealed something true about memory, about displacemen…